Sunday, 16 September 2012

Parliament Funkadelic - One Nation Under A Groove (2005)

Known to its legions of fans simply as P-Funk, Parliament Funkadelic has had a profound impact on the development of contemporary music, aesthetics and culture. PARLIAMENT FUNKADELIC: One Nation Under a Groove chronicles the unique alchemy of the musical influences that fed into the band`s singular approach to music, documenting P-Funk`s continuing influence on today`s artists and musicians and featuring an in-depth look at the musical and entrepreneurial mastermind of its leader George Clinton.
To create a film that reflected the distinctive nature of P-Funk, filmmaker Yvonne Smith used animations both cell- and computer-generated to create the special sequences and virtual environments that reflect the P-Funk aesthetic. Inspired by a P-Funk lyric, she created the "Afronaut",a cartoon character from outer space who serves as the film`s host and narrator. The Afronaut`s voice is provided by hip-hop comic and actor Eddie Griffin, who co-starred in the popular series Malcolm and Eddie and feature films including Undercover Brother, Herbie: Fully Loaded, and Deuce Bigelow: Male Gigolo
and its sequel Deuce Bigelow: European Gigolo. In PARLIAMENT FUNKADELIC, the Afronaut descends to earth from a new millennium version of the Mothership, created by computer graphics artist Paul Collins. The Afronaut was brought to life in cell animation from the drawings of Kevin Lofton, a former animation artist on Beavis and Butthead.
In PARLIAMENT FUNKADELIC, interviews with the original Parliaments the late Ray Davis, Calvin Simon, Grady Thomas and Clarence "Fuzzy" Haskins take place in a virtual barber shop, reminiscent of the group`s early years doing hair and singing in a New Jersey hair salon run by George Clinton. The barbershop and the various environments in which George Clinton appears, were created in digital animation. In addition to the Parliaments, the film also features original interviews with George Clinton, Bootsy Collins, Bernie Worrell, Garry Shider, Dawn Silva, one of the Brides of Funkenstein and other key P-Funk band members and staff. Other musicians interviewed include Rick James, Ice Cube, Flea and Anthony Kiedis of the Red Hot Chili Peppers, De La Soul, Shock G (also known as "Humpty Hump" of the Digital Underground) and Nona Hendryx of LaBelle. Reginald Hudlin, director of House Party and Boomerang, president of entertainment for BET and a P-Funk fanatic, also appears, as does funk historian and author Rickey Vincent.
Bonus:
Cosmic Slop
Do that Stuff
Gammin' on Ya
Standing on the Verge
Undisco Kid
Children of Production
Mothership Connection
Swing Down Sweet Chariot
Dr. Funkenstein
Comin' Around the Mountain
P. Funk
Tear the Roof Off the Sucker
Night of the Thumpasorous Peoples
Funkin' for Fun

Rock Family Trees - The Prog Rock years


Bonus:
BBC Prog Rock Britannia an Observation in Three Movements
Prog Rock Sunday (For HerrBXXX)

Saturday, 15 September 2012

The Residents - Equals E


Bonus:
La Edad de Oro (Madrid 1983)

Steve Albini VS Amanda Palmer VS Steve Albini (Part 3)

Steve Albini's follow up comments from EA's messageboard:
"Well, since the new journalism is just re-posting what other people have lifted from message boards and twitter, there are probably going to be a hundred or so stories on the web with headlines like "Steve Albini calls Amanda Palmer an Idiot," so I'd better make my position on that clear. I don't think Amanda Palmer is an idiot, and it was rude and sloppy of me to make that impression. I'm sorry Amanda Palmer, the internet is going to tell you that I think you're an idiot, and while that's not true, it's my fault.
I Don't know Amanda Palmer, and don't recall ever hearing her music, though I hear a lot of music. Full disclosure, my wife Heather once tried to contact her through her agents to see if she would play at a charity event, but I don't know what happened with that other than nothing happened.
I have no problem with bands using participant financing schemes like Kickstarter and such. I've said many times that I think they're part of the new way bands and their audience interact and they can be a fantastic resource, enabling bands to do things essentially in cooperation with their audience. It's pretty amazing actually.
It should be obvious also that having gotten over a million dollars from such an effort that it is just plain rude to ask for further indulgences from your audience, like playing in your backing band for free.
Fuck's sake a million dollars is a shitload of money. How can you possibly not have a bunch laying around after people just gave you a million dollars? I saw a breakdown about where the money went a while ago, and most everything in it was absurdly inefficient, including paying people to take care of spending the money itself, which seems like a crazy moebius strip of waste."
Via
Okay to be honest I can't stand Albini or Palmer but Albini is right this time. She really is just taking the piss! Anybody who says "it's more insulting to offer someone a little bit of money than no money" has too much money.

♪♫ Forest For The Trees - Dream

Spaceboy and I just had a great wee dance to this. A track that has everything (and the kitchen sink)! Carl Stephenson. Absolute pop genius!

Rob Face - Kathairein Mass

Ad Break: The Bus

(Thanx Claudia!)

Hey Mr. DJ!

Richard Hell
Via

Gregory Corso reads the U.S Bill of Rights

(Thanx Joe!)

♪♫ Die Antwoord - Dis Iz Why I'm Hot

♪♫ Pins - You Don’t Need To Be


Read an interview with the Pins HERE

Friday, 14 September 2012

Anthrax contaminated heroin

Here we go again...

Demonoid: There’s Still Hope, But We’re Not Coming Back Soon

♪♫ Nelly Furtado - Spirit Indestructible/Big Hoops (Bigger The Better)





 
A reminder that Cabinet Office fought to avoid disclosure of Hillsborough info, prior to setting up of Panel