Waiting for the light to change, Carl Bretzke
3 hours ago
Friday, 14 September 2012
Steve Albini on Amanda Palmer's decision to have fans play free in her touring band
I have no fundamental problem with either asking your fans to pay you to make your record or go on tour or play for free in your band or gather at a mud pit downstate and sell meth and blowjobs to each other. I wouldn’t stoop to doing any of them myself, but horses for courses. The reason I don’t appeal to other people in this manner is that all those things can easily pay for themselves, and I value self-sufficiency and independence, even (or especially) from an audience.
If your position is that you aren’t able to figure out how to do that, that you are forced by your ignorance into pleading for donations and charity work, you are then publicly admitting you are an idiot, and demonstrably not as good at your profession as Jandek, Moondog, GG Allin, every band ever to go on tour without a slush fund or the kids who play on buckets downtown.
Pretty much everybody on earth has a threshold for how much to indulge an idiot who doesn’t know how to conduct herself, and I think Ms Palmer has found her audience’s threshold.
Amanda Palmer uses unpaid fan-musicians on tour, Steve Albini calls her an idiot
Anti-Islam Filmmaker Went by ‘P.J. Tobacco’ and 13 Other Names
He went by many names, the man who helped produce “The Innocence of Muslims,” the inflammatory video now roiling the Middle East: Matthew Nekola; Ahmed Hamdy; Amal Nada; Daniel K. Caresman; Kritbag Difrat; Sobhi Bushra; Robert Bacily; Nicola Bacily; Thomas J. Tanas; Erwin Salameh; Mark Basseley Youssef; Yousseff M. Basseley; Malid Ahlawi; even P.J. Tobacco.
But his real name — the one he used when he was sent to prison for bank fraud — was Nakoula Basseley Nakoula. His habit of adopting other identities earned him a 21-month sentence in federal prison. During 2008 and 2009, court documents reviewed by Danger Room (.pdf) and embedded below show that Nakoula again and again opened bank accounts with fake names and stolen social security numbers. Then Nakoula would deposit bogus checks into the new accounts and withdraw money before the checks bounced. The scheme worked for more than a year, until he was indicted in June of 2009. Eventually, he was ordered to stay off of the internet unless he got his probation officer’s permission, and pay a $794,700 fine...
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But his real name — the one he used when he was sent to prison for bank fraud — was Nakoula Basseley Nakoula. His habit of adopting other identities earned him a 21-month sentence in federal prison. During 2008 and 2009, court documents reviewed by Danger Room (.pdf) and embedded below show that Nakoula again and again opened bank accounts with fake names and stolen social security numbers. Then Nakoula would deposit bogus checks into the new accounts and withdraw money before the checks bounced. The scheme worked for more than a year, until he was indicted in June of 2009. Eventually, he was ordered to stay off of the internet unless he got his probation officer’s permission, and pay a $794,700 fine...
MORE
Thursday, 13 September 2012
World's first colour film footage
Lee
and Turner's invention has always been regarded by film historians as a
practical failure but it has now been 'unlocked' through digital
technology, revealing the images produced by the process for the first
time in over a hundred years.
Turner developed his complex three-colour process with support, first from Lee and then from the American film entrepreneur, Charles Urban. Using a camera and projector made by Brighton-based engineer Alfred Darling, Turner developed the process sufficiently to take various test films of colourful subjects such as a macaw, a goldfish in a bowl against a brightly striped background and his children playing with sunflowers, before his death in 1903 aged just 29. Urban went on to develop the process further with the pioneer film-maker George Albert Smith which resulted in the commercially successful Kinemacolor system, patented in 1906 and first exhibited to the public in 1909. Sadly, Turner's widow never received a penny from her husband's invention.
On discovering the film, Michael Harvey, Curator of Cinematography at the National Media Museum, worked with film archive experts Brian Pritchard and David Cleveland to reconstruct the moving footage in colour following the precise method laid out in Lee and Turner's 1899 patent. They turned to experts at the BFI National Archive who were able to undertake the delicate work of transforming the film material into digital files, and so the team were able to watch these vivid colour moving pictures for the first time, over one hundred years since they had been made.
For more information visit www.nationalmediamuseum.org.uk
Via
Turner developed his complex three-colour process with support, first from Lee and then from the American film entrepreneur, Charles Urban. Using a camera and projector made by Brighton-based engineer Alfred Darling, Turner developed the process sufficiently to take various test films of colourful subjects such as a macaw, a goldfish in a bowl against a brightly striped background and his children playing with sunflowers, before his death in 1903 aged just 29. Urban went on to develop the process further with the pioneer film-maker George Albert Smith which resulted in the commercially successful Kinemacolor system, patented in 1906 and first exhibited to the public in 1909. Sadly, Turner's widow never received a penny from her husband's invention.
On discovering the film, Michael Harvey, Curator of Cinematography at the National Media Museum, worked with film archive experts Brian Pritchard and David Cleveland to reconstruct the moving footage in colour following the precise method laid out in Lee and Turner's 1899 patent. They turned to experts at the BFI National Archive who were able to undertake the delicate work of transforming the film material into digital files, and so the team were able to watch these vivid colour moving pictures for the first time, over one hundred years since they had been made.
For more information visit www.nationalmediamuseum.org.uk
Via
The Real Truth
Hillsborough campaigner Trevor Hicks, who lost two daughters in the disaster, branded MacKenzie's apology "too little, too late", calling him "lowlife, clever lowlife, but lowlife".
Television - Live @ The Whisky A Go-Go, Los Angeles 1977
Download @'Aquarium Drunkard'
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