Tuesday, 31 January 2012

Back in February of 2005, Massive Attack and Portishead shared the stage for the first time ever whilst preforming live as a part of the fund raising concert for the Tsunami Crisis in Asia @ the Bristol Academy. It was Portishead's first live show in 7 years at the time.
01. Massive Attack - Intro
02. Massive Attack - Karmacoma
03. Massive Attack - Black Milk
04. Massive Attack - Teardrop
05. Massive Attack - Future Proof
06. Massive Attack & Portishead - Improvisation & Glory Box
07. Portishead - Wandering Star
08. Portishead - Sour Times
09. Portishead - Mysterons
10. Portishead - Encore Break
11. Portishead - Roads

:)

HA!

The Future Bride?

The milky way she walks around
All feet firmly off the ground
Two worlds collide, two worlds collide
Here comes the future bride
Gimme a lift to the lunar base
I wanna marry a monster from outer space

I fell in love with an alien being
whose skin was jelly - whose teeth were green
she had the big bug eyes and the death-ray glare
feet like water wings - purple hair
I was over the moon - I asked her back to my place
Then I married the monster - from outer space

The days were numbered - the nights were spent
in a rent free furnished oxygen tent
when a cyborg chef served up moon beams
done super rapid on a laser beam
I needed nutrition to keep up the pace
when I married the monster from outer space

We walked out - tentacle in hand
you could sense that the earthlings would not understand
they'd go.. nudge nudge ...when we got off the bus
saying it's extra-terrestial - not like us
and it's bad enough with another race
but fuck me... a monster ...from outer space

In a cybernetic fit of rage
she pissed off to another age
she lives in 1999
with her new boyfriend - a blob of slime
each time I see her translucent face
I remember the monster from outer space
- John Cooper Clarke

Jonathan Franzen: e-books are damaging society

♪♫ Dengue Fever - Gendjer Gendjer

Performed by Dengue Fever for "Quick Hits" in a back hallway at Amoeba Music in San Francisco, "Gendjer Gendjer" is about Indonesia, not Cambodia. According to guitarist Zac Holtzman (who formed the band with his brother, Ethan, the keyboardist), the song was originally written during the Japanese occupation of Indonesia during World World II when food was so scarce that people resorted to eating Gendjer, a weed that grew in rice fields.
The song re-surfaced in the 1960s in Indonesia when there was a violent military coup and government crackdown on communists and ordinary citizens -- a period of political turmoil dramatized in the movie, "The Year of Living Dangerously." "Anyone caught listening to or singing 'Gendjer Gendjer' was considered an enemy of the government," says Zac.

The man who hand-draws mathematical fractals

One of the subjects I work with, JP, has acquired synesthesia and acquired savant syndrome. This happened as a result of a brutal assault in 2002, during which he was kicked and hit on the head. He was subsequently diagnosed with a bleeding kidney and an unspecified head injury. What the doctors didn't know was that JP no longer saw the world the way he used to. Objects suddenly did not have smooth boundaries. Things no longer moved smoothly. Motion took place in picture frames. It looked like someone paused and unpaused the flow of the world very rapidly. Even more amazing: JP was suddenly able to see vivid fractal images of objects with a fractal structure (such as, broccoli)...
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U.S. Intel Head: WikiLeaks a 'Terrible Event,' Forced Changes

Global Censorship Chokepoints

Global Chokepoints is an online resource created to document and monitor global proposals to turn Internet intermediaries into copyright police. These proposals harm Internet users’ rights of privacy, due process and freedom of expression, and endanger the future of the free and open Internet. Our goal is to provide accurate empirical information to digital activists and policy makers, and help coordinate international opposition to attempts to cut off free expression through misguided copyright laws, policies, agreements and court cases. Scroll down to see a list of countries currently featured for threatening free expression through copyright censorship. Learn more.

Our site is created and maintained by free speech advocates worldwide. Want to help us grow? Contact us.

Why I hate my band

The unspoken rule of rock ‘n’ roll memoirs — especially ones about drug-addled players who get clean — is that the author tends to mend fences rather than sling mud. Mike Doughty: not so much. In “The Book of Drugs,” the former Soul Coughing frontman writes with a lacerating candor about his family, his narcotic and sexual excesses, the idiocy of the music industry, and, most of all, his former band mates.
This will come as bad news to the small but persistent fan cult who harbor hopes of a Soul Coughing reunion. (And I might as well admit right now that I’m one of them.)
For a few years there back in the ’90s, Soul Coughing was making the most interesting music on the planet, a sonic collage of Doughty’s downtown beat poetry and guitar riffs, the monstrous syncopation of bassist Sebastian Steinberg and drummer Yuval Gabay, and the zany sampling of Mark De Gli Antoni. Doughty called it “deep slacker jazz.” The critics, by and large, raved. But the band minted only a few minor hits before imploding.
Doughty details this implosion in the new book, as well as his own stifling childhood, his descent into addiction, and his eventual recovery via the 12-step program. The 41-year-old has since built a thriving solo career, turning out albums full of catchy pop melodies and droll lyricism.
Salon interviewed him by phone from his home in Brooklyn, N.Y.
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♪♫ James Chance & The Contortions - Contort Yourself (30/8/08)

James Chance & The Contortions performing live at the PS1 Warm UP in Queens, NYC on Aug 30 2008.
(Thanx Joly!)

Chris & Cosey: Different Hurdles To Tackle

Chris Carter and Cosey Fanni Tutti should require no introduction to Brainwashed's readers. Members of Throbbing Gristle, purveyors of fine electronic music under the names Chris & Cosey, CTI, and Carter Tutti and dedicated solo artists; there is not much out there that they have not had a stab at. John Kealy asked them about the recent Throbbing Gristle reissues, their current projects and the changing state of acceptability in art.
HERE

Monday, 30 January 2012

Hearts On Fire

Via
Geoffrey H. Short

The Verdict of the Herd

Have you ever come across a web site that you could not access and wondered, "Am I the only one?" Herdict Web aggregates reports of inaccessible sites, allowing users to compare data to see if inaccessibility is a shared problem.