The deification of Steve Jobs was swift and amazing, an app that rose only in death. Jobs is now America's Princess Diana, a figure of tragedy, representing transformation, Jackie Kennedy being too long-dead to do it, and Michael Jackson too weird. I find this strange, because Jobs's real legacy was the way in which people now routinely ignore each other in public because they are playing with their iPhones and iPads. As ever with a new form of communication, one of the things you can do is communicate your indifference better.
I had an iPhone but I was relieved to lose it because it swallowed so much of my time in pointless ways. I enjoyed following myself down a street, as a dot on a map, for instance, but all I was really doing was being both CIA operative and target in a tiny movie of my own life. I also think, as others have noted, that the products look like children's toys. Beautiful simplicity, say the fans, but more simple than beautiful, made for CBBC. The equivalent 40 years ago would have been blind adherence to the ideology of Habitat.
But I am in a minority. Jobs's death has stopped the clock. As the corpse cooled, all aspects of his life and legacy were detailed by a prostrate media. He is now, just a little too late to enjoy it, the world's most famous man, one pixel short of saviour. His memorial service last Sunday was covered by the broadsheets, who reported that the golden triumvirate of Bill Clinton, Stephen Fry and Bono appeared to mourn and rend their garments. This made me laugh, I am afraid, because if the question "Which global celebrities are most likely to attend the memorial service of Steve Jobs?" was asked on Family Fortunes the top answers would surely be – Bill Clinton, Stephen Fry and Bono. Who else could it be?
Some of the mourners, appropriately, tweeted their loss, which I am sure Jobs would appreciate, being the world's chief facilitator of manufactured emotions in 140 characters or less. The more general population, who are practised in responding to the media's idiocies, obediently responded. They were told they have lost something precious, and so the more credulous grieved. Logos representing Jobs's death were designed, circulated, fought over and abandoned. Apple shops became instant shrines at which iPads transformed themselves into representations of flickering candles, which was chilling because, as you know, computers can't mourn. Some iPads were, bizarrely, left at the shops as an offering, as if modern gods demand not chickens, but small electrical goods, to soothe their rages. (Dear God – please restore service!) I still suspect that Apple employees left them there and retrieved them when the cameras went home. To donate a £400 iPad to a billionaire's makeshift shrine is a very un-Apple gesture, because it is unprofitable. Others left apple cores, which is merely littering with a mad sense of purpose.
How to unpick this? Grief as a global phenomenon is not new. It is essentially media-led (it fills and sells papers) and it always leaves a bitter taste, because for every stranger you think you mourn, there is a friend you forget to remember. These relationships are false and imagined and always created with the rich and powerful, which makes me wonder if it is the lifestyle, not the life, we praise when we turn to Jobs. It is ordinary bowing before power, just rather odder because the Apple products have a bright marketing sheen of democracy – we are all equal before the world wide web – which is ridiculous, considering how few can afford them and how aggressively the company protects its software.
But I have not seen it for a CEO before. Could it be that the eulogies for Jobs are a new expression of pure materialism? It is not enough to love your products; when the people who created them die, you are required to enter a kind of spiritual decline. What does it mean to weep for the inventor of the iPhone? For me it is Apple's greatest marketing triumph and the very opposite of a spiritual experience.
This is easy for Apple to manage, as newspapers inexorably ease from editorial to advertorial. There are now, quite often, double page spreads about yogurt, and worse things than yogurt. The reason is profit. Recycling press releases is cheap, because PRs are unlikely to libel their own clients. Just last week I received an invitation, via email, to plug a product which would heat my swimming pool, if I had one, which I do not. A new swimming pool heating system is not in itself news, but a news hook is attached, making a broader point in hope of making it into the paper – UK entrepreneur confirms luxury market is buoyant despite global recession. I am invited to lunch with supermarket PRs, to dine in restaurants for free and sometimes to try out beauty serums, or, as I call them, slimes. These are products in search of a page, and they are not news.
No, this the churnalism so wonderfully detailed in the Guardian journalist Nick Davies's obituary of the newspaper industry, Flat Earth News. It was rampant in the life of Jobs, and at his death it achieved a kind of apogee. Last month the New York Times ran an editorial entitled You Love Your iPhone. Literally. It argued that people respond similarly to images of the Apple logo and images of the Pope; iPhone users, the author stated, after performing tests on babies, literally loved their iPhones. I was shown this editorial by a PR. Even he was amazed that a company should get such coverage or, to give it its proper term, idiotic drooling. Again, this is odd, because the technology Jobs created is destroying newspapers. It makes me wonder if my trade has developed, en masse, Apple-themed Stockholm Syndrome. We love our murderer.
The truth? In many ways Apple is just another very profitable company, which in July announced that its revenues were $28.57bn, up 90% year-on-year, with profits of $7.31bn, up 124% year-on-year. It is visionary in its products and marketing techniques, but conventional in its working practices and goals. It is, like most world-munching corporations, a feudal hierarchy. There is nothing visionary in transferring the manufacture of your products from the US to China, and subcontracting the work to other companies, thereby circumventing labour laws, as Apple did 10 years ago. The working conditions of those who manufacture the products are appalling and ill paid. Not even the glorious design of whichever number iPhone we are on now could keep the "cluster" of suicides at the Apple supplier Foxconn's main manufacturing plant in Longhua out of the news last year. Overtime in these factory cities is often forced, not voluntary, and with every article puffing the i-Must-Embrace-the-Future-Or-Die, there will be more forced overtime as the factories race to meet demand the newspapers create. All the horrors are there, if you look for them. According to China Labour Watch, Apple pays just £3.99 for the production of your £600 iPhone, and it is the workers who pay for their – and our – greed, so we can tweet and be moving dots on a map. As Mike Daisey said, also in the New York Times, Jobs could have done something about this. He could have really changed the world. He chose not to.
Tanya Gold @'The Guardian'

HA!

LettersOfNote Shaun Usher
Sports Illustrated gave Kurt Vonnegut a job in '54. 1st day, he was told to write about a racehorse who jumped a fence & tried to escape...

LettersOfNote Shaun Usher
Uninspired, he sat at his typewriter for an hour, typed "The horse jumped over the fucking fence," & then walked out.

WTF???

'The Battle of City Square wasn’t quite over but the result was never in doubt when a quiet policeman dropped a comment that said it all.

“Now they know we mean it,” he mused, munching a sandwich after hours of riding herd on the rag-tag coalition of protesters camped in the square.

“No more Christine Nixon stuff.”'

(Andrew Rule writing in Murdoch's Herald Sun on Saturday)

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Tracey Thorn - Night Time EP

In the summer of 2010 Mercury Music Prize winners (and Everything But The Girl fans) The xx asked Tracey Thorn and her long-time partner in EBTG Ben Watt (also Strange Feeling label boss) to record a track from the The xx’s debut album for a special compilation the band were commissioning of covers of the album's songs by their favourite artists. Unfortunately the project fell apart a few months later for numerous logistical reasons (not least the second wind breathed into the original album by the Mercury Prize victory) but not before Tracey had sung a new version of one the album most beautiful tracks, 'Night Time'.
The track gathered dust for a few months but it is rightfully seeing the light of day on a new EP from Tracey Thorn called the 'Night Time EP', released on Strange Feeling on October 31, much to the delight of all concerned. 'Night Time' was handpicked by Tracey and features Ben guesting on guitars and backing vocals (it is the first time the two have played together on a recording for over ten years) with the drums, programming and mix coming courtesy of Tracey's current production collaborator Ewan Pearson (producer of both Tracey's recent acclaimed album 'Love And Its Opposite' and 2007's 'Out Of The Woods'). As Tracey re-articulates Romy's lyrics, Ben fluidly arpeggiates the original interwoven guitar lines into one seamless pass, while Ewan adds crisp fresh half-tempo drums, atmospheric misty synths and booming bass.
On the flip side, one of 'Love And Its Opposite''s most popular tracks 'Swimming' is revisited. Ewan buffs up and re-edits last year's remix by (then emerging and now) current dance producers-du-jour, Visionquest (Detroit's Seth Troxler, Ryan Crosson, Lee Curtiss) into a new version, with judicious new drum parts and a sparkling widescreen mix-down. Expect serious late summer club action. Meanwhile, UK underground house legend Charles Webster adds his magic totoo, with a beautifully percussive main mix and a rainy, autumnal dub.
Released by: Strange Feeling, a division of Buzzin' Fly Records
Release/catalogue number: 012FEEL
Release date: Oct 31, 2011
Buy limited edition 12" blue vinyl, some signed by Tracey - http://www.buzzinfly.com/shop
Buy download - http://itunes.apple.com/gb/preorder/night-time-ep/id468146560

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kashiichan kashiichan
Stuff taken from #occupymelbourne people can be claimed @ Spotless Depot, 197 Kensington Rd, West Melbourne @ 9am-4pm. BEFORE FRIDAY. RT!

Henry David Thoreau (1849)

Civil Disobedience

#OccupyMelbourne - On The Streets (22/10/11)

Friday 21st October
Riot police stormed the Occupy Melbourne camp at City Square, Violently arresting peaceful unarmed protesters.
Saturday 22nd October
Occupy Melbourne held a General Assembly followed by peaceful march tough the city past the City Square site.
Occupy Melbourne is part of world wide movement for more accountability of financial power houses & political policies that affect all of us.
http://occupywallst.org/
The movement started on Wall Street New York and has now spread to over 1000 cities & town around the world
Occupy Melbourne continues on. For more information please visit
http://occupymelbourne.org/
http://www.facebook.com/occupymelb

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PressPausePlay: The Documentary Featuring Hank Shocklee (Free Download)

PressPausePlay is a documentary about creators and how the digital shift in our world has changed our creative culture. It features a cool cast of creative thinkers including our very own Hank Shocklee and you can now download it for free!
There’s a full length standard version and interactive version featuring extra behind the scenes footage available now that you can download directly from the film’s site. If you haven’t had a chance to check out this film at one of the many screenings that have been held around the world do yourself a favor and download it today, its an inspiring piece of work and must see for all creators!