Saturday, 7 February 2015

Cabaret Voltaire - Live @Keystone Berkeley (25/10/80)

Why Katy Perry’s Lawyers Just Jumped The Shark

Tim Minchin: Storm

Why don't kids walk to school anymore?

Ouroboros: Parents driving their kids to school because it's too dangerous to walk as there are too many cars on the road

Sherwood & Pinch - In Session (Mixmag)

Tracklist:
1. "Elixir Of Life” Lee Perry & Adrian Sherwood
2. Sherwood & Pinch "Africa 138"
3. "The Show Is Coming” Dub Syndicate
4. Nurve "Clik Clak"
5. Mumdance & Logos "Chaos Engine"
6. Walton "Wrench"
7. Acre "Blue Moon"
8. Kinzy "3Style"
9. "Phase Recording” Higher Authorities
10. "Night Train” Dub Syndicate
11. RSD "Dr Woh!"
12. Illumsphere "Dreamstealin'"
13. 2562 "Vibedoctor"
14. Disrupt "Secret Laboratory” (Lee Perry / Disrupt - unreleased remix)
15. "A Piece Of The Earth” Adrian Sherwood w/ Little Roy
16. Kode 9 & Spaceape "Abeng"
17. Moving Ninja "Uranium"
18. Sherwood & Pinch "Wild Birds"
19. Dub Syndicate "Stoned Immaculate"
20. "Truna Cumbia Bien" Los Gaiteros De San Jucinto
21. "Hey Ho" Dub Syndicate
22. Scientist vs King Midas Sound "U Dub (Part 2)"
23. “Mind Control”
24. "Programme You” Adrian Sherwood
Info
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Friday, 6 February 2015

Chinawoman - Party Girl (Party Mix)

Alec Empire presents new Atari Teenage Riot album 'Reset' (Albumstream)

1. J1M1
2. Street Grime
3. Reset
4. Death Machine
5. Modern Liars
6. Crash
7. New Blood
8. Transducer
9. Erase Your Face
10. We Are From The Internet
www.atari-teenage-riot.com

No junk

Dub Syndicate (ft U Roy) - Dub Is All I Got (Robo Bass Hifi re-shape)

Molly Crabapple on Broken Windows Policing

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Interview

The Odyssey of Captain Beefheart

Thursday, 5 February 2015

A message from Daevid Allen

(Click to enlarge)
Via

Gareth Sager: Symphonies For The Devil

Never mind … “This Land Is Your Land” by Woody Guthrie, Dylan’s “With God On Our Side,” Marley’s “Exodus,” the Sex Pistols’ “Anarchy In The UK” and ”Forces Of Oppression” by The Pop Group …
Long before these chants against evil oppressors were penned, deep in the bosom of the good folk of Europe and further afield, there were rallying calls to arms. Rallying calls or the basic blues moan of the servant against the master …
National anthems have become the stock soundtrack to events judged to be of national importance, a sort of aural wallpaper that is so familiar to us now that we’re in danger of overlooking what they really are.
And the point is this: National anthems are folk songs pure and simple, and not only that, folk songs that are bellowed out millions of lungs all over the world, with gusto, passion and an earnest commitment that most folk singers could only dream about.
Like all good folk culture, the national anthem is adaptable and co-opted to a multitude of ends: an out-of-tune sing a long before a football match or a call to revolution for the French with the “La Marseillaise.” In the 1970s and ’80s, “Amhran na bhFiann” became a test of subversion and loyalty for the Irish—anyone not standing when it was sung in the inevitable lock-in in London’s Irish pubs risked prompt defenestration...

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