Monday, 12 November 2012

Black Cab - Go Slow

Scientology comes to Israel

Here save yourself a lot of money...


Operation Clambake

DDoS Attacks Take Down What.cd, BTN and More BitTorrent Trackers

The Sins Of General David Petraeus

Have You Seen This Man?

Via

The Jon Spencer Blues Explosion - Live on WFMU's Cherry Blossom Clinic (27/10/12)

Download

Monopoly Is Theft

Sunday, 11 November 2012

English Defence League Hacked By ZHC


Typefaces Created Entirely With Computer Codes

Graphic artist and interactive visual designer Yeohyun Ahn has created a collection of typefaces for the digital age—using only computer codes.
Using mathematical expressions and algorithms, ‘TYPE+CODE II’ represents a completely new form of typography that does not follow the centuries-old traditions of the typographic world.
Each a tiny piece of software, the letters in the collection are characterized by the highly structured, complex yet mesmerizing patterns that one would expect of computer-generated products.
According to the artist, not all of the typefaces are presented in full alphabetical sets as they “were created by using computer codes, which means [she] can easily switch any letter from A to Z through just typing in [her] computer codes”.
View more of these futuristic typography HERE.
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Mental Mentality?


Age Shall Not Weary Them

Brian David Stevens: They That Are Left

La Haine (1995)

Click the caption button on the bottom right next to change quality button and select language from multi subtitles (Arabic Bulgarian Czech German Greek English Spanish Estonian Finish French Croatian Italian Bosnian Dutch Portuguese Russian Slovenian Serbian Swedish)
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Takes me back to a great night about 8 or 9 years ago watching Asian Dub Foundation soundtrack this film on a beautiful summer evening, which was also my birthday, at the Myer Music Bowl here in Melbourne.

Lost to History: Missing War Records Complicate Benefit Claims by Iraq, Afghanistan Veterans

A strange thing happened when Christopher DeLara filed for disability benefits after his tour in Iraq: The U.S. Army said it had no records showing he had ever been overseas.
DeLara had searing memories of his combat experiences. A friend bled to death before his eyes. He saw an insurgent shoot his commander in the head. And, most hauntingly, he recalled firing at an Iraqi boy who had attacked his convoy.
The Army said it could find no field records documenting any of these incidents.
DeLara appealed, fighting for five years before a judge accepted the testimony of an officer in his unit. By then he had divorced, was briefly homeless and had sought solace in drugs and alcohol.
DeLara's case is part of a much larger problem that has plagued the U.S. military since the 1990 Gulf War: a failure to create and maintain the types of field records that have documented American conflicts since the Revolutionary War.
A joint investigation by ProPublica and The Seattle Times has found that the recordkeeping breakdown was especially acute in the early years of the Iraq war, when insurgents deployed improvised bombs with devastating effects on U.S. soldiers. The military has also lost or destroyed records from Afghanistan, according to officials and previously undisclosed documents.
The loss of field records — after-action write-ups, intelligence reports and other day-to-day accounts from the war zones — has far-reaching implications. It has complicated efforts by soldiers like DeLara to claim benefits. And it makes it harder for military strategists to learn the lessons from Iraq and Afghanistan, two of the nation's most protracted wars.
Military officers and historians say field records provide the granular details that, when woven together, tell larger stories hidden from participants in the day-to-day confusion of combat.
The Army says it has taken steps to improve handling of records — including better training and more emphasis from top commanders. But officials familiar with the problem said the missing material may never be retrieved.
"I can't even start to describe the dimensions of the problem," said Conrad C. Crane, director of the U.S. Army's Military History Institute. "I fear we're never really going to know clearly what happened in Iraq and Afghanistan because we don't have the records..."
Continue reading
 HERE

Don't Get Me Started - Stewart Lee: What's So Wrong About Blasphemy?

Stewart Lee talks about blasphemy and how religions deal with criticism. Talking to various commentators, including Liberty director Shami Chakrabarti, journalist Polly Toynbee and writer Alan Moore.