Sunday, 28 August 2011

14 Year Old Redesigns Classic Movie Posters



(Click to enlarge)
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Rick Perry, the Republicans’ Messiah?

Michele Bachmann Would Consider Lowering Minimum Wage To Match The Cost Of Labor Overseas

The Associated Press is reporting that Republican Presidential candidate Michele Bachmann is considering lowering the minimum wage to match labor costs overseas to lure corporations back to the United States.
Her comments came in response to the question of a reporter, during a campaign stop in Florida, who asked whether changes to the minimum wage should also be considered to balance the cost of labor here and overseas. “I’m not married to anything. I’m not saying that’s where I’m going to go,” Bachmann replied. She did say she wants to look at all aspects of doing business, from regulations to tax codes, and will consider anything that will help create jobs.
Lowering the minimum wage is not a viable option to stimulate the economy. People are struggling to live on $7.25 an hour as it is. Wages overseas are far lower than they are here. So low in fact that poverty is a way of life. Before Democrats passed the minimum wage law during the Great Depression, workers struggled to make a living while corporate CEO’s made millions. And when the Great Depression hit the country, millions of American workers ended up with nothing. Corporations don’t care how low wages are. Prices will not come down to accommodate lower wages. The only thing that lowering the minimum wage will do here in America is stimulate poverty.
Stephen D. Foster Jr. @'Addicting Info'
favabean
SPECIAL NYC ALERT: All taxis ARE required to take animals. Please share! (via ASPCA) Don't abandon pets! #hurricane #Irene #NYC

GOP's Callous, Money-Oriented Response to Storm Damage: 'It is Sinful'

Why A Hurricane Can Be Deadly

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Hurricane Irene Could Drive Subway Rats to Surface

Grand Central Station

MTA Police finished securing Grand Central Terminal after the last trains departed. Photo by Metropolitan Transportation Authority / Marjorie Anders.
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Foetus - Here Comes The Rain


(Thanx Mark!)
Adrian Chen
"Have you seen 'The Road'?" Mayor Bloomberg said at a press conference. "Things will probably be like that for a while."

Jay-Z's Hegemony in the Age of Kanye

"I seen people abuse power, use power, misuse and then lose power/Power to the people at last, it’s a new hour/Now we all ain’t gon’ be American Idols/But you can least grab a camera, shoot a viral/Huh? Take the power in your own hands." 
--- Kanye West, evaluating (presumably) the Egyptian revolution in the Power remix
Watch the Throne by Jay-Z and Kanye West may not prove to be the enduring hip hop classic that many people expected when news of the project leaked. But the album itself is hardly the point.  Watch the Throne represents a fascinating gambit in the consolidation and extension of Jay-Z's hegemony over the hip hop world, and in Kanye's rehabilitation of his image following a catastrophic collapse in his global standing.  How they did it offers important lessons for how the United States can handle its own changing position within a turbulent world.
Two years ago, I wrote a series of essays using Jay-Z as a window into international relations theory. They ended up provoking an astonishing outpour of debate, dissent, and commentary across the blogosphere.  I recorded what remains to this day my all-time favorite radio appearance. And it landed me in an unforgettable, if short-lived, rap beef with Game himself.  My basic argument was that Jay-Z handled his hegemonic position by exercising restraint, declining to engage in most provocations in order to avoid being trapped in endless, pointless battles.  Jay-Z battling the Game would have risked being dragged down into combatting an endless and costly insurgency with little real upside.  Better for the hegemon to show restraint, be self-confident, and to carefully nurture a resilient alliance structure to underpin leadership. 
Blueprint 3, released shortly afterwards, largely vindicated that analysis. The opening track pointedly dismissed his beefs ("I ain't talking about gossip, ain't talking about Game") in favor of addressing "real" issues ("let's talk about the future, we've just seen the dream as predicted by Martin Luther, you could choose ta sit in front of your computer posing with guns, shooting YouTube up, or you could come with me to the White House"). "Run This Town" asked everyone to "pledge allegiance" to his label Roc Nation.  "Already Home,"  breezily dismissed all of his would-be challengers as not in his league and "only excited when they mentioning Shawn" and taking them to task for not carrying their share of the burden ("I taught 'em about fish scale they want me to fish for them/They want me to catch clean, then cook up a dish for them").  D.O.A. did take the rising generation to task for singing too much with Autotune and generally being soft, and took a few shots at competing power centers ("send this one to the mixtape Weezy"). But overall, the album was a self-confident, knowing blueprint for hegemonic restraint...
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Marc Lynch @'FP' 

US Bases Worldwide

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Hollie Cook - Walking in the Sand


Yes that is Paul Cook's daughter and ex-Slit!
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Jacob Appelbaum

Dub FX Short Documentary

DUB FX is a worldwide street performer and studio recording artist from St Kilda, Melbourne, Australia. His trademark is creating rich live music using only his voice aided by Live looping and effect pedals. Dub’s music really gained momentum when Bristol film maker BD filmed “Love Someone” on the street and posted it on his Youtube account. 9 million views later Dub has travelled to all far reaches off the globe to perform with his fiancée Flower Fairy.
Dub has several releases out, “Live in the Street” a collection of street performances from his travels busking through Europe in his Van, A remastered double album “Everythinks A Ripple / RMX” which combines his first studio album repackaged with a Remix album showcasing various producers. Dub is also heavily into production and teamed up with long time friend SIRIUS to release “A Crossworlds” a very mature Dubstep Album & Flower Fairy’s album “Nursery Gryme”.
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