Wednesday, 4 January 2012

estheraddley esther addley
Santorum spent $1.65 per vote. Rick Perry spent $817 slate.me/xZH8kJ (tks @exilestreet)

Prison Visiting Room Portraits, An Interview with Alyse Emdur

In 2005, Alyse Emdur unearthed a photograph (above) of her visiting her older brother in prison. She recalls, even as a 5 year old, her confusion and discomfit with the tropical beach scene to her back.
To Alyse, these garishly coloured corners of the prison visiting rooms are analogous with commercial photo portrait studios, “If you weren’t familiar with prisons, you might think these were prom photos or made in community centres. They’re very ambiguous,” says Alyse.
Fascinated by the obscure and closeted mural works in prisons across the U.S., Alyse meditated upon them in her MFA grad show (she even commissioned a prison artist to paint a mural on parachute canvas). She is now bringing hundreds of authentic American prison visiting room portraits from her Prison Landscapes project together in a book to be released later this year...
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The Sonic Weapon of Vladimir Gavreau

He listened and closed his eyes as the rolling waves of sound poured over and through his being. Thrilling, intoxicating, the hysteria of heaven, the enthralled and frightening flight of angels. Electrifying. Messaien’s organ music signalled messages of meaning, titanic foghorns ululating among dimly perceived near-worlds. Olivier Messaien, master composer of musical expressionism, used the ground thrumming tones of great Parisian cathedral organs to evoke sensations which may only be called otherworldly. Masterfully macabre. Black foundations, blue pillars, and rainbow ceilings.
Sound, rhythm, and space. Ultra-chromatic chord frames, rising like rock walls from the black depths. And immense stellar crystallizations, radiating tonal perfumes through deep and black radiant space. Lovely and lyrically swooping melodies, the flight of birds through delicate limbs. And melodic lines, reaching up toward unknown depths of space, each had their foundation in ultrabass tones of rooted depth. The basso profunda of Messaien are the critical foundations, the strong vertical pillars of an immense architecture which extends beyond performance walls. He scoured the deep and unreachable roots of worlds to hold his musical cathedrals together. Such majesty and grandeur of sound! Rich in the intelligence which flooded and made the world, the musical currents and the atmosphere of tones. Fluidic music and meaning.
The most fundamental signals which permeate this world are inaudible. They not only surpass our hearing, but they undergird our being. Natural infrasounds rumble through experience daily. There manifestations are fortunately infrequent and incoherent. Infrasound is inaudible to human hearing, being of pitch below 15 cycles per second. The bottom human limit. The plynth. The foundation. Infrasound is not heard, it is felt. Infrasound holds a terrible secret in its silent roar.
Infrasound produces varied physiological sensations which begin as vague “irritations”. At certain pitch, infrasound produces physical pressure. At specific low intensity, fear and disorientation. Nazi propaganda engineers methodically used infrasound to stir up the hostilities of crowds who were gathered to hear their madman. The results are historical nightmares...

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