Previously...
Obama didn't exactly defend Netanyahu, either.
"You're fed up with him, but I have to deal with him even more often than you," Obama replied, according to wire service reports.
Sunday, 22 January 2012
Kevin Saunderson - In The House Inspirations Mix
Tracklist:
01. Chaka Khan & Rufus - Ain't Nobody
02. Cerrone - Supernature
03. Stephanie Mills - Put Your Body in It
04. Evelyn "Champagne" King - Shame
05. Kraftwerk - Computer World
06. Cybotron - Alleys of Your Mind
07. Hashim - Al-Naafyish (The Soul)
09. Cybotron - Cosmic Cars
10. Cameo - Shake Your Pants
11. New Order - Blue Monday
Via
01. Chaka Khan & Rufus - Ain't Nobody
02. Cerrone - Supernature
03. Stephanie Mills - Put Your Body in It
04. Evelyn "Champagne" King - Shame
05. Kraftwerk - Computer World
06. Cybotron - Alleys of Your Mind
07. Hashim - Al-Naafyish (The Soul)
09. Cybotron - Cosmic Cars
10. Cameo - Shake Your Pants
11. New Order - Blue Monday
Via
Jah Wobble / Influences / Work Mix
This was an experiment. Something I planned to do last January after reading Jah Wobble’s “Memoirs Of A Geezer”. Then the events of last year took over, and it lost its place in the “To Do” list, but with the “Metal Box In Dub” gig coming closer I thought it might be good time resurrect it.
I pulled out all the music that Wobble mentions in his autobiography and stitched it together. I wanted to see/hear it these influences made themselves apparent in his work. The rebel music of The Dublineers, El Chocolate and Marley. The dread of Big Youth, Augustus Pablo and John Martyn’s Compass Point LP. Miles’ claustrophobia, and the funk of The Isleys and Jimmy Castor (RIP). The heart and soul of Om Kalsoum. The African rhythms of King Sunny Ade and Salif Keita. And the bass-lines of The O’Jays, Larry Graham, Laswell, and Cecil McBee. I was quite surprised by the result, and this is likely a reflection of the honesty of the man...
HERE
I pulled out all the music that Wobble mentions in his autobiography and stitched it together. I wanted to see/hear it these influences made themselves apparent in his work. The rebel music of The Dublineers, El Chocolate and Marley. The dread of Big Youth, Augustus Pablo and John Martyn’s Compass Point LP. Miles’ claustrophobia, and the funk of The Isleys and Jimmy Castor (RIP). The heart and soul of Om Kalsoum. The African rhythms of King Sunny Ade and Salif Keita. And the bass-lines of The O’Jays, Larry Graham, Laswell, and Cecil McBee. I was quite surprised by the result, and this is likely a reflection of the honesty of the man...
HERE
Saturday, 21 January 2012
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