Izabel Caligiore - Higher Love II Mix

Izabel used to host the Lullabies For Insomniacs radio show on PBS 106.7FM here in Melbourne. At the moment she lives in London and as
she says: “The mix I have done for you is inspired by Autumn in London, visiting the Sigma Polke
exhibition at the Tate Modern and Paul Virilio’s ‘Speed of Politics'”




Tracklist

Speed and Politics

Paul Virilio

Decoder

Mogwai - Teenage Exorcists

Taken from 'Music Industry 3. Fitness Industry 1.' EP out 1st December via Rock Action Records

Danielle Dax & Lou Reed

Via We Love Danielle Dax!

Wind wandering Komusō monks

Komusō

The U.S. Could Learn a Lot About Domestic Policing From What it Preaches Abroad

A Thanksgiving Prayer

William S. Burroughs (Duke Street London 1973)

The Velvet Underground/Exploding Plastic Inevitable live filmed by Andy Warhol in Boston 1967 (30 mins/colour)

Via

Birthright Citizenship in the United States: A Global Comparison

Oh dear...

Via

...oh dear

...oh dear

...oh dear

Ad Break: Airbnb

The making of

Jennifer Shryane: 'Evading do-re-mi' - Destruction and Utopia (A Study of Einstürzende Neubauten) PDF

Thesis: PhD Performing Arts University of Liverpool (2009)
ABSTRACT:
This thesis represents the first comprehensive examination in English of the work of the Berlin-based music collective, Einstürzende Neubauten. It intends to offer evidence that the sonic forays of this group have not only defined a particular cultural moment but have also created new musical possibilities (to appropriate words from Brandon LaBelle). It does this by investigating why the work of these musicians is important within contemporary music, what cultural concerns their music reflects and how the music is created, performed and disseminated. These questions are explored through a range of contexts, including post-war Berlin, Germany’s problematic relationship with music, the development of Musique Concrète, Noise/Music and strategies for creative independence. There is a detailed analysis of Neubauten’s performance and textual techniques.
This thesis argues that Einstürzende Neubauten are one of the few examples of ‘rock-based’ artists who have been able to sustain a breadth and depth of work over a number of years while remaining experimental and open to development; that their work offers evidence that they are one of the most complete examples of Artaudian practice in contemporary performance and that their Supporter Initiative (2002-2007) provided a unique working strategy for independence of the consumerist model of music. Finally, it argues that their work helps to present the case for the re-evaulation of European, non-English language contemporary music.
Note -this version contains German spellings, corrected after final submission at the author's request.
HERE

(Bedankt Erik!)