Sunday, 9 September 2012
Parliament Funkadelic - Funkentelechy (Houston 1978)
Solos by bassist Rodney "Skeet" Curtis and guitarist Michael Hampton
Saturday, 8 September 2012
Truth
Rushing to legislate in the wake of a terrorist atrocity is often a mistake...we compound the problem of terrorism if we use it to erode the freedom of us all.Former head of MI5, Eliza Manningham-Buller
Via
A woman's place is in the home?
June 1942. Engine inspector for North American Aviation at Long Beach, California. 4×5 Kodachrome transparency by Alfred Palmer.
June 1942. Inglewood, California. “Punching rivet holes in a frame member for a B-25 bomber at North American Aviation.” 4×5 Kodachrome transparency by Alfred Palmer for the Office of War Information.
September 1942. Inglewood, California. Riveting team working on the cockpit shell of a C-47 heavy transport at North American Aviation. “The versatile C-47 performs many important tasks for the Army. It ferries men and cargo across the oceans and mountains, tows gliders and brings paratroopers and their equipment to scenes of action.” 4×5 Kodachrome transparency by Alfred Palmer for the Office of War Information.
October 1942. Riveter at work on a bomber at the Consolidated Aircraft factory in Fort Worth. 4×5 Kodachrome transparency by Howard Hollem.
October 1942. “American mothers and sisters, like these women at the Douglas Aircraft Company plant in Long Beach, California, give important help in producing dependable planes for their men at the front.” 4×5 Kodachrome transparency by Alfred Palmer for the Office of War Information.
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June 1942. Inglewood, California. “Punching rivet holes in a frame member for a B-25 bomber at North American Aviation.” 4×5 Kodachrome transparency by Alfred Palmer for the Office of War Information.
September 1942. Inglewood, California. Riveting team working on the cockpit shell of a C-47 heavy transport at North American Aviation. “The versatile C-47 performs many important tasks for the Army. It ferries men and cargo across the oceans and mountains, tows gliders and brings paratroopers and their equipment to scenes of action.” 4×5 Kodachrome transparency by Alfred Palmer for the Office of War Information.
October 1942. Riveter at work on a bomber at the Consolidated Aircraft factory in Fort Worth. 4×5 Kodachrome transparency by Howard Hollem.
October 1942. “American mothers and sisters, like these women at the Douglas Aircraft Company plant in Long Beach, California, give important help in producing dependable planes for their men at the front.” 4×5 Kodachrome transparency by Alfred Palmer for the Office of War Information.
MORE
Space Is The Place (1974)
In 1971 American producer Jim Newman appproached John Coney, a producer/director at a public television station KQED in San Francisco with a proposal for a thirty minute performance documentary on the Sun Ra Arkestra. Sun Ra immediately saw the film as an opportunity to make a statement about the conditions of black people on planet earth - and as a powerful medium for his music as a vehicle for lifting them out of their collective misery.
Production began in 1972 with filming and recording the Arkestra, a spaceship landing, a visit to an Egytptian tomb and the creation of a mythic celestial planet derived from Ra's interpretation of passages from "The Book Of Urantia" (The Urantia Book a strange proto-New Age cosmological tract originated in Chicago, Illinois, sometime between 1924 and 1955. Its authorship remains a matter of speculation) as realised in Golden Gate Park. After many months of editing, screen writer Joshua Smith was hired to work on the story line and turn the project into a coherent narrative film
http://www.outerspacewaysinc.com
http://en.wikipedia.org/wiki/Space_Is_The_Place
Bonus:
Sun Ra - A Joyful Noise(1980)
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