Sunday, 5 June 2011

How I Failed, Failed, and Finally Succeeded at Learning How to Code

When Colin Hughes was about eleven years old his parents brought home a rather strange toy. It wasn't colorful or cartoonish; it didn't seem to have any lasers or wheels or flashing lights; the box it came in was decorated, not with the bust of a supervillain or gleaming protagonist, but bulleted text and a picture of a QWERTY keyboard. It called itself the "ORIC-1 Micro Computer." The package included two cassette tapes, a few cords and a 130-page programming manual.
On the whole it looked like a pretty crappy gift for a young boy. But his parents insisted he take it for a spin, not least because they had just bought the thing for more than £129. And so he did. And so, he says, "I was sucked into a hole from which I would never escape."
It's not hard to see why. Although this was 1983, and the ORIC-1 had about the same raw computing power as a modern alarm clock, there was something oddly compelling about it. When you turned it on all you saw was the word "Ready," and beneath that, a blinking cursor. It was an open invitation: type something, see what happens.
In less than an hour, the ORIC-1 manual took you from printing the word "hello" to writing short programs in BASIC -- the Beginner's All-Purpose Symbolic Instruction Code -- that played digital music and drew wildly interesting pictures on the screen. Just when you got the urge to try something more complicated, the manual showed you how.
In a way, the ORIC-1 was so mesmerizing because it stripped computing down to its most basic form: you typed some instructions; it did something cool. This was the computer's essential magic laid bare. Somehow ten or twenty lines of code became shapes and sounds; somehow the machine breathed life into a block of text.
No wonder Colin got hooked. The ORIC-1 wasn't really a toy, but a toy maker. All it asked for was a special kind of blueprint.
Once he learned the language, it wasn't long before he was writing his own simple computer games, and, soon after, teaching himself trigonometry, calculus and Newtonian mechanics to make them better. He learned how to model gravity, friction and viscosity. He learned how to make intelligent enemies.
More than all that, though, he learned how to teach. Without quite knowing it, Colin had absorbed from his early days with the ORIC-1 and other such microcomputers a sense for how the right mix of accessibility and complexity, of constraints and open-endedness, could take a student from total ignorance to near mastery quicker than anyone -- including his own teachers -- thought possible.
It was a sense that would come in handy, years later, when he gave birth to Project Euler, a peculiar website that has trained tens of thousands of new programmers, and that is in its own modest way the emblem of a nascent revolution in education...
Continue reading
James Somers @'the Atlantic'

FOIA Request Unveils Secret CIA-Produced Documentary About CIA Agents Captured & Held In China For Decades

This is fascinating. Apparently, a US plane with CIA agents on board flew into China in 1952, trying to recover a spy in that country. However, the plane went down, and the Chinese captured the two CIA agents who survived the crash... and then kept them until 1971 and 1973. That, in itself, is an interesting story. But making it even more interesting is that the CIA had a professional documentary made about the story (including reenactments), intended for internal audiences within the CIA. Yet, thanks to a Freedom of Information Act request by the Associated Press, the CIA is now planning to release the entire (short) movie on YouTube. Of course, as a work created by the government, it should be in the public domain, though I'm curious to see if that's officially acknowledged anywhere.
Mike Masnick @'techdirt'

The Simpsons Live Action Titles

(Thanx Luke!)

Two sides to every story...

Avi Mayer
NRG: Half-hour ceasefire at - border subject to protesters refraining from causing damage to security infrastructure
Joseph Dana
The army coated M Khatib of Bilin in pepper spray. This is his arm
Via

Doctor Who anime - FINAL. ドクター・フーのファン・アニメ


All 13 minutes of the completed fake Doctor Who 80s-style anime. Drawn, animated and partially voiced by myself. Some bits are good, some bits are poor, but on the whole it turned out okay, I think. Enjoy! This is old school Who, so fans of the new reboot show may be confused by the fact that the Doctor is doing martial arts and Cybermen say "excellent." Watch the classics and you'll understand. You'll also become almost instantly more handsome by watching classic Who.
PS - for those complaining about total lack of story or narrative in this clip, I did always state from the start that it was only going to be an extended trailer with no plot. Think of it as highlights from a 24 epsiode series if there was one.
この私が完成した無認可のドクター・フーの1980年代スタイルファン・アニメ。13分の長さです。
このフィルムには良い面も悪い面もあると思うが、全体として見たらOKと思う。
1970-1980年代の原作のドクター・フーを基にしているから、今風の2005のシリーズのファンは登場人物の言行が奇妙な印象はぬぐえないだろう。往年のドクター・
­フーに没頭せよ!笑
Via

'Saint Bono' the anti-poverty campaigner facing huge Glastonbury protest – for avoiding tax

'This is what Israel is shooting now and they causing serious injuries in Qalandia'

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Joseph Dana

♪♫ First Aid Kit - Waltz for Richard

(Thanx Gavin!)

Shocking evidence of Syria crackdown emerges

Golan: Israel troops fire on pro-Palestinian protesters

Sarah Abdallah

♪♫ Soft Cell & Clint Ruin - Ghostrider

(Thanx Michael!)

Julian Assange speaking at Hay Festival June 4 2011

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Kate Holden: Sex Work and Feminism

Censorship in Venice: sculptures covered up at Azerbaijan pavilion

Two large-scale sculptural works by Moscow-based artist Aidan Salakhova, on show at the entrance of the Azerbaijan National Pavilion, were yesterday hidden from view under drapes following protests from the Azerbaijan president. The Art Newspaper understands that Ilham Aliyev took offence at the pieces because of their references to Islam. One work, Waiting Bride, 2010-11, which shows a woman covered in a black veil from head to foot, was deemed as promoting an unacceptably strict form of Islam. The other sculpture, which depicts the Muslim relic, the Black Stone of Mecca, contained in a vagina-like marble frame, was considered insensitive to the religion. The works will remain under wraps for a week.
“I am very surprised as the Azerbaijan government was aware of the works I planned to bring to Venice,” Salakhova told The Art Newspaper. In the official press material for the pavilion, she had written: “I am very proud to represent Azerbaijan, a secular country where Islam and civility are closely woven together.” The Azerbaijan Culture Ministry could not be reached for comment.
The artist is presenting “Destination”, her first sculptures, in Venice. Salakhova, who was a co-founder of First (the Soviet Union’s first contemporary art gallery in 1989) before opening the Aidan Gallery in 1992, intertwines modern and mystical imagery, and has an interest in gender and Islamic themes and their interconnection. Her sculptures in Venice, some of which weigh more than a tonne, are on display at Palazzo Benzon (to 27 September).
@'The Art Newspaper'

Heather Cassils - Tiresias (2010)

The performance, Tiresias, is inspired by the mythological character of the same name. He was the blind prophet of Thebes, famous for being transformed into a woman for seven years. I wore cataract lenses to cloud my vision and held my body against a neo classical greek make torso, carved out of ice, to fit my body exactly. Throughout the event I melted the torso with my own body heat enacting his gender transformation. I cast the myth of Teresias as a story of endurance and transformation, in which masculinity both freezes the body, and melts away.
(For HelenXXX)
Via

Who is Heather Cassils?