Saturday, 21 May 2011

German police seize Pirate Party servers, looking at Anon's toolkit

Acting on a French request for assistance, German police today confiscated German Pirate Party servers—apparently hoping to search the prominent collaboration tool widely used within Anonymous to select targets for attack.
Authorities appear to be concerned about a possible attack on French energy giant EDF. The German Pirate Party said in a statement that it does not believe itself to be a target of the investigation and expressed willingness “within its legal obligations” to aid French police:
The [Pirate Party] Board does not have information that indicates the necessity to take all servers of the Pirate Party off-line. According to the information it has been provided with, only one single public service on a virtual server of the party was affected. The disconnection of all servers is a massive intrusion into the communications infrastructure of the sixth largest party in Germany. Considering the state elections taking place in Bremen in two days, this caused a severe political damage, which the Board condemns decisively.
In relation to the ongoing investigations, it will have to be verified whether the issued search warrant was actually appropriate, especially whether the principle of proportionality was followed. After all, this action has led to a large-scale breakdown of the technical infrastructure of the Pirate Party Germany. It will also have to be verified whether data have been affected that have no relation to the French investigation.
PiratenPad links in Anonymous chat rooms
The “one single public service” is apparently a reference to the collaborative text editing tool EtherPad. The German Pirate Party has long hosted an installation of the open source EtherPad under the name "PiratenPad," and the PiratenPad install was a particular favorite of Anonymous. Anyone who has spent more than a few minutes in Anonymous chat channels has seen various PiratenPad links used to choose targets, write manifestoes, and collect "dox" on enemies.
The EtherPad Foundation, which coordinates development of the underlying technology, said today, "We entirely support PiratenPad in its struggle, we believe that EtherPad deployments and really-real time collaborative document editing should be a right for all people, great and small."
The group believes the main reason for the raid is “because PiratenPad was being used by the group Anonymous to organize an attack," but notes that even this particular EtherPad install was used for legitimate purposes such as "structured debates around the protests in Spain, so this is a major cause for concern from a libertarian perspective."
Anonymous' main communications tools have been hit hard in the last two weeks. The main Internet Relay Chat servers, run by a group called AnonOps, were taken over last week by a dissident member and have only recently been relocated to a different domain name, which continues to have "issues." Now comes the attack on PiratenPad, though an AnonOps leader says that "police.de wasn't my fault."
Rick Falkvinge, who heads the Swedish Pirate Party, came to the defense of his piratical brethren today, writing, "Doing this to a democratic party—Germany’s sixth largest, actually—two days before an election is nothing short of a democratic sabotage. This shows why we must introduce understanding of information policy into the justice system all across Europe. A computer is not just something you can carry away; doing so has consequences. It is not a wrench, and yet the law (and police) treat it like any tool, just like a wrench."
In response to the takeover of its servers, the German Pirate Party has been tweeting up some sturm und drang today, and its "#servergate" hashtag is the second highest "trending" tag in Germany.
Not surprisingly, the main German police website is now down, as is the website of federal investigators (the BKA). As one Anon put it in a tweet, "#Anonymous to german police: 'Let me introduce myself...' #servergate #PoliceMeetsCocks."
But the German Pirate Party called the attacks inappropriate. "We condemn the totally inappropriate actions by investigators,” said Sebastian Mink, chair of the Chairman Pirate Party, “but these actions are not a reason to attack other websites and we distance ourselves from such attacks.”
Nate Anderson @'Ars Technica'

*Gigg(le)s*

Danny Baker 
BBC LATEST: Injunction footballer "to sue Twitter". Also seeks restraining order on anyone going within 100m of grapevine. More later.

HA!

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It's coming...

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Patti Smith interviewed by Thurston Moore (BOMB 54/Winter 1996)

Patti Smith by Robert Mapplethorpe
Patti Smith was, and is, pure experience… Her reign in the 70s as a street-hot rock & roll messiah seemed to exist from a void. No past, no future—”the future is here,” she’d sing. I’d hear tales of romance, the girl with the blackest hair hanging out at recording sessions writing poetry. But I didn’t know her. I could only embrace the identity I perceived. I was impressionable and she came on like an alien. The first time I met her was in 1975 in a magazine. It was two poems about three wishes: rock & roll, sex, and New York City. Her photo was stark—no disco color flash. It was anti-glam, nocturnal staring eyes, black leather trousers. She was skinny and smart. She posed as if she were the coolest boy in the city. And she was. I could only imagine her world through her poems: telling, truthful, dirty, hopeful. I wanted to meet her and take her to a movie, but she was so unobtainable and fantastic I could only entrust my faith to the future. The future would allow me to have a date with Patti Smith or at least hang out with her. And the future seems to have come. It seems to be happening, it’s happened. It’s here.
Patti grew up in south Jersey in the ‘60s. As a teenager she became involved in a succession of religious experiences: “Catholic lust,” an intense relationship with the Jehovah Witnesses, and a full-on romance with Tibetan Buddhism. She completely immersed herself in the genius of Bob Dylan and Arthur Rimbaud. She loved (and loves) rock & roll with an unbounded passion. It instilled beauty and vision to a complex life of dreams.
Patti moved to New York City late in the decade. I’ve met people who knew her at this time and I’ll stare at them as if to somehow transport myself through their memory to see her. She was skinny and exotic. She had Keith Richard’s haircut. She was sexy and manic. She worked at book stores and wrote and read poetry and did art. She co-wrote and acted in Cowboy Mouth with Sam Shepard. She was muse and lover to Robert Mapplethorpe. They were writers, artists, and rock & rollers—they were young and had any which way to go. Years moved by.
She and Lenny Kaye jammed poetry and electric guitar at St. Mark’s Church. Patti would touch her chest and pronounce, “Jesus died for somebody’s sins but not mine…” Word was out that an amazing woman with a wild, intellectual positivism was tearing it up downtown. Local news programs and the Village Voice would begin to monitor her moves. She wrote amazing, celebratory record reviews for Rolling Stone, ??Rock Scene and Creem. Rock & roll was the sounding tool for modern prayer. She went to hear Television at CBGB and joined forces with Tom Verlaine and Richard Hell. They amplified the influence of Burroughs, Genet, Hendrix, Dylan, Stooges, Dolls and reggae.
Patti and Television spent 1975 at CBGB creating a forum for an excited and completely distinctive sensibility. “We created it, let’s take it over,” she’d shout and brought serious sounds to the people away from the arena-mind of the corporatized music/youth culture. Revolution was neccessary. The Ramones came in, Blondie came in, Talking Heads came in. Entrepreneurs hyped the Sex Pistols and a subculture was begun. Its current status as a valid mainstream format is just a commercial of its sublime expansion. By 1979 Patti split to Michigan with Fred “Sonic” Smith (legendary guitarist of Detroit’s high energy prophets the MC5) and got married. They had two kids and did a lot of fishing. She was out of the scene and out of sight. A second generation of artists and musicians had come to New York City and began to make noise in an explosion of punk rock inspired enterprise. The strongest and most original force in the music’s history had been a woman. And this fact alone exacted upon the “punk” culture a situation in which women were empowered and encouraged.
Patti reappeared in the late ‘80s with the affirming “People Have the Power.” The song’s video showed a distinguished, serious Patti at home in proclamation amongst images of spiritual leadership. She and Fred played at a celebration for Dylan and another for Jackson Pollock.
Fred passed away in 1995 as did Patti’s brother and close friend, Todd. Robert Mapplethorpe had also passed away.
Patti doesn’t drive. In 1977 she fell off the stage and her eyesight was damaged. Survival in Michigan is difficult and lonely without Fred. She wants to play. As soon as her 13-year-old ends the school year she plans on moving back to New York. She has no set design on a professional life but she loves performance. And teaching. I could only interview Patti in conversational mode. She speaks with humor and thoughtfulness, her words are at once searching and prosaic.
I flew to Boston to meet her and Lenny Kaye where we were to drive to Lowell, Massachusetts for a benefit for the Kerouac Foundation. She asked me to play guitar on three songs: one she had written, one by Jerry Garcia and Robert Hunter, and one an improvisation to a poem by Kerouac. We did a show in Lowell and two in Boston, all three in these cool churches. We spent Saturday visiting the haunts of Kerouac’s Lowell. Patti took Polaroids of my hands for a Sunday exhibit at a friend’s gallery in Jamaica Plain. She’d frame the photos with broad white frames and write around them vignettes pertaining to the subject. I was friends with someone I had dreamed of being friends with for nearly 20 years.
This conversation was recorded late night in a hotel in Lowell, October 6, and the next day in the back seat of a car driving to Boston.

INTERVIEW 
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(Thanx son#1!)

Koichi Sato

Musical poster (1989)
Concert poster (1974)
Film poster (1988)

Graphic designer & professor at Tama Art University.
Mr. Sato was born in Takasaki City, Gunma Prefecture, in 1944. He graduated from Tokyo National University of Fine Arts and Music (now, Tokyo University of the Arts) with a degree in Visual Design. After initially working in the advertising department of Shiseido, he went freelance in 1971. He won a Tokyo ADC Award in 1985, a Mainichi Design Award in 1991, and the Education Minister's Art Encouragement Prize for young artists in 1997. He has also won numerous awards at international poster competitions, including at the New York Museum of Modern Art (MoMA). His works are part of permanent collections at many art museums both in Japan and abroad. Mr. Sato is presently a member of JAGDA, AGI, Japan Design Committee, Tokyo ADC and Tokyo TDC. He is best known for his unique style of expression acclaimed for its Oriental touch, but in recent years he has been working with other modes of free expression.
Exhibition runs until May 31 in Tokyo

Prepare For The Raptor (17 hours and 59 minutes to go...)

The End Is (Very) Nigh!

Judgment Day!

May 21, 2011

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Friday, 20 May 2011

Manhunt Inc.: Firm ‘Tags’ Terrorists for Special Ops

When trading ended Tuesday night at the New York Stock Exchange, the closing bell wasn’t rung by a titan of finance or an imported celebrity. It was sounded by the CEO of an obscure defense firm with deep ties to the U.S. intelligence and special operations communities. The traders on the floor may not have recognized Mary Margaret “Peggy” Styer. But her company’s products are well known by the small group of commandos and spies who hunt down top terrorists.
Over the last decade Styer’s company, the Virginia-based Blackbird Technologies, has become a leading supplier of equipment for the covert “tagging, tracking and locating” of suspected enemies. Every month, U.S. Special Operations Command spends millions of dollars on Blackbird gear. The U.S. Navy has a contract with Blackbird for $450 million worth of these so-called “TTL” devices. “Tens of thousands” of Blackbird’s devices have been sent to the field, according to a former employee. And TTL is just one part of the Herndon, Virginia firm’s multifaceted relationship with the special operations, intelligence and traditional military services.
“Blackbird has hit the trifecta: They’ve got people to sell, people to perform the job, and people to keep it all secret,” says one well-placed Defense Department contractor. “Everybody keeps their distance.”
Blackbird helps hunt for missing troops, and pries information off the hard drives captured in military raids. The firm counts one of the CIA’s most famous former operatives among its 250 or so employees. Its staff hackers specialize in infiltrating hostile networks without leaving a trace. Interest in the methods commandos and intelligence operatives use to track down leading targets may have spiked since the killing of Osama bin Laden; for Blackbird, it’s old news. The company has spent years at the center of this secretive field...
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Noah Shachtman @'Wired'