Sunday, 14 October 2012

Nicolas Jaar - Live At Sonar Lab (Barcelona 15/6/12)

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Sebastian Krüger: Kurt

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Peter Christopherson: Photographs


Music - Throbbing Gristle
Bonus:
The graphic language of Peter Christopherson

Lance Armstrong for Nike (2001)


This is my body and I can do whatever I want to it. I can push it, and study it, tweak it, listen to it. Everybody wants to know what I'm on. What am I on? I'm on my bike, busting my ass six hours a day. What are you on?

Want!!!

Weathered Shearling Jacket by Helmut Lang (Neiman Marcus $584)
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http://i.imgur.com/mGYnW.gif

You have a lovely home...

TRUTH!

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R.I.P. Amanda

Fear and Loathing in Las Vegas Cupcakes

Did the Pentagon just take over America's cybersecurity?

The Tree That Grew

After I had planted 32 trees all box elders, in the spring of 1907, I left them to grow in their new home for a year until they were six feet tall, before beginning the chair. In the spring of 1908 I gradually began the work of training the young and pliable stems to grow gradually in the shape of a chair. Most of this work consisted in bending the stems of these trees and tying and grafting them together so as to grow, if possible with all the joints cemented by nature. This was largely an experiment with me and it was with a great deal of interest that I watched and assisted nature in growing piece of furniture.
The first summer's growth found all the joints I had made by tying and grafting grown firmly together. Some of the trees I found, however, grew much faster than others. To overcome this, I began to cut the stems of those trees that to my notion had grown large enough. This did not kill these trees but simply retarded their growth so as to give the weaker trees a chance to catch up.
In this manner I let these trees grow for seven years. During the last two years I had only four trees growing from the root. These were the four that consisted the legs of the chair and all the other stems kept alive from these four stems because they were grafted to them. After the seventh year all the trees were cut, making in all eleven years from the time the seed was sown until the chair was finally completed.
Wiki
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Keef & The Swollen Bones


荒木 経惟

Captain Beefheart and the Magic Band - 'Beat Club' (April 12 1972)


Radio Bremen, Funkhaus, Bremen, Germany
TV Program

1. Hair Pie Bass Solo (The Mascara Snake) (0:00)
2. Click Clack Take 1 (3:08)
3. Click Clack Take 2 (6:51)
4. Golden Birdies and Band Intro (8:18)
5. I'm Gonna Booglaraize You Baby Take 1 (11:12)
6. I'm Gonna Booglaraize You Baby Take 2 (15:41)
7. Steal Softly Through Snow (Band Instrumental) (20:49)
8. I'm Gonna Booglaraize You Baby Take 3 (24:18)

Bill Harkleroad: I'm Gonna Booglarize You got played an awful lot and was definitely part of our live show. Like Click Clack and Alice In Blunderland, Booglarize you was a staple part of the set on three basic tours - 1971, 1972 and 1973. I can specifically remember the band performing it on a German TV show called Beat Club. Like all TV shows at that time, they weren't ready for loudly performed music. Our type of music was designed to be played loud, it didn't have to be earsplitting, but it had to be played with a certain amount of volume just to push enough air to feel the excitement level of it - because we did have energy, no question about it!
I remember how difficult it was, beating the crap out of the instrument and jumping around, when you could hear people whispering over the low volume. ... Back then live TV shows were only one step better than lip-synching. It always felt funny playing to 30-odd people who were clapping politely while the TV producer was trying to make it look like a crowd 500. It was a very sterile environment and of course the Magic Band came over as being totally 'over-the-top' with our look - I remember stumbling around on my high heeled green shoes.

Heiko Hasenbein: They played I'm Gonna Booglarize You Baby. The presenter called the song burlesque and pointed out that Captain Beefheart is musically connected with Frank Zappa; she said that Captain Beefheart doesn't want to hear about this, because he always gets wild and crazy if someone mentions Frank Zappa. The live performance was astonishing. Captain Beefheart got two microphones bound together with tape. He tried to hit the deepest note he could get. Beefheart wore a black jacket and red satin trousers. The band (Zoot Horn Rollo, Ed Marimba, Roy Estrada, Rockette Morton, Winged Eel Fingerling) sounded tight and compact to give Captain Beefheart the vocal freedom he needs. The psychedelic light effects were a bit disturbing; but apart from that a great performance with Captain Beefheart in fine form.
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Americans


"Americans" is a short, public service film starring Sean Penn and Kid Rock, directed by Jameson Stafford. The goal of the film is to tear down the one-dimensional political stereotypes portrayed by the media by confronting them head on.