Wednesday, 26 September 2012

HA!

Via

Paul Westerberg - My Road Now (New Song/Free Download)

HERE
Via
(Thanx Martin!)

Magnetik North - Peitsche/Fuck the Napkin/Long Way Back/Kings of the Robot Rhythm

Magnetik North is ‘live drum electronics’. Drum performances are fed through processors, samplers and sequencers to produce layers of rhythmic patterns that interact with each other. Other instruments are melted into different textures so that only the harmonic content remains. This is a new project from Ian Tregoning, engineer and producer for artists as diverse as Yello and Fela Kuti.
Now collaborating with Jaki Liebzeit, the legendary drummer from CAN, to add his endless evolving rhythms. The finished results are a hypnotic blend of industrial, classical, Krautrock and Detroit electronica. Like listening to a ‘raga in an earthquake’.
Musicians :
JAKI LIEBEZEIT drums
IAN TREGONING electronics, percussion
LEE HARRIS (from TALK TALK) djembe, chinese percussion
KUMO shaker, ARP 2600
DANNY ARNO piano
ANDY BAXTER bass
TIM HUTTON trumpet
MICHAEL POLLITT wash guitar
JOE HOLLICK guitar.

Double-vinyl release : Now available thru RoughTrade, Phonica, iTunes and here
http://magnetiknorth.bandcamp.com/album/e-v-o-l-v-e-r
Magnetik North

Rebel

Via

What The Future Sounded Like (2006)

Bonus:

Moog

Moog is a 2004 documentary film by Hans Fjellestad about electronic instrument pioneer Dr. Robert Moog. The film features scenes of Dr. Moog interacting with various musical artists who view Moog as an influential figure in the history of electronic music.
Moog is not a comprehensive history of electronic music nor does it serve as a chronological history of the development of the Moog synthesizer. There is no narration, rather the scenes feature candid conversation and interviews that serve more as a tribute to Moog than a documentary.
The film was shot on location in Hollywood, New York, Tokyo, and Asheville, North Carolina where Moog's company is based. Additional concert performances were filmed in London and San Francisco.
The film's 2004 release was designed to coincide with the fiftieth anniversary of Moog Music, Robert Moog's company that was founded as R.A. Moog Co. in 1954.

Bad vibrations: Mike Love sacks Brian Wilson, Al Jardine and David Marks from Beach Boys anniversary tour

Maestro (The History of House Music & NYC Club Culture)

Documentary about House music and how it all started in New York’s underground clubs in the 70-80′s. The film takes you back to the first clubs (Paradise Garage, The loft etc.) and to the people who were involved.
Bonus:

Andy Warhol: The Complete Picture (2002)

The Power Of The Situation

Discovering Psychology: The Power Of The Situation with Philip Zimbardo, Ph.D

Everyone back to Myspace???

First Listen: Flying Lotus - Until The Quiet Comes

For nearly a decade, electronic composer Steven Ellison, a.k.a. Flying Lotus, has churned out living, breathing collages of hip-hop, dubstep, jazz and blues. A disciple of the late beatmaster J Dilla, Ellison is the current king of the beat scene in Los Angeles.
Both his own music and the music of the artists on Ellison's Brainfeeder label have turned what started as instrumental hip-hop into a sound of his own. It's a wonky bundle of skittering beats, bass-heavy bottoms and delicate, melodic tops. Over the years, FlyLo has added to and refined this voice, and Until the Quiet Comes (out Oct. 2) plays like it comes from a tunesmith intimately familiar with his toolbox.
Ellison wends his way through a wide, dizzying canyon of sounds and sensations, all while keeping his cool. The result is intricate enough to make listeners scramble to dissect every little flourish in the mix, but it's also so sonically brash and powerful that it's hard not to let the whole body of sound wash over you. Until the Quiet Comes operates as a continuous thread of music, with a coherent flow of transitioning moods.
It starts off busy: "All In" is an introduction spun from bells, snares, shakers, harps, guitars, basses, kicks and a lilting voice in the background. The temperature cools as a voice wafts into the mix and seduces the ear into another barrage of thumping drum patterns. It's a method Ellison has mastered: lulling listeners with intoxicating melodies, then smacking them upside the head with a sobering bass kick.
This is far from the only trick in FlyLo's bag. Take, for example, "Sultan's Request": Forceful from the outset, the bending synths romp through the track as though they could rip holes through a dance floor. That is, until the low end comes in: an absurd drop of snaking bass that dwarfs the monster sounds preceding it. Then, Ellison jumps out of this low-frequency swamp back into the upper register, by bringing in helium-huffing samples that bounce beneath a steady string of hand claps. He moves from low to high, dense to sparse, mellow to frantic, dark to light, and almost always hits a sweet spot somewhere in between.
Ellison also possesses a knack for bringing in talent, whether as head of the exquisitely curated Brainfeeder or as an artist in search of featured guests. Featured on Until the Quiet Comes are past collaborators Erykah Badu and Thom Yorke. In "See Through to You," layers of Badu's voice are woven into loose, overlapping patterns that function as fibers in FlyLo's sonic quilt. Elsewhere, Yorke's voice haunts "Electric Candyman" with a reverb-thick roll. The Brainfeeder bassist Thundercat is here, too, making an appearance in "DMT Song," a swirling bag of vocals and plucked strings. Niki Randa and Laura Darlington's contributions exemplify Ellison's penchant for using vocals with a ghostly quality to them.
At just more than three-quarters of an hour, Flying Lotus' new album beats with a heart unique to its creator. With each release, FlyLo adds to his palette of sounds without cluttering his arrangements. Until the Quiet Comes is Ellison's most sonically adventurous and least muddled journey yet, as well as a trip worth taking over and over again — the quiet can come later.
Sami Yenigun @'npr'

Listen HERE

Anoushka Shankar - Festival Les Nuits de Fourvière 7/9/12 (Complete Concert)

Anoushka Shankar (born 9 June 1981) is a British sitar player and composer who lives between the United States, the United Kingdom, and India. She is the daughter of Indian sitar player Ravi Shankar and Sukanya Shankar. She is the paternal half-sister of Norah Jones