Tuesday, 15 March 2011

Secrecy and Darkness Surround Mysterious $900m Piracy Report

sphere

Anti-piracy reports that are commissioned by the entertainment industries are suspicious by definition, but the mystery that surrounds a recent study goes far beyond that. Despite being widely covered in the press, no journalist has actually seen a copy of the report. Even worse, the company that produced the in-depth report was registered only four months ago, and appears to be carefully hidden from the public.
To convince the government that harsher anti-piracy legislation is needed, a coalition of Australian entertainment industry outfits – under the umbrella name Australian Content Industry Group (ACIG) – commissioned a study on the economical impact of Internet piracy. Although by itself this is nothing out of the ordinary, the lack of transparency and shadiness that surrounds it is stunning.
In late February the report in question was first mentioned in a speech by Attorney General McClelland, who was speaking at a conference on future directions in copyright law. At the time the public were not yet aware of the report’s existence. Journalists too remained in the dark.
The same could be said for the Australian Content Industry Group. The copyright coalition, which doesn’t have a public website, was virtually unknown at that point also. The group consists of a variety of entertainment industry outfits, most prominently Music Industry Piracy Investigations (MIPI), but until then had only appeared in a few recent government consultations.
That’s some background on the report, now let’s fast forward two weeks.
On March 6th, Australian newspaper The Age published a series of articles on Internet Piracy. Interestingly enough, the aforementioned report was at the center of the series that quickly made headlines. In particular the hit piece “Nation of unrepentant pirates costs $900m”, written by freelance journalist Neil McMahon, was picked up by dozens of other news outlets.
Curious about this seemingly influential report that dominated the headlines last week, we decided to take a good look at the company that conducted the research — Sphere Analysis. However, this was easier said than done.
Like the Australian Content Industry Group, Sphere Analysis doesn’t seem to have a web presence. With no website and no employees, not even a single reference to the company could be found. How could this be? Wouldn’t it be logical that such a big report would be written by a renowned company?
To us it seemed a little suspicious to say the least, so the first question that came to mind was: Who are behind Sphere Analysis?
With help from the Pirate Party, we found that Sphere Analysis is a business name registered to the ‘Sphere Property Corporation’. This company, which again has no web presence, appears to operate in the real-estate business. Not the type of business you’d expect to write an analysis of Internet piracy on the Australian economy.
Interestingly, ‘Sphere Analysis’ was registered less than four months ago, which means that immediately after it was registered they got this major contract. So who are these people?
To find out more about the company, calls were made to several numbers associated with Sphere Property Corporation but again without results. All calls went to so-called ‘virtual offices‘, where either the company name didn’t ring a bell, or where the person who answered the line was not allowed to give out information.
Additional research eventually led us to an alleged employee of Sphere Property Corporation, Phil Nott, who lists himself as a Real Estate Consultant on Linkedin. No other employees were found and Mr. Nott has two Linkedin profiles, each with just one connection.
Aside from dealing with real estate, Sphere Property Corporation also seems to be connected to the investing company Sphere Capital Advisers and the recruitment business Sphere Associates.
None of the above companies has a website of course, so that’s pretty much where our Sphere Analysis trail ended.
Now that our interest in the report had been pushed even higher, we wanted to know how Sphere Analysis concluded that illicit movie, music and games downloads cost the industry $900 million a year as well as 8,000 jobs. Aside from a few key figures quoted in The Age article, the full report was unfortunately nowhere to be seen.
But we were not the only ones left in the dark. The journalist who wrote the original article for The Age confirmed to TorrentFreak that he wasn’t provided with the full report either. His article was based on information he was given by ‘someone’ he didn’t want to name without permission.
In an attempt to get a copy of the report, we then began emailing several outfits that fall under the Australian Content Industry Group, but without a response. In addition the Australian Pirate Party submitted a Freedom of Information request to the Attorney General’s office, but that is still being processed.
So here we are. After a week of sending emails, making phone calls, and digging through all kinds of information we were unable to get our hands on the full report. On the contrary, the mystery surrounding the report is even greater because of the vagueness surrounding Sphere Analysis.
This is worrying, especially when the Attorney General clearly indicates that it influences future legislation. The Pirate Party, who helped us in our quest for information, agrees.
“Where such reports or studies direct the policy direction of our governments, there is a democratic imperative that the information is made available transparently, that the methodologies are sound and adequately reflect reality,” said Pirate Party’s Rodney Serkowski.
“The Age article inferred that the Attorney General was basing the government’s policy direction on these research figures. This is a very, very shaky foundation for public policy — especially when there is a growing consensus that the institution of copyright requires radical structural reform, lest it becomes irrelevant,” he added.
And then there’s the issue with hiring the brand new and unfindable Sphere Analysis to conduct such an important report.
“This study, carried out by a virtually unknown entity with access only being granted to one journalist is highly dubious, even for the copyright lobby. Any study that gets reported as fact should be made available to the general public. The fact that it is not casts a question over its contents,” said Pirate Party’s Simon Frew.
So, will Sphere Analysis step forward immediately with a full copy of this apparent policy-setting report either to us or another news outlet? Is transparency the way forward or are we to blindly accept spoon-fed ‘statistics’ from faceless groups, regurgitate them as fact, help build credibility where none has been earned and then work the whole thing into law? That can’t be the way forward.
Ernesto @'Torrent Freak'
Hmmm!!!

What a Long Strange Trip It Actually Was

Wisconsin's Governor Wins, but Is He Now Dead Man Walker?

The Wisconsin State Capitol had taken on an eerie quiet by late Friday. Gone were the throngs of protesters who had occupied its marble floors like it were a summer campground. The midnight honking of cars circling the white building had ceased. The chalk outlines around fake dead bodies etched with Wisconsin Governor Scott Walker's name remained in dismembered parts, not yet completely washed away by hoses.It was the governor, however, who had walked away the legislative victor in the showdown. On Friday, as angry protesters chanted "Shame" and blew horns and vuvuzelas, Walker took up a dozen pens, one at a time, to sign into law a bill that not only takes away the ability of unions to bargain collectively over pensions and health care but also limits pay raises of public employees to the rate of inflation and ends automatic union dues collection by the state. It also requires public unions to recertify annually. It was a coup by Wisconsin Republicans against the labor movement in one of its strongholds. 
The governor allowed himself a moment to reflect on how his signature might play historically. "Some have asked whether this is going to set a national precedent," he said. "And I don't know ... but if along the way we help lead a movement across the state for true fiscal reform, true budgetary reform to ultimately inspire others across this country, state by state and in our federal government, inspire others to stand up and make the tough decision to make a commitment to the future so that our children across all states don't have to face the dire consequences we face because previous leaders have failed to stand up and lead, I feel that is a good thing." He also attempted to be magnanimous toward the thousands of protesters who had gathered in Madison since he first announced his legislative intentions on Valentine's Day. "I think we've had a civil discussion," he said. "It's been passionate, but it's been civil along the way...
 Continue reading
Dawn Reiss @'Time'

Rocksteady: The Roots of Reggae (BBC Documentary)



The rocksteady era of Jamaican music in the mid-to-late 1960s is considered a golden age because rocksteady's sweet, soulful vocals, romantic but often socially conscious lyrics and prominent basslines gave birth to reggae, which went on to capture the world.
This documentary chronicles the coming together of rocksteady's surviving vocal stars - artists like the Tamlins, U-Roy, Ken Boothe, Leroy Sibbles from the Heptones, Judy Mowatt, Dawn Penn, Rita Marley and Marcia Griffiths - and some of the island's greatest players, to celebrate their greatest 60s hits, perform a reunion concert and celebrate that golden era. Think of it as a kind of Buena Vista Social Club for the great 60s architects of Jamaican music. It is also a beautiful portrait of Jamaica.
In 1962, Jamaica gained its independence from Great Britain. There was celebration, optimism, economic growth and opportunity. Recording studios popped up all over Kingston and a generation of great singers and players emerged playing the tuneful, mellow music that became known as rocksteady - tunes like The Tide Is High, Rivers of Babylon and You Don't Love Me Anymore, No No No, which were so successfully celebrated by UB40 on their Labour of Love albums. By 1968, Jamaica's economic bubble had burst and social unrest took to the streets. As poverty, violence and political upheaval spread, rocksteady became politicised, upped its tempo and began to evolve into the music they call reggae.
(BBC)

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♪♫ Pickers' Local 608 - There Is Power In A Union

About twenty of Madison, Wisconsin's bluegrass musicians, as the collective Pickers' Local 608, gathered at Audio For The Arts on Sunday, March 6th 2011, to record their version of the Billy Bragg song There Is Power In A Union, with special featured guest banjo man Bill Evans! Bluegrass Local 608 includes members of The Oak Street Ramblers, The Malt Liquors, The Cork n' Bottle String Band, The Pints, Spare Time Bluegrass Band, Northern Pikers, and others... Keep fighting the good fight!

Emergency Cooling Effort Failing at Japanese Reactor, Deepening Crisis

Moritz von Oswald Trio - Horizontal Structures (Albumstream)


Since they debuted last year with Vertical Ascent, the Moritz von Oswald Trio have enjoyed cult status among electronic music fans. Despite the avant-garde sound of their music, the outfit were a staple of electronic festivals in 2010, nabbing slots at Mutek, Unsound (New York and Poland), Club to Club and Dissonanze to name a few. In concert they've occasionally picked up high-profile members like Carl Craig and Francois K, but the core trio consists of Max Loderbauer (of nsi.), Sasu Ripatti (aka Vladislav Delay, Luomo), and of course Moritz von Oswald, partner to Mark Ernestus in two of dub and techno's most influential groups, Basic Channel and Rhythm & Sound. (Resident Advisor)

ALBUMSTREAM

Even WIPO Realizing That Copyright Law May Have Gone Too Far

Is an American ‘Day of Rage’ nigh?

4chan founder: Zuckerberg is “totally wrong” about online identity

Christopher Poole, the founder of controversial online image board 4chan, outlined his vision for Web-based community today at the South by Southwest Interactive conference — and yes, his ideas are in pretty sharp contrast to those of Facebook founder Mark Zuckerberg.
Zuckerberg has spent a lot of time talking about his stance on identity and privacy, especially recently, as Facebook has taken more criticism for its various privacy policies. (To get the flavor of his remarks, check out VentureBeat’s post about Zuckerberg’s privacy stance from last May, as well as David Kirkpatrick’s book The Facebook Effect.) He’s been pretty aggressive about advocating for users to have one identity wherever they are online, because that encourages them to be more authentic (and also means they can carry their social connections with them to any site).
Poole, who is also known under his 4chan username “moot”, said, “I think that’s totally wrong.” He’s had plenty of opportunity to observe the pluses and minuses of anonymity in action, since 4chan is well-known for its anonymous user base. (In fact, the activist hacker group that emerged from 4chan is known as Anonymous.)
Poole argued that anonymity allows users to reveal themselves in a “completely unvarnished, unfiltered, raw way.” One of the things that’s lost when you carry the same identity everywhere is “the innocence of youth.” (“Innocence” isn’t the first word that would come to mind when I think of 4chan, but okay, I’ll go with him here.) In other words, when everyone knows everything you’ve done online, you’re a lot more worried about screwing up, and you’re less willing to experiment. Poole compared this to being a kid, moving to a new neighborhood, and having the opportunity to start over. On the Internet, you don’t get that opportunity.
“The cost of failure is really high when you’re contributing as yourself,” Poole said.
In the case of 4chan, users feel a lot more comfortable trying to create funny images that can become memes, because content that doesn’t catch on disappears quickly, and they’re not weighed down by their failures. Poole said another benefit to 4chan’s anonymity is that content becomes more important than the creator, which is unlike virtually any other online community. Rather than prioritizing the most valued and experienced users, 4chan allows anyone to access the site and post something that might take off.
At the same time, it seems Poole’s attitude towards privacy has evolved. He’s working on a new community site called Canv.as, which actually integrates with Facebook Connect, although users can still post anonymously. Poole said the fact that “you know that we know” the user’s real identity, even if other users can’t see it, discourages people from indulging in the most obnoxious behavior.
The “Wild West” approach, while important for 4chan’s popularity, has had an effect on Poole’s ability to turn the site into a real business. Very few brands are willing to run their ads alongside content that’s so unpredictable and potentially offensive, he acknowledged.
Anthony Ha @'VentureBeat'

4chan founder forms a new outlet

♪♫ Dan Bull - The King's Speech Rap

Germany likely to suspend nuclear plant plans

Lykke Li - I Follow Rivers (Tyler the Creator Mix)


Gulf states send force to Bahrain following protests

Assange confronts Australian PM with video question

Assange confronts PM with video question
WikiLeaks founder Julian Assange has levelled a question at Prime Minister Julia Gillard via video link from house arrest in the UK, asking if she swapped information about citizens with foreign powers.
Assange, under house arrest in London, made a surprise appearance on video during the ABC's QA program on Monday to ask whether Ms Gillard had swapped information about Australians, particularly those who work at WikiLeaks.
Ms Gillard, just back from a trip to the United States, rejected the claim.
'I honestly don't know what he's talking about,' she said, adding that no-one in the US had asked her about Mr Assange.
'So I'm afraid I can't help him with a full and frank exchange about people who work with WikiLeaks.
'To my knowledge it hasn't happened.'
But she conceded that the exchange of information between countries happened often, in cases relating to drug or people trafficking.
@'Sky'