Sunday, 2 October 2011
Damn I want a copy of 'The Occupy Wall Street Journal' SO much!!!
PennyRed Laurie Penny
Have been teaching the Americans how to roll cigarettes and make tea. No WONDER they haven't had a proper revolution yet.#occupywallstreet
Have been teaching the Americans how to roll cigarettes and make tea. No WONDER they haven't had a proper revolution yet.
NYCSep17 September 17
The Conet Project (Recordings of Shortwave Numbers Stations)
For more than 30 years the Shortwave radio spectrum has been used by the worlds intelligence agencies to transmit secret messages. These messages are transmitted by hundreds of Numbers Stations.
Shortwave Numbers Stations are a perfect method of anonymous, one way communication. Spies located anywhere in the world can be communicated to by their masters via small, locally available, and unmodified Shortwave receivers. The encryption system used by Numbers Stations, known as a one time pad is unbreakable. Combine this with the fact that it is almost impossible to track down the message recipients once they are inserted into the enemy country, it becomes clear just how powerful the Numbers Station system is.
These stations use very rigid schedules, and transmit in many different languages, employing male and female voices repeating strings of numbers or phonetic letters day and night, all year round.
The voices are of varying pitches and intonation; there is even a German station (The Swedish Rhapsody) that transmits a female child's voice!
One might think that these espionage activities should have wound down considerably since the official end of the cold war, but nothing could be further from the truth. Numbers Stations (and by inference, spies) are as busy as ever, with many new and bizarre stations appearing since the fall of the Berlin wall.
Why is it that in over 30 years, the phenomenon of Numbers Stations has gone almost totally unreported? What are the agencies behind the Numbers Stations, and why are the eastern European stations still on the air? Why does the Czech republic operate a Numbers Station 24 hours a day? How is it that Numbers Stations are allowed to interfere with essential radio services like air traffic control and shipping without having to answer to anybody? Why does the Swedish Rhapsody Numbers Station use a small girls voice?
These are just some of the questions that remain unanswered.
Now you will be able to hear this unique and extraordinary phenomenon for yourself, as Irdial-Discs releases THE CONET PROJECT: the first comprehensive collection of Numbers Stations recordings released to the public.
This Quadruple CD is an important historical reference work for research into this hitherto unreported and unknown field of espionage. The CDs contain 150 recordings spanning the last twenty years; taken from the private archives of dedicated shortwave radio listeners from around the world.
There's more information in the included PDF booklet and via the official site for this 4xCD collection.
Via
Time for the Conet Project Vol 2?
Inside the Russian Short Wave Radio Enigma
Photo: Sergey Kozmin
From a lonely rusted tower in a forest north of Moscow, a mysterious shortwave radio station transmitted day and night. For at least the decade leading up to 1992, it broadcast almost nothing but beeps; after that, it switched to buzzes, generally between 21 and 34 per minute, each lasting roughly a second—a nasally foghorn blaring through a crackly ether. The signal was said to emanate from the grounds of a voyenni gorodok (mini military city) near the village of Povarovo, and very rarely, perhaps once every few weeks, the monotony was broken by a male voice reciting brief sequences of numbers and words, often strings of Russian names: “Anna, Nikolai, Ivan, Tatyana, Roman.” But the balance of the airtime was filled by a steady, almost maddening, series of inexplicable tones.
The amplitude and pitch of the buzzing sometimes shifted, and the intervals between tones would fluctuate. Every hour, on the hour, the station would buzz twice, quickly. None of the upheavals that had enveloped Russia in the last decade of the cold war and the first two decades of the post-cold-war era—Mikhail Gorbachev, perestroika, the end of the Afghan war, the Soviet implosion, the end of price controls, Boris Yeltsin, the bombing of parliament, the first Chechen war, the oligarchs, the financial crisis, the second Chechen war, the rise of Putinism—had ever kept UVB-76, as the station’s call sign ran, from its inscrutable purpose. During that time, its broadcast came to transfix a small cadre of shortwave radio enthusiasts, who tuned in and documented nearly every signal it transmitted. Although the Buzzer (as they nicknamed it) had always been an unknown quantity, it was also a reassuring constant, droning on with a dark, metronome-like regularity.
But on June 5, 2010, the buzzing ceased. No announcements, no explanations. Only silence.
The following day, the broadcast resumed as if nothing had happened. For the rest of June and July, UVB-76 behaved more or less as it always had. There were some short-lived perturbations—including bits of what sounded like Morse code—but nothing dramatic. In mid-August, the buzzing stopped again. It resumed, stopped again, started again.
Then on August 25, at 10:13 am, UVB-76 went entirely haywire. First there was silence, then a series of knocks and shuffles that made it sound like someone was in the room. Before this day, all the beeping, buzzing, codes, and numbers had hinted at an evil force hovering on the airwaves. Now it seemed as though the wizard were suddenly about to reveal himself. For the first week of September, transmission was interrupted frequently, usually with what sounded like recorded snippets of “Dance of the Little Swans” from Tchaikovsky’s Swan Lake.
On the evening of September 7, something more dramatic—one listener even called it “existential”—transpired. At 8:48 pm Moscow time, a male voice issued a new call sign, “Mikhail Dmitri Zhenya Boris,” indicating that the station was now to be called MDZhB. This was followed by one of UVB-76’s (or MDZhB’s) typically nebulous messages: “04 979 D-R-E-N-D-O-U-T” followed by a longer series of numbers, then “T-R-E-N-E-R-S-K-I-Y” and yet more numbers...
Continue reading
Peter Savodnik @'Wired'
Flannery O'Connor as a little girl walks her chicken (1932)
Do You Reverse?
Introductory intertitle reads: "Here's an odd fowl, that walks backward to go forward so she can look behind to see where she went!"
M/S of a little girl who the narrator tells us is called Mary O'Connor (note: this is American author Flannery O'Connor as a little girl) from Savannah, Georgia (at least that is what it sounds like). Mary holds a chicken which she lifts onto her shoulder. C/U of the chicken as it walks backwards. Narrator claims that this is the only chicken in the world that walks backwards.
It looks pretty realistic and then we see geese and ducks walking backwards too so it is presumably a camera trick using film reversal technique. Shots of cows and horses seeming to walk and trot backwards.
@'British Pathé'
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