Saturday 10 May 2014

Type In Punk


Thursday 8 May 2014

Anti Fascist Interlude

Jeremy Clarkson: 'Wog. Spastic. Queer. Nigger. Dwarf. Cripple. Fatty. Gimp. Paki. Mick. Mong. Poof. Coon. Gyppo...Beverage'

From column 'The worst word in the language' The Sunday Times (2006). Reprinted in 'For Crying Out Loud 3'
(Thanx Gavin!)

Suzanne Moore: Jeremy Clarkson and Ukip are not mavericks, but the bullying face of the establishment

New Music Cities: New York (Narrated by Richard Hell)


Richard Hell on The Velvet Underground

HA!

(Click to enlarge)
(Thanx Willard!)

Wednesday 7 May 2014

Swans - To Be Kind (Stream)

Listen
Info

Tuesday 6 May 2014

'Turn From Your Punk Ways & Be Baptized...'

Friday 2 May 2014

Iggy Pop, Nick Cave, Thurston Moore & Jim Sclavunos - Nobody's City

HA!


Nick Zedd: Wild World Of Lydia Lunch (1983)


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Thursday 1 May 2014

Thurston Moore on What Drew Him to New York, Art-Rock, and Forming Sonic Youth

Kathy. Ack. (When Kathy Met Cathy)


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Kathy Acker (1947-1997) was an experimental writer whose works include Blood and Guts in High School, Don Quixote: Which Was a Dream, Empire of the Senseless, and In Memoriam to Identity. Steeped in philosophy and literary theory, informed by Acker's life (her mother's suicide, her experiences as a sex worker, etc.), and with an irreverent glee for dismantling and re-imagining the Western canon, Acker's novels, poetry, and essays engage with questions of identity, authorship, politics, sexuality, and violence.
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Cathy Guisewite (1950- ) is a cartoonist known for the widely-syndicated and long-running comic strip Cathy. These strips have been collected in dozens of volumes, including Wake Me Up When I'm a Size 5, Revelations from a 45-Pound Purse, and Abs of Steel, Buns of Cinnamon. The titular Cathy is said to be based on Guisewite's own experiences as a single woman; the character's exploits revolve around work, family, romance, and her complicated relationship with food and her body.
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HERE
(Thanx Madeleine!)

Happy Birthday Willie



'I'm Not A Musician' An Interview With Kim Gordon