LPH 776 - Hysterical Times (1968-2020)
2 hours ago
Friday, 13 February 2015
Richard Lloyd on 'Marquee Moon'
My part is in the right speaker. The hard part I wrote for See No Evil. No-one has duplicated it correctly. Ever.Via
I also play the solo on the beginning song on each side of the Vinyl. Venus I play all the melody except the solo, which is Tom. Friction I wrote the beginning part which goes through the entire song -- no songwriting credit Tom plays the leads on this one because I have to keep my part underneath...Marquee Moon is mostly Tom's but I play the harder part in the verses, and the first solo after the second verse. And the double stop trills, but Tom showed them to me. I play the lead in the choruses.
After the third verse I take over the rhythm while Tom plays the solo. This seems like a different version than the original. It's a little symphony with parts we all knew. The rise happens three time and then come the "Birdies" by Tom.
Then it starts over and ends. This IS a different version.
That's me starting Elevation with the "cupped" minor chord Am Dm Em. And the leads in the chorus with the bends. Then back to the "cupped minors" I play the solo which is double tracked. It is written exactly and I can replicate whatever I play which either Tom of Andy Johns could believe till I did it. Lots of doubling by me on the record.
I wrote the line to Guiding Light and told Tom if I didn't get songwriting credit I would not play it. So finally I got one song as a co-write. I play the solo and the melody for the last minute is 8 tracks of one melody of mine.
Tom plays the piano. I play the solos. Tom is a good pianist.
I turned the rhythm on Prove It into a calypso/reggae and play the leads in the chorus. Tom plays the solo...till the vocal returns.
Billy's timpani trick begins the next song & I play the rhythm as in Foxhole. Otherwise I have little to do with it.
David Carr: Me and My Girls
...To be an addict is to be something of a cognitive acrobat. You spread versions of yourself around, giving each person the truth he or she needs — you need, actually — to keep them at a remove. Let’s stipulate that I do not have a good memory, having recklessly sautéed my brain in fistfuls of pharmaceutical spices. Beyond impairment, there may be no more unreliable narrator than an addict. Recovered or not, I am someone who used my mouth to constantly create one more opportunity to get high.Here is what I deserved: hepatitis C, federal prison time, H.I.V., a cold park bench, an early, addled death.Here is what I got: the smart, pretty wife, the three lovely children, the job that impresses.Here is what I remember about how That Guy became This Guy: not much. But my version of events is worth knowing, if for no other reason than I was there.
Thursday, 12 February 2015
Sherwood & Pinch Live @Rough Trade East 13/2/15
Adrian Sherwood & Pinch - NE171 Mix
Tracklist:
1. Adrian Sherwood ‘Amongst The Grateful’ (On-U Sound)
2. Pursuit Grooves ‘Transformation Of Consciousness’ (Tectonic)
3. Roska ‘Hyperion’ (Tectonic)
4. Scientist vs ASBO ‘Dog Money Dub’ (Tectonic)
5. Sherwood & Pinch ‘Precinct Of Sound’ (On-U Sound vs Tectonic)
6. “DeProgramme You” Adrian Sherwood (unreleased Onu Sound)
7. Lee ‘Scratch’ Perry “Train To Doomsville” (from the On-U Sound album Pay It All back Vol.2)
8. Sherwood & Pinch ‘Shadowrun’ (On-U Sound vs Tectonic)
9. Kahn ‘Dread’ (Deep Medi)
10. Sherwood & Pinch ‘Music Killer (Machinedrum remix) (On-U Sound vs Tectonic)
11. Rashad & Spin & Taso ‘Cream’ VIP (Teklife)
12. Defce ‘Purposed’ (Ohm Resistance)
13. Machinedrum ‘Eyesdontlie (Sherwood & Pinch Clash Machinedrum Dub Fi Dub, Downtown, Uptown and All Around Town Remix)’
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