Tuesday, 12 June 2012

Your austerity survival guide

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Fuxake!!!

"I did this in order to build a community of people, like-minded in their desire for freedom and the right to pursue their goals and lives without being manipulated and controlled by a media protected military industrial complex with a completely different agenda."

Meanwhile in Syria...

Where will Apple, Amazon, Google meet up next year or the year after? They're all going to be banks!

Chomsky On Modern Capitalism

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HA!


Started reading todays Apple announcement on my cool state-of-the-art MacBook Pro and finished reading it on my stupid obsolete MacBook Pro

Don't Be Fooled By Obama's Faux-Righteous Indignation About Leaks


I Dream of Wires 5: Richard Devine - The Analog Voodoo Effect

Richard Devine is an Atlanta-based electronic musician and sound designer. He is recognized for producing a layered and heavily processed sound, combining influences from hip-hop, to old and modern electronic music. Richard Devine has released records through such esteemed labels as Schematic and Warp Records, and is the creative force behind his own sound design company, Devine Sound. Though he has contributed sound design to a number of hardware and software manufacturers, he recently released his first official sample library through Sony Creative Software. Devine has also scored commercials for the likes of Nike and Touchstone Pictures.

Brian Connolly - Don't Leave Me This Way (1996)



From the Sketchbook of Claude Monet

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What You Don't Know About Recovery - and Don't Want to

Are the best songs all about sex?

A new classification of necrophilia

The Sweet Taste Of Defeat

British glam-rock band The Sweet (best known for songs like Block Buster! and The Ballroom Blitz) seemed pretty damn bitter five years ago when guitarist Andy Scott sued an Austrian man, Dietmar Huber, for selling a single used CD on eBay at a price of one euro. At first, he claimed it was a pirated copy and asked for a €2000 fee, but Huber refused, insisting it was a legally purchased disc that he had every right to sell. Amazingly, Scott kept pushing, and went to court asking for €36,000. When Huber proved in court that it was his CD, Scott still didn't give up! He changed his claim to say he owned a copyright on the name, and all used sales had to be authorized by him.
Huber, as the victim of an utterly ridiculous string of legal attacks, continued to fight back, and now Austria's highest court has confirmed that he did nothing wrong and the band must pay his legal fees to the tune of £50,000.
This isn't really surprising—most jurisdictions recognize that it's always okay to re-sell something you legally purchased. Of course, we do see some companies pushing back against this, most notoriously video game developers. But even they'd (probably) be smarter than to engage in such a Quixotic legal quest. And that's the surprising part here: that the guitarist kicked off this circus and forced it to keep escalating. Used records have been a much-loved part of the music world for decades—did he think he was going to change all that? More importantly, does he think this is going to help him sell more albums? In reality, I'd guess people are going to be a lot more reluctant to buy a Sweet CD in the future, since they know they might get sued if they want to re-sell it later (because, given his dogged pursuit of this dead-end lawsuit, I am not optimistic that Scott has learned his lesson).
Leigh Beadon @'techdirt'