Joseph Schmidt - 1904 - 1942 (BelAge)
9 minutes ago
Sunday, 23 June 2013
Saturday, 22 June 2013
♪♫ Dub Gabriel - Reggae Special (Vintage Vinyl Mix)
Dub Gabriel recently set up his turntables at the d/a/c lab. He hooked up his tape delays, reverbs and dub sirens and dropped a 1 1/2 hour set of all vintage vinyl with essential selections of vintage dancehall, reggae & dub. Recorded live at his studio, these vintage selections guarantee to warm up the sound system this summer.
Purple Man - King of the Way
Sancho – Chase Vampire
Billy Boyo - Wicked She Wicked
Carol Kalphat - African Land
Sly & Robbie - Rocks and Mountains
Ranking Dread - Africa
Burro Banton - Can't Take the Running’s in a Babylon
Junior Cat - Anerexol Body
Michigan & Smiley - Down Presser
Nicodemus - Birdman Hunting
Prince Far I - Red Sea
Tapper Zuki - Man Ah Warrior
Yellowman - Strong Me Strong
Prince Jazzbo - In Jah Jah Name
R. Shirley - Everybody Needs A Friend
Ranking Dread - Hard Times
Horace Andy - Money Money
Lee Van Cliff - Bam Salute
Singers & Players - Dungeon & Merchant Ship
Smiley Culture - Cockney Translation
Anthony Red Rose - Dub Organizer Part Two
Wayne Palmer - Suzie
Barrington Lavy - Na Broke No Fight Over Woman
King Burnett - Paul Bogle
Junior Brammer - All Gone
Download
The Beatles watch The Jimi Hendrix Experience (Saville Theatre London 4/6/67)
The Beatles’ Sgt. Pepper album had just been released on June 1. Hendrix, had got a copy of Sgt. Pepper prior to the show. The album had only been out for a couple of days, and there are some who say he bought it and others who say Paul McCartney had given it to him.
The Beatles decided to go see The Jimi Hendrix Experience at The Saville.
Hendrix decided to open the show with his version of “Sgt. Pepper’s Lonely Hearts Club Band“. They learned the song just before going the stage.
Hendrix didn’t know at the time that The Beatles were in the audience. Paul McCartney said later he was honored by the tribute; “simply incredible, perhaps the best I have ever seen him play.”
McCartney talking about the night a month ago
Via
An interview with Holger Czukay
...And you were responsible for all the editing?I was a bass player - I thought being the bass player of Can nobody will listen to the bass. I could hide myself quite good because I was afraid I was not good enough. So I could with one hand mix everything straight away and with the other one I can play bass. And if something was not right we cut out the mistakes like that. We did not need any multi-track machine and actually it was the best time of Can as everyone was responsible for the whole result. If someone was getting too loud - and there were no limiters or nothing - and disturbed the balance he has destroyed the upcoming album somehow. A special responsibility was required. And therefore I say it was more of a church or a place of rituals than it was a normal tone studio.
After a while we got a little bit successful, we had a hit and we bought a multi-track machine. It was 1975. More or less this was the beginning of the end of Can. Because of the multi-track the musicians thought they want to avoid any mistakes they want to get the best output they are able to do. That means it was not any more this sort of 'underground' idea. No, now suddenly a different programme started...
♪♫ Steve Earle Live on KEXP (18/4/13)
http://KEXP.ORG presents Steve Earle performing live in the KEXP studio. Recorded April 18, 2013.
Songs:
The Low Highway
Burnin' It Down
Invisible
Remember Me
Host: Stevie Zoom
Audio Engineer: Kevin Suggs
Cameras: Jim Beckmann, Shelly Corbett & Scott Holpainen
Editor: Scott Holpainen
http://kexp.org
http://steveearle.com
Songs:
The Low Highway
Burnin' It Down
Invisible
Remember Me
Host: Stevie Zoom
Audio Engineer: Kevin Suggs
Cameras: Jim Beckmann, Shelly Corbett & Scott Holpainen
Editor: Scott Holpainen
http://kexp.org
http://steveearle.com
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