Doug Dillard, the pioneering country rock banjo-player, has died aged aged 75, according to reports.
Dillard had first found fame in the Dillards, a bluegrass group
formed with his brother Rodney, who made regular appearances on
successful American sitcom, The Andy Griffith Show, where they played a fictional band called 'The Darlings'.
After leaving the Dillards in 1968, Doug Dillard teamed up with former Byrd, Gene Clark, to form Dillard & Clark.
Dillard & Clark released two albums - The Fantastic Expedition of Dillard & Clark (1968) and Through The Morning, Through The Night (1969) - which are both considered country rock classics.
The musicians who played on Dillard & Clark's two albums reads like a Who's Who of country rock's A list: The Byrds' Chris Hillman and Michael Clark, The Eagles' Bernie Leadon and Flying Burrito Brothers' Sneaky Pete Kleinow.
Two tracks from Through The Morning, Through The Night - the title song itself and "Polly" - were later covered by Robert Plant and Alison Krauss on their 2007 album, Raising Sand.
In 2011, Dillard had been admitted to a Nashville hospital suffering from a collapsed lung.
According to country and bluegrass website The Boot,
a family spokesperson confirmed that Dillard was taken to a Nashville
emergency room on Wednesday night [May 16] and died shortly thereafter.
Via
How did I miss this sad, sad news???
Friday, 1 June 2012
Chicago guitar genius Pete Cosey dead at 68
Guitar fans have had a rough couple of days. Yesterday brilliant folk and country guitarist Doc Watson
died at age 89. This morning, according to the private Facebook page of
fellow guitarist and collaborator Vernon Reid, Chicago's own Pete Cosey
died at 68. Obituaries
and remembrances for Watson have already appeared all over, and
deservedly so—few instrumentalists so completely absorbed America's folk
and country traditions, and fewer still brought such quiet virtuosity
to them. Watson was a key catalyst in the folk revival after his
discovery by producer Ralph Rinzler in 1960.
Pete Cosey, on the other hand, was a classic musician's musician; he's not especially well-known, though he played on tons of classic records. As such, word of his passing is traveling rather more slowly.
Cosey was a key session musician at Chess Records in the 60s, appearing on sides by Howlin' Wolf, Muddy Waters, the Rotary Connection, and Etta James, and he worked with the great Phil Cohran in the latter's Artistic Heritage Ensemble. He's probably most famous, though (to the extent that he's famous at all), for his mind-melting work with Miles Davis in the early 70s: he played on the trumpeter's heaviest, most electric albums, including Agharta, Pangaea, and Get Up With It. After Davis broke up the band in 1975 and went into semi-retirement, Cosey was never able to build the solo career he so richly deserved. He used his guitar like an abstract expressionist painter, creating thick, richly textured solos with fierce rhythmic power, dazzling colors, and nonchalant violence. He continued to appear on records here and there, including Herbie Hancock's Future Shock and an album with Japanese saxophonist Akira Sakata, but he always seemed to be planning his own next project, which never quite materialized.
( Chicago Reader)
via Ed Kuepper and Mark Stewart on FB
November 3, 1973
Stadthalle, Vienna (Austria)
Miles Davis (tpt, org); Dave Liebman (ss, ts, fl); Pete Cosey (g, perc); Reggie Lucas (g); Michael Henderson (el-b); Al Foster (d); James Mtume Forman (cga, perc)
Pete Cosey, on the other hand, was a classic musician's musician; he's not especially well-known, though he played on tons of classic records. As such, word of his passing is traveling rather more slowly.
Cosey was a key session musician at Chess Records in the 60s, appearing on sides by Howlin' Wolf, Muddy Waters, the Rotary Connection, and Etta James, and he worked with the great Phil Cohran in the latter's Artistic Heritage Ensemble. He's probably most famous, though (to the extent that he's famous at all), for his mind-melting work with Miles Davis in the early 70s: he played on the trumpeter's heaviest, most electric albums, including Agharta, Pangaea, and Get Up With It. After Davis broke up the band in 1975 and went into semi-retirement, Cosey was never able to build the solo career he so richly deserved. He used his guitar like an abstract expressionist painter, creating thick, richly textured solos with fierce rhythmic power, dazzling colors, and nonchalant violence. He continued to appear on records here and there, including Herbie Hancock's Future Shock and an album with Japanese saxophonist Akira Sakata, but he always seemed to be planning his own next project, which never quite materialized.
( Chicago Reader)
via Ed Kuepper and Mark Stewart on FB
November 3, 1973
Stadthalle, Vienna (Austria)
Miles Davis (tpt, org); Dave Liebman (ss, ts, fl); Pete Cosey (g, perc); Reggie Lucas (g); Michael Henderson (el-b); Al Foster (d); James Mtume Forman (cga, perc)
ian katz
@iankatz1000
Leveson tells Jay off for goading Hunt over his (self-professed) non use of the word "impactful": "Come on Mr Jay..."
Thursday, 31 May 2012
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