Sunday, 10 April 2011

Dennis Coffey - Knockabout


The undisputed heavyweight champion of sizzling guitar funk returns with a new batch of Motor City funk. On “Knockabout,” thick breakbeats segue into a ziplock tight groove complete with a choir refrain; perhaps a nod to the Blaxpoitation arrangement aesthetic he mastered on the classic “Black Belt Jones.” As the LA Times says, “Coffey’s funk has a fresh coat of paint, but remains dirty as ever… you might not hear anything with a nastier groove all year.”
Album release date: Apr 26, 2011
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Yugoslavian Record Covers






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5 Songs: Steve Kilbey

David Bowie - 'Sweet Thing/Candidate/Sweet Thing Reprise' (Diamond Dogs, 1974)
Tyrannosaurus Rex - 'Lofty Skies' (A Beard of Stars, 1970)
Donovan - 'Atlantis' (1968)
Genesis  - 'The Lamia' (The Lamb Lies Down on Broadway, 1974)
Kate Bush- 'Lily' (The Red Shoes, 1993)
@'ABC'

Underworld - Dawn of Eden

Gunman kills six in Netherlands shopping centre

Julian Assange claims WikiLeaks is more accountable than governments

WikiLeaks founder Julian Assange
WikiLeaks 'is more responsive than a government that is elected after sourcing money from big business every four years,' Assange told the audience. Photograph: Akira Suemori/AP
WikiLeaks is more accountable than democratically elected governments because it accepts donations from members of the public, Julian Assange has claimed, in his first formal public appearance since being arrested in December following accusations of rape and sexual assault.
Questioned at a public debate about the whistleblowing organisation's own transparency, Assange told an audience of 700 people, many of them supporters: "We are directly supported on a week-to-week basis by you. You vote with your wallets every week if you believe that our work is worthwhile or not. If you believe we have erred, you do not support us. If you believe we need to be protected in our work, you keep us strong.
"That dynamic feedback, I say, is more responsive than a government that is elected after sourcing money from big business every four years."
The WikiLeaks founder, who is currently appealing against his extradition to Sweden to face allegations of sexual assault, told the audience at a packed debate organised by the New Statesman and the Frontline Club that whistleblowing was essential in a democracy because "the only way we can know whether information is legitimately kept secret is when it is revealed".
He cited the examples of Vietnam and "the disaster that was the Iraq war", saying that if whistleblowers had had the courage to speak up earlier about both conflicts, "bloodbaths" could have been avoided.
He said he "could speak for hours" about the impact of the publication of leaked US embassy cables, much of it through the Guardian, and that leak's positive impact.
The Hindu newspaper had in recent weeks published 21 front pages based on so-called "cablegate" revelations, he said, leading to the Indian government walking out four times and a growing anti-corruption movement in the country.
But the political commentator Douglas Murray, director of the centre for social cohesion, challenged Assange over the website's sources of funding, its staffing and connections with the Holocaust denier Israel Shamir, who has worked with the site.
"What gives you the right to decide what should be known or not? Governments are elected. You, Mr Assange are not."
Murray also challenged the WikiLeaks founder over an account in a book by Guardian writers David Leigh and Luke Harding, in which the authors quote him suggesting that if informants were to be killed following publication of the leaks, they "had it coming to them".
Assange repeated an earlier assertion that the website "is in the process of suing the Guardian" over the assertion, and asked if Murray would like to "join the queue" of organisations he was suing.
The Guardian has not received any notification of such action from WikiLeaks or its lawyers.
Jason Cowley, the editor of the New Statesman and chair of the debate, interjected to ask: "How can the great champion of open society be using our libel laws to challenge the press?"
The WikiLeaks founder was obliged to leave before responding to all the questions in order to comply with the curfew conditions of his bail.
WikiLeaks' lawyer Mark Stephens could not be reached for comment. Asked after the debate whether he could shed any light on the supposed legal action, WikiLeaks spokesman Kristin Hrafnsson said "not really".
Esther Addley @'The Guardian'

Kevin Mitnick
I requested my FBI file under the Freedom of Information Act, The LA office claims they lost my file. Maybe Wikileaks can find it for me :-)

Lee "Scratch" Perry - Higher Level (feat. Tunde Adebimpe)


Taken from forthcoming Lee Scratch Perry album "Rise Again":
Eleven all-new songs, mixed in the dub style by Bill Laswell
and featuring:
Tunde Adebimpe (TV on the Radio)
Ejigayehu "Gigi" Shibabaw (Ethiopian superstar)
Hawkman (Methods Of Defiance, Tricky)
Jahdan Blakkamoore
Bernie Worrell (P-Funk legend)
Josh Werner (Matisyahu, Wu-Tang)
Sly Dunbar (Sly and Robbie)
Hamid Drake (master drummer/percussionist)
Aiyb Dieng (Senegalese percussionist)
Dominick James (Angelique Kidjo, Shakira)

Release date: May 10, 2011

Why, Kate? WHY?

So, Kate Bush has a new album - Director's Cut - on the way. It'll contain re-recorded versions of a selection of songs from from The Sensual World (1989) and The Red Shoes (1993) and the first single from it - Deeper Understanding - is up on YouTube. And, having been looking forward to some new tunes from KB, I have to say I think it's a real disappointment but y'all can make up your own minds:

Sorry, Kate, but it really doesn't do anything for me. Maybe I'm unimpressed because it's my favourite song on my favourite album of hers and didn't really think it needed another version - but mostly it's the autotune that I think spoils it. It may be The Law Of The Music Biz that all pop albums in 2011 must have at least one track with it on, but if there was ever an effect that I thought was old from the first time I heard it (Cher's Believe), it's autotune.
So here's another old track - not by Kate Bush - to relieve my disappointment: Marina & The Diamonds I Am Not A Robot (Starsmith's 24 Carat Mix):

Where was I, before I got sidetracked by a wave of meh? Oh yes. All the news that's fit to pront. Kate Bush's new album Director's Cut is slated for release on 16 May 2011 and the tracklist (according to Wikipedia) is:
1. Flower of the Mountain
2. Song of Solomon
3. Lily
4. Deeper Understanding
5. The Red Shoes
6. This Woman's Work
7. Moments of Pleasure
8. Never Be Mine
9. Top of the City
10. And So is Love
11. Rubberband Girl
I'm just hoping that the remakes of Never Be Mine and This Woman's Work (in particular) actually do something new with the originals. Something that's not autotuned...

One Shot Not Remix : Joey Burns (Calexico)


Two Silver Trees
Factured Air (Tornado Watch)
Graphic Ladies!?!

Saturday, 9 April 2011

Krautrock Hörvergnügen


"Our good friends over at the RBMA have teamed up with us and Goethe Institut Los Angeles for another installment of our THEME-STREAM series – a deep web radio excursion into a designated musical area. On this occasion, we’re diving into the canon of German music for a five week long extravaganza dubbed German Sound Exploration, featuring exclusive mixes, live sets and interviews. You can tune in via the dedicated microsite anytime until May 1.
Spanning the very early days of krautrock and analogue synths with innovators such as Manuel Göttsching, Kraftwerk, and Cluster, to techno trailblazers like Moritz von Oswald and Wolfgang Voigt, to electronic baton-grabbers like Mouse On Mars, Atom TM, and To Rococo Rot, this radio stream demonstrates a rich variety of sounds and styles from across the German kosmos. Jawohl!"
(dublab)

RBMA presents ‘Hörvergnügen’

01. Brainticket – Jardins – RCA
02. Unknown – Unknown – Unknown
03. Die Egozentrischen 2 – Durchdrehn In Der DB – Was Soll Das?
04. Roland Kovac – Nymphe – Selected Sounds
05. Cluster – Caramel – Brain
06. Conrad Schnitzler – Auf Dem Schwarzen Kanal – RCA
07. Futurologischer Kongress – Stoned Im Dschungel – Berlin Rock News
08. Eric Vann – Sunken Galleons – Coloursound
09. Säurekeller – Desa D – Ulan Bator
10. Quiet Life – Schlafen – Wartungsfrei
11. Schatten Unter Eis – Red Frogs – WSDP
12. Kraftwerk – Hall of Mirrors – Capitol
13. Ashra – Ocean Of Tenderness – Virgin
14. Peter Baumann – Phase By Phase – Virgin
15. A La Ping Pong – Go Go Pongs – private


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Bill Callahan - Apocalypse (2011 - Albumstream)


Those looking for a logical musical follow-up to Bill Callahan's surprisingly accessible Sometimes I Wish I Were an Eagle from 2009 might scratch their heads at the sound on Apocalypse. The musical reference point in his catalog is, perhaps, A River Ain't Too Much to Love, under the Smog moniker. It's not that this recording resembles that one musically, so much as it employs outsider takes on American roots traditions to get its seven songs across. Apocalypse is a song cycle that places the usually extremely inward-looking Callahan in the unlikely role of observer and interpreter of various American myths; myths both externally held and culturally self-referential, that inform the interior world of the protagonist. Recorded and mixed in Texas and adorned by Paul Ryan's iconic painting Apocalypse at Mule Ears Peak, Big Bend National Park in West Texas, the album portrays America in all its complexity from the vantage point of an empathic yet wryly humorous narrator. On album-opener "Drover," Callahan plays a minor-key, two-chord vamp on a nylon-string guitar, offering a fragmented narrative on a cattle drive. Backed by a full-on rock band led by Matt Kinsey's reverb-laden electric guitar, and colored by Gordon Butler's fiddle, it begs the question: do these cattle actually exist or are they metaphorical elements in the protagonist's psyche? The chorus is the hint as it introduces a lovely second melody and turns the song back on the listener as Callahan sings: "One thing about this wild, wild country/It takes a strong, strong it breaks a strong, strong mind..." "Baby's Breath" is more fractured and rockist, with a taut balance of acoustic and knife-edged electric guitars populating the musical space. Callahan's protagonist found the right place, the right woman, and lost the latter. He has questions but no answers. "America" is the set's hinge piece. A repetitive, electric, pulsing, hypontic distorted blues--a la R.L. Burnside--that examines America's mythical past and its tarnished present. Callahan name checks songwriting heroes -- Kris Kristofferson, Mickey Newbury, George Jones, and Johnny Cash -- by their actual ranks and branches in the armed forces while admitting he's never served, as if that might be the problem; then amid the din to make things more complex, he names our greatest national failures and dirty conquests. The album's most melodic and utterly beautiful song is the confessional waltz "Riding for the Feeling," with glistening electric piano and Wurlitzer played by Jonathan Meiburg. Closer "One Fine Morning" is a nearly nine-minute, lilting ballad that turns on a couple of chords, some pastoral yet jarring lyrics, and a gospel piano atop strummed guitars, which transmute the listener to another place and time. Apocalypse is a deceptively complex gem.
(Thom Jurek - allmusic; 4/5)

ALBUMSTREAM

Structure of stars revealed by 'music' they emit

♪♫ The Weather Prophets - Hollow Heart