Saturday, 6 July 2013

Cover of the first BUY or DIE!, Ralph Records’ mail order catalogue

Via
(Thanx Mark!)

She's a Punk Rocker U.K. (Zillah Minx 2010)

The Full version of Documentary "She's A Punk Rocker U.K" Directed by Zillah Minx. Made by and about Punk Rock Women, 1977 Punk Rock an Oral History by the women who were part of Punk.
"Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women's liberation story." Caroline Coon

Friday, 5 July 2013

llustrating Twitter's #BooksWithaLetterMissing



Sometimes hashtags are annoying, but sometimes they bring out creative genius. Take “Books With a Letter Missing”  (#bookswithalettermissing). Though many Twitter users have contributed ideas, one, @darth, has actually been Photoshopping the covers of these “fake” books.
Via

Guy Debord 3D Action Figure

3D-printed Guy Debord action figures. Produced by McKenzie Wark, design by Peer Hansen, with technical assistance by Rachel L. Modified by Patrick Lichty.
(Thanx to Ken for the images!)
DOWNLOAD FILES
HERE

A Cavalier History of Situationism: An Interview with McKenzie Wark

Guy Debord: La Société du spectacle (1973)

Info
The Society of the Spectacle

Thursday, 4 July 2013

Adrian Sherwood on 'Tackhead Tape Time'

“Tackhead Tape Time was made from unreleased and exclusive versions of our recordings that were like Dub Plates, unique cuts of tracks but ones that only we could play out. In the studio we would make the “main” version and then would do dub versions that Gary Clail would play before and after the band went on stage for a live show. In this period we recorded everything using analog tape. A lot of the time when setting up the mixes I was running stripped down versions of the tracks and dubbing them up and Gary would be recording cassettes of the session…these sounded to a lot of people better than over produced and cluttered tracks,raw and somewhat mangled but with Keith Le Blanc’s great drumming and programming holding them together. Add the great grooves, the vocal samples that Keith referred to as “news on the beat”, Doug Wimbish’s bass, Skip McDonald’s guitar and keyboards, and my stripped down mixes -plus the fact that a lot of it was mastered straight from the often overloaded cassettes – this record has a great edge to it.”
Via

Out now!


Gee Vaucher: Liberty/Justice

(Pencil & gouache on paper)
(Screenprint over 'Liberty')
Gee w/ REsearch's Val Vale

Friendly as a hand grenade indeed!

Happy Fourth

As my friend Tommy says: 'Americans. Happy Independence Day. I wish we could be independent from these fuckers too.'

♪♫ Spoek Mathambo - Escape From '85 Mix (Free Download)

Escape From ‘85 – a mixtape of 12 tracks inspired by the year of Spoek's birth.
Escape From ‘85 celebrates the music and culture of the 1980s – featuring guest artists including Yadi, Terri Walker, BB James, Seye, Cherry B, DJ Wool, Cerebral Vortex, Fannie Sosa and DJ Maddjazz.
Interview

FUCK WIMBLEDON!

Via

Kate Moss: 'I’d go on the train to castings, changing from my school uniform on the train. I carried on like that for a few years, getting jobs in bits and pieces'

Corinne Day (1990)
Nick Knight (2003)
Chuck Close (2003)
Allen Jones (2013)

Ad Break: Kate Moss for Versace


Via

After Marrow Transplants, 2 More Patients Appear H.I.V.-Free Without Drug

Two H.I.V.-infected patients in Boston who had bone-marrow transplants for blood cancers have apparently been virus-free for weeks since their antiretroviral drugs were stopped, researchers at an international AIDS conference announced Wednesday.
The patients’ success echoes that of Timothy Ray Brown, the famous “Berlin patient,” who has shown no signs of resurgent virus in the five years since he got a bone-marrow transplant from a donor with a rare mutation conferring resistance to H.I.V. ...
 

After Mohammad Morsi's Ouster, a Second Chance for Obama

The Egyptian army’s removal of President Mohammad Morsi gives the Obama administration that rarest of opportunities in foreign policy: a second chance. Getting it right will require understanding where we went wrong the first time.
To some, President Obama’s fundamental error in Egypt policy was to withdraw U.S. support from longtime leader Hosni Mubarak in February 2011, when thousands of Egyptians first filled Tahrir Square demanding change. In this view, the United States should have stuck by Mubarak, a firm opponent of the Muslim Brotherhood whose soldiers fought alongside U.S. troops in the Persian Gulf war and who remained faithful to Egypt’s peace with Israel despite isolation in the Arab world.
That view, however, is wrong. Mubarak’s failing health meant that his rule was coming to an end, a fact he refused to face, instead surrounding himself with sycophants and acting like a modern pharoah. To U.S. interests, Mubarak had become a liability, and there was a reasonable alternative...