What I'm really complaining about is a lack of progressive ideas in music. Everything seems to be about just going back and reworking it and it becomes static – sort of like a zombie culture. As I listen to Savages, I have a terrible vision of Siouxsie Sioux coming towards me like a zombie. And nothing will kill that kind of music, because, and this is rude, but what is now called post-punk – that slightly angular stuff that borrowed off punk but took stuff from funk and all sorts of other devices – had its time and had its place. At the moment it’s just being reworked and it doesn't have any meaning to it. Like Mumford and Sons rework folk music and they don’t add any meaning to it either. It’s like they’ve stuck on beards
Monday, 10 February 2014
Adam Curtis
Sunday, 9 February 2014
Climate State
On 8 May 1974, Henry Kissinger sent a cable
from the U.S. State Department to the Secretary General of the UN. The
cable contained a letter to the World Meteorological Organization (WMO)
Secretary General D.A. Davies from Robert M. White, permanent
representative of the U.S. to the WMO:
Dear Mr. Secretary-General. Increasingly, world leaders have expressed concern over indications of possible long-term climate change. This concern has become particularly prominent in relation to the Sahel droughtIn his address on April 15, 1974, to the sixth special session of the United Nations General Assembly, Secretary Kissinger called attention to this problem, noting that its implications for global food and population policies are ominous. He proposed that this problem be urgently investigated with the objective of identifying guidelines for international action. Potentially, the resources of many parts of the UN system will be involved. A better understanding of the meteorological aspects of climate change, together with an appreciation of the impact of such change on the well being of the world, is basic to the development of solutions.
That climate change would develop into the major nation security crisis for the U.S. has long been understood by policy makers. A fact that is at odds with their policy of climate change inaction.
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Saturday, 8 February 2014
Friday, 7 February 2014
Thursday, 6 February 2014
Dante's 'Radio Inferno' (1993)
'A surrender to sin leads by degradation to self indulgence. Here beatnik Burroughs has to read his own books for all time'
In 1993, German artist Andreas Ammer teamed up with members of Einstürzende Neubauten and legendary DJ John Peel to produce a radio play of Dante's Divine Comedy. The result was Radio Inferno, with music by Einstürzende's F.M. Einheit, and starring Blixa Bargeld as Dante, Phil Minton as Virgil, and John Peel as "The Radio" (the narrator) and Caspar Brötzmann on guitar
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In 1993, German artist Andreas Ammer teamed up with members of Einstürzende Neubauten and legendary DJ John Peel to produce a radio play of Dante's Divine Comedy. The result was Radio Inferno, with music by Einstürzende's F.M. Einheit, and starring Blixa Bargeld as Dante, Phil Minton as Virgil, and John Peel as "The Radio" (the narrator) and Caspar Brötzmann on guitar
Info
Download
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