Monday, 29 August 2011

Once upon a life: George Pelecanos

My father's diner, the Jefferson Coffee Shop, was a simple, 27-seat affair in Washington DC, open for breakfast and lunch – coffee and eggs in the morning, cold cuts and burgers in the afternoon. It was the size of a small train car, with 13 stools covered in orange vinyl, four booths along one wall, a cigarette machine, an open kitchen and a counter illuminated by overhead lamps that my father and I had hung one Saturday. My dad bought the place in 1965, after various jobs in carry-outs and soda fountains, and a stint working for my grandfather at Frank's Carryout, a soul-food eatery and beer garden. The Jefferson, on 19th Street, was my father's pride. I still have a cherished photo of him in his apron, standing over the grill, spatula in hand, smiling. Pete Pelecanos was never happier than when he was running his magazi.
I started working for my dad as a delivery boy when I was 11 years old. At the diner, our all-black crew consisted of a grill woman, one waitress, a sandwich maker and a dish washer. Southern soul and gospel played on the radio all day long, giving me my music education. The lunch counter was an uncrossed line, with mostly white professionals on one side, blacks and Greek-Americans on the other. Intellectually, I was too young to understand the dynamic, but on a gut level I knew where I stood.
As happens for many fathers and sons, we grew apart as I hit my teens. My personal profile was not atypical for the blue-collar neighbourhood where I was raised. I played pick-up basketball, drove a muscle car, listened to funk, rock and soul, attended many concerts, chased girls, drank beer, smoked weed until my head caved in, and underperformed at my school, where half of the kids did not go on to college. I was pulled over by the police many times, got in fights and found all kinds of trouble. When I was 17 I accidentally shot a friend in the face with a .38 Special police handgun that my father had bought on the black market. I was skipping school at the time in my parents' house. When my dad walked through the door that night, he dropped the bags he was carrying as he saw my friend's blood splashed upon the living room walls.
I don't know what my father thought of me then, but it's safe to say that he was not proud. He was a tough, handsome guy, an ex-Marine who had fought in the Pacific, but quiet, with nothing to prove. I was a skinny dude with a shoulder-length, white-boy Afro, sporting flannel shirts, ripped Levi's and suede Pumas. I could not have been what he had hoped for in a son. I know he loved me; I also know that I must have been a tremendous disappointment to him at the time. Inwardly, I wanted to please him, but I was who I was.
In December 1975, after a dance, my dad took a bunch of friends over to the Jefferson to cook them a late-night breakfast. I witnessed his joy as he prepared the food, but as I watched him perspiring through his shirt I thought: he's working too hard. A couple of days later, at the age of 54, he had a heart attack.
My mother sat me down in the kitchen of our split-level home. We had no insurance for our business, no savings, and probably little in the way of health insurance. I was to quit university and take over the running of the diner. Though I hadn't worked there in years, I had to summon what I remembered and make it happen. There wasn't any choice. I was about to become the breadwinner for my family and I was 18 years old. The next day, I took over the business.
It was rough going at first. I had to be up to greet the ice man and the bread man at 5.30am. I had to manage our adult crew, and I was not much more than a kid. I had to learn every aspect of the business and work every station, because we were often short-handed. And I had to learn how to deal with customers.
Every night I took the cash home and gave it to my mother. I was never paid a dime. It wasn't unjust: after paying the food brokers and staff, there was no money left. I began to understand that my father had worked so hard all those years for very little in return. His diner paid the bills, kept the roof over our heads and fed us, but there was nothing extra for him. There would be no extra for me.
It sounds like hardship but actually it was fun. I didn't want to be a student, and this was my way out. I was told by a customer that I should take the place over permanently, as "your people are good at running restaurants". The ethnic slag aside, he was right. It did feel natural. I turned 19 and began to inhabit my role of junior businessman. I enjoyed the company of a downtown secretary who was 13 years my senior. I got used to waking up in darkness after a few hours' sleep. Sometimes, when I had partied with my friends deep into the night, I didn't sleep at all. I took pride in making it into work at the appointed hour.
My favourite time was just before dawn, driving to work on 16th Street in my gold Camaro, the windows down, smoking a Marlboro Menthol, listening to the glorious music coming loud from my Pioneer 8-track deck and speakers: Springsteen's Born to Run, Mayfield's Super Fly, Al Green's Call Me, Bowie's Station to Station. The tunes made movies in my head and jacked up my imagination. I had a crazy idea that I might write stories some day, perhaps make films. But how would an unconnected Greek kid get there? If my plan was naive, it didn't matter. The dream sustained me.
Later that summer, when my father returned to work, I took off with my pal Steve Rados and wandered around the south on various adventures of the mind and flesh. That year – 1976 – was the most thrilling of my life. And, I know now, the most important.
Many fathers and sons never get to reconcile their differences or come to an understanding that fills the gap between love and expectations. I'm forever grateful to have had the opportunity to prove myself to my dad. After I took over the diner, the look in my father's eyes went from disappointment to respect. He never even had to say it – I knew. Not that I had matured by leaps and bounds. Nine years later, months before I got married, I was arrested for assault, fleeing and eluding the police, driving on the sidewalk and other charges after a fight in a parking lot, fuelled by alcohol and adrenaline and culminating in a high-speed chase. So, yeah, it took me a long time to grow up. But to my father, even with all my nonsense, I was a man.
Every so often I take the metro down to Dupont Circle, walk into the old diner and have a seat on one of the orange stools. The current owner has switched the menu to gourmet fare and changed the name, but the space is unchanged. The lights my father and I installed still hang over the counter. I order my food, eat my meal and look towards the grill, where I can see my baba in his apron, spatula in hand, flipping burgers and smiling. I'm not having visions; I'm visiting my dad.
@'The Guardian'

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Sunday, 28 August 2011

Paul D. Miller

Notting Hill carnival curfew plan is 'pie in the sky' warn police on ground

Notting Hill carnival's sound systems must be shut down by 7pm this year. Photograph: Tom Oldham/Rex Features
As record numbers of officers are deployed on Sunday to police the Notting Hill Carnival, there is confusion over how a proposed "curfew" is to be enforced, with rank-and-file officers saying they have not received adequate instruction on how to clear the streets following the event's early closure.
In the wake of the London riots, carnival organisers are to proceed on the condition that the parade of floats will finish by 6.30pm, and the static sound systems will be turned off by 7pm – hours earlier than usual – to minimise the potential for disorder after dark.
However Metropolitan Police Federation vice-chairman John Tully said that hopes of clearing Notting Hill's streets so early were "pie in the sky" and could create potential flashpoints.
"We need direction – we being the rank-and-file officers that I represent – about when we are given an instruction from senior officers to clear the street what they actually mean by that?" he said. "We have no definition. If we go in heavy handed and a few people get cuts and bruises or injured, then my members are up in court on an assault charge. When we are told to clear the streets, we should get the backing of not just our managers but the politicians as well.
"I don't think it's achievable because of the volume of people who are going to be there and who don't want to go home. If they want to carry on, there is the potential for problems."
Tully also voiced wider concerns among colleagues that police officers were increasingly seen as a legitimate target by those who felt abandoned by the state: "Just look at Edmonton [north London] two nights ago when a police van was petrol bombed for no reason. That's an indication of how tense the streets of London are. In the current climate, there is obviously a worry that there could be a potential flashpoint."
He cited a meeting in Tottenham last week, where the first of the UK riots began following the shooting of Mark Duggan, in which there was a sense of fury among locals who had turned up.
"There was an atmosphere of absolute hatred towards the police and the establishment – the government – because they feel abandoned, the cuts in youth services, the cuts right across the board."
Commander Steve Rodhouse, the Met's spokesman for the carnival, said he remained confident that the early closing time of 7pm would prove effective and diminish the potential for trouble: "Carnival ends at 7pm and that is certainly our intention.
'We would hope that, combined with licensed premises closing at least between 7pm and 9pm, will be helpful in terms of encouraging people to leave the area and return it to normal for residents and businesses."
Organisers believe the latest festival will not only be safe but as memorable as the event the year after the 1976 riots at the carnival, which left 100 police injured and saw scores arrested.
Ancil Barclay, Notting Hill Carnival director, said: "People have said to me that the best carnival they can remember was the year after the Notting Hill riots and we are hoping that this will be the same. We need to demonstrate to the world that we can deliver. People are looking forward to making this a successful carnival."
Barclay said that crime at the carnival was decreasing: "Met commanders have said that you're likely to be safer in the carnival than in the West End on a Friday night." He added that local residents were acting as the "eyes and ears" of the community to help identify any potential troublemakers.
So far, more than 2,000 people have been arrested in connection with this month's riots, while another 40 have been detained following pre-emptive raids under Operation Razorback designed to prevent troublemakers attending the carnival.
However, last week Scotland Yard said up to 30,000 people were suspected to have been involved in the arson, looting and violence during the riots.
About 16,000 officers will be on hand in the capital during the duration of the carnival. Up to a million people are expected to attend on both days, the majority on Monday, with the weather forecast predicting sunny intervals.

'Preparing the show brings us all together'

Rosalind Thomas, 39
The costume-maker from Paddington has helped with the carnival outfits. This year the colour scheme is red.
"I've been coming to the pre-carnival preparations since I was a baby. Sometimes there is so much to organise for a mas band that people sleep beside their costumes because of all the things that need to be completed. Preparing the show brings the whole community together; we have all generations from children to grandparents and teenagers – our junior king is 17 and junior queen is 16 – under one roof. It's an important time for us, celebrating all the Caribbean islands, all the community, everyone."
Nolan Simmons, 68
A carnival "king", for the last month he has travelled from south London to Notting Hill to help make his costume, a 20ft devil. He has been king of Elimu Paddington Arts Mas band for 30 years.
"We build the costumes from scratch, it takes time. This year I have my leg, so I'm a little worried. We'll have to see how I get on. I also have to dance with the costume on, but this year is a big carnival – the dry run for the 2012 Olympics. "A lot of things have changed since I've been doing this. We used to have police assigned to the band. They would have a great time – maybe, it was felt, too much of a good time. We also used to be able to go wherever we wanted, but now it is much more regulated."
Angela Badal, 40
The primary school teacher from Peckham works as a volunteer in the headquarters of the carnival organisers. She dedicates the bulk of the school holidays to helping organise the carnival.
"I love carnival. I have been coming since I was two or three. My parents are from Trinidad and I used to make costumes for the fancy dress shows at school and would win every year, then I would wear them at the carnival. Because of what has been going on, I really believe it is going to be very safe because of the number of stewards and police. It is a chance for everybody in London to show that we can come together, enjoy ourselves and be peaceful."
Mark Townsend @'The Guardian'

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(For Bob - as usual!!! XXX)