Glinner Graham Linehan

It is 'Big Bang Theory'! Why was it reported as 'It Crowd'? Fucking Osama. FUCKING ROT IN HELL, MOTHERFUCKER! #OBL #itcrowd #bigbangbollocks

'I think it's deeply troubling if we are indeed moving to a place where you can have a global assassination policy for those who are perceived to cause trouble'

Bin Laden: Legality of killing questioned

Akron/Family - Light Emerges

Review: Emily Barker & The Red Clay Halo at Kings Place, London (6 May 2011)

On Friday, 6 May 2011, I had the pleasure of seeing Emily Barker & The Red Clay Halo play at Kings Place in north London. The gig was the first in a series of events at the venue this Spring under the Folk Union banner, promising the opportunity to "explore future traditions and contemporary songwriting with the leading lights of folk music"

It fell to Emily to curate this inaugural event, a task which she fulfilled more than adequately, having clearly taken the time and trouble to research the other artists in some depth, and to open the evening she introduced Cath & Phil Tyler who performed an absorbing set which drew on American traditional music contextualised in a modern folk idiom. They have an obviously deep love and respect for the Appalachian music archived over decades during the last century by people like Anne and Frank Warner, Cecil Sharp, Maud Karpeles, Ralph Peer and Alan Lomax. The results were enormously evocative of a music now perhaps largely lost to the mists of time, but which has as much emotional pull today as it ever did. And Cath's witty and amusing between-songs chat deserves an archive of its own...

After a short break, Emily returned to the stage with The Red Clay Halo (Anna, Jo and Gill). Despite this being only the band's second UK gig of a slightly less intensive itinerary than last time - full details are at the EB&TRCH site - they sounded as confident and fluent as I remembered them from their set at St. Giles-in-the-Fields set back in February.

One of the many pleasures I derive from the music of EB&TRCH is the constant innovation and development of it by the band. Although the core band lineup - Emily Barker, Gill Sandell, Jo Silverdale and Anna Jenkins (with Almanac's co-producer Ted Barnes again providing guitar, mandolin and thumb piano on several songs) - and instrumentation (acoustic and electric guitars, accordian, flute, cello, banjo and violin) was the same, and much of the setlist was drawn from the current Almanac album (buy it here!), there were some obvious differences.

First, the venue. Kings Place, built in 2008 and, according to the website, "a hub for music, art, dialogue and food, housed in an award-winning building in Kings Cross" couldn't be further from the 18th century church of St. Giles-in-the-Fields in terms of visual ambience, but to say one is acoustically 'better' or 'worse' than the other would, I feel, entirely miss the point.

To my high-mileage - and these days, slightly whistly - ears, the most noticeable difference was that while the vocals sounded much more upfront at St. Giles-in-the-Fields, at Kings Place I was struck by how much to the fore Anna's violin and Jo's cello were. Of course, no matter the frequency range of any building, be it three years or three hundred years old, you only have to put any acoustic instrument - or voice - through a state of the art PA system and all bets are off.

The second difference - that there were fewer musicians onstage this time - relates to the sound of the band, and might just have had more than a little to do with my subjective perceptions of the acoustics, as Emily tactfully pointed out to me afterwards!

Finally, of course, there's the choice of songs. This time there were a couple less from Almanac, a couple more from Despite The Snow and one new number.

Despite these differences between the gigs, the band remained confident, assured and relaxed, starting the set with Billowing Sea, the opening track of Almanac and a great way to ease into the evening.

I mentioned earlier in this long and winding post that Emily was curating various artists at the event and throughout the set, a number of highly atmospheric films were projected onto a huge screen at the back of the stage. This visual art was the work of Patti Gaal-Holmes; the other artist featured in the night's Folk Union event. Patti's work has already featured in Emily Barker & The Red Clay Halo videos - Little Deaths is a fine example, and Emily herself has said that songs such as Storm in a Teacup and Despite the Snow were written to Patti's films.



Billowing Sea was followed by a handful of tracks from the album (Little Deaths, Ropes and Dancers), interrupted only briefly by a still ever-so-slightly jetlagged guitar deciding its tuning was fine-thank-you despite Emily's view that it most definitely wasn't, and the band was sounding every bit as fresh and musically tight as I remembered. Calendar was a particular joy for me to hear played by just the band without benefit of additional musicians; this was the version which had first captured my attention when I heard it on the Loose Ends radio broadcast and last night sounded every bit as punchy as it did the first time I heard it.

The heartbreaking harmonies of Pause - currently receiving a fair bit of media attention in its remixed version as the theme for the BBC2's law-and-disorder drama The Shadow Line - appeared midway through the set, to be followed in quick succession by the band's other tv crime thriller soundtrack song, Nostalgia (used in BBC1's Wallander series).



A shifting up of the pace brought two songs available only as digital downloads: Almanac's twelfth track Look Out For My Love with its live vocal fadeout making the hairs on the back of your neck stand up, followed by the sparse but insistent Despite The Snow - and with the elegaic Bones it was into two encores.

We were privileged to hear the first public performance of a new Emily Barker & The Red Clay Halo song, The Rains. It's a measure of the musicianship of Emily, Gill, Anna and Jo that they could perform a new piece almost without batting an eyelid, making it sound as if it was something they'd been playing since the sessions for Almanac began. My already hazy memories (old age, as the saying goes, doesn't come alone!) are telling me that the vocal harmonies are some of the strongest and sweetest I've heard from the band so far. And - again, if I recall correctly - the song structure is firmly in place and I'd like to think that playing it out live over the course of the next three weeks will allow those hallmark EB&TRCH instrumental licks and rifflets to grow and flourish. It would be really interesting to hear a recording of this live debut performance back-to-back with one from the last night of the tour, just to see how it's evolved. But damn, I'd so love to hear it again right now.



Unfortunately, a second hearing of The Rains wasn't on offer (*pouts, sulks*) and so bringing the night to a close, as it did at St. Giles-in-the-Fields, was the epic stomper and rebel-rouser Blackbird. By the time I got myself organised and wandered out of the auditorium, Emily, Gill, Jo and Anna were already chatting to people, signing autographs and so on; on a personal note I was chuffed to conkers that Emily not only remembered me but also remembered my name. Truly, musicians as talented, focused and approachable as Emily Barker & The Red Clay Halo deserve all the success that will surely come their way - and I have to say that it couldn't happen to a lovelier group of people. Not that I'm biased or anything...

...where we go goodness we'll find...

---------------

Setlist:

Billowing Sea
Little Deaths*
Ropes
Dancers*
Calendar*
Storm In A Teacup*
Pause
Nostalgia*
Disappear
Look Out For My Love*
Despite The Snow*
Bones
First encore: The Rains*
Second encore: Blackbird*

[* denotes video art by Patti Gaal-Holmes]

---------------

Via Bird of Paradox

Ex-Liverpool defender Sami Hyypia ends playing career

Pat Jordache - Phantom Limb

HA!

Via

Glenn Greenwald:

The Osama bin Laden exception

U.S. tries to assassinate U.S. citizen Anwar al-Awlaki

'The Other City' (trailer)

Not far from the White House, the Capitol, and the National Mall lies a part of Washington, DC that the tourists never see and the mainstream media virtually ignores. At least three percent of DC is HIV positive, a staggering rate higher than parts of Africa. Behind all the stories of heartbreak, loss, and struggle there are also the incredible, encouraging stories of the people behind grassroots movements to extend education, combat stigmas, and spread hope.
Festival alum Susan Koch's (Kicking It, TFF '08) eye-opening and inspiring documentary tells the unseen and unheard stories behind the epidemic in our nation's capital. From a mother of three who has used her plight with government housing as motivation to campaign for reform, to a former drug addict now advocating for funding of needle exchange programs on Capitol Hill, to the self-described "privileged" young people volunteering at Joseph's House shelter, Koch smartly fixes on the positivity fueling these grassroots movements to remind us that the only unsolvable problems in this country are the ignored ones.
For more information, check out http://www.tribecafilm.com/
(Thanx Fifi!)

Franklin De Costa - Process part 250

Download

Note: Many of the tracks are edited in arrangement and with additional production.
01. John Carpenter & Alan Howarth – Arrival At The Library
02. Darkstar – Ostkreuz
03. Emeralds – The Cycle Of Abuse
04. Cluster – Fotschi Tong
05. Actress – Maze
06. Darkstar – Videotape
07. These New Puritans – Time Xone
08. The Black Dog – Delay 9
09. Autechre – Yuop-Snook
10. Lukid – Child Of The Jago
11. Lone – The Twilight Switch
12. Teebs – Humming Birds
13. Coil – 5-Methoxy-N, N-Dimethyltryptamine: (5-MeO-DMT)
14. Hauschka – Nadelwald
15. Broken Social Scene – Never Felt Alive
16. Bvdub – The Past Disappears
17. Toro Y Moi – Fax Shadow
18. Memory Tapes – Run Out
19. Phonophani – C
20. Oneohtrix Point Never – Ouroboros

Beats In Space: Trentemøller

1. Kid Kongo And The Yellow Monkey Birds - La Lliarona
2. Suicide - Touch Me (Trentemøller Edit)
3. Chimes & Bells - The Mole (Trentemøller Remix)
4. Trickski - Pill Collins (Trentemøller Edit)
5. Nursery -
6. Jarvis Cocker - You're In My Eyes (Disco Song) Pilooski Remix
7. Nick Cave - (Trentemøller Edit)
8. Khan - Ride My Pony
9. Bruce Springsteen - State Trooper (Trentemøller Edit)
10. Crash Course In Science - Flying Turns (Trentemøller Edit)
11. - Lose Yourself
12. Oh No Ono's - Eleanor Speaks (Caribou Remix)
13. - Destroy Yourself
14. The Presets - Kiddie In The Middle
15. Kim Ann Foxman - Creature
16. Wild Nothing - Chinatown
17. The Warlocks -
18. Warpaint - Ashes To Ashes
19. Joakim - Come Into My Kitchen (Trentemøller Edit)

Download
Via

Vivian Goldman: Poly Styrene, Lost & Found

Besieged, Not Fallen

Do you know what happened to terrorists who bombed the Islamabad  Marriott Hotel back in 2008, several months before the attacks on  Mumbai? The same thing that has happened to the planners, financiers and  key actors involved in Mumbai. Nothing much.
How about the killers of Benazir Bhutto, a woman who brought out an  entire nation to vote her into power not once, but twice? Do you know  what happened to them? Or the murderers of Shahbaz Bhatti? Or, the  killers of dozens of Pakhtun leaders from the tribal areas and Swat? Or,  going further back, the people who killed General Zia ul Haq? How about  the killers of Liaquat Ali Khan, Pakistan’s first Prime Minister? Do  you know what happened to any of these murderers?
Nothing much.
In December 2009, terrorists attacked Parade Lane mosque in  Rawalpindi, on a Friday, during the weekly congregational prayer. In  attendance were serving and retired officers and their families. Among  the more than three dozen dead were children, a retired general, and a  young man who was visiting Pakistan for his wedding.
The Parade Lane attack took place several weeks after the General  Headquarters (GHQ) of the Pakistan Army had already been attacked in  October 2009, and held hostage, by 10 terrorists for 22 hours. The same  GHQ that owns the rights to the world’s fastest-growing nuclear arsenal  and the world’s sixth largest military.
Not all the terrorists who attacked the military directly got away.  But most did. Suicide bombers have struck ISI (Inter Services  Intelligence) targets in Lahore, Faisalabad and Peshawar, and the  Special Services Group commando headquarters in Tarbela. Pakistani  Frontier Constabulary men have been kidnapped and taken prisoner by Tehrik-e-Taliban terrorists  in the tribal areas multiple times. Not much has happened to the  perpetrators.
What is the purpose of detailing a litany of terror events in  Pakistan? It is to assemble some facts. In the aftermath of Osama bin  Laden’s killing in Abbottabad on 1 May, facts seem either in short  supply, or in such a severe state of fragility that their status as  ‘facts’ becomes hard to believe...

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Mosharraf Zaidi @'Open'

'This is where you start the movie...'

What Have 4000 Years of Hallucinations Taught Us?

About sixty years ago the scientist C.H.W. Horne wrote that "it is remarkable that one characteristic which seems to separate man from the allegedly lower animals is a recurring desire to escape from reality."  He was referring to the widespread use of hallucinogens by young people during the middle of the last century.  What is even more remarkable, in my opinion, is how long humans have been documenting their interest in the use of hallucinogens. Cultural and religious rituals developed around the use of these hallucinogens probably as soon as they were discovered in the various plants and fungi that were present in their environment. 
Imagine that the year is 2000 BCE (before the current era) and as you are foraging for something safe to eat you discover a small yellowish mushroom that would one day be called Psilocybe mexicana. We now realize that this mushroom contains a hallucinogen called psilocybin.  Indeed, psilocybin would ultimately be discovered in at least 75 different species of mushrooms, so there was a good chance that someone, one day would have stumbled onto a mushroom containing it. Regardless, today is your lucky day - you discovered it first...

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Gary L. Wenk @'Psychology Today'