Sunday, 13 March 2011
Kode9 - Time Patrol Dub
The anticipation is steadily increasing as we draw closer to the release date for the forthcoming Kode9 and The Spaceape LP, Black Sun, but to help hold us futuristic beat junkies over in the meantime, Kode9 has sent along this dub version of "Time Patrol" (which originally appeared on the 5 Years of Hyperdub comp back in 2009). As to be expected from a dub, The Spaceape's vocals are completely stripped away, allowing the focus to be on Kode9's lush, booming production. The only trace of vocals left amongst the menacing synth lines and dark horn stabs is the echoing, emotive phrasing of Chinese vocalist Cha Cha, whose contribution to the track marked her first collaboration with the London producer but has since led to her appearing on four tracks for the upcoming LP. In the time before Black Sun drops on April 18, we're thankful that Kode9 has allowed us to take a little trip into his reimagined past in hopes that it'll better prepare us for the mind-warping future he is about to deliver.
Essential Mix 12/03/11
Caribou - Tour CD 2010 DJ Mix
1. Anton Bruhin. Schtandli. Boing.
2. Brave New World. Halpas Corn Dance. Vertigo.
3. Group Inerane. Telilite. Sublime Frequencies.
4. Alog. Every Word Was Once an Animal (Daphni Mix). Unreleased.
5. Crash Course In Science. Flying Turns. Stones Throw.
6. Igor Wakhevitch. Rituel De Guerre Des Esprits De La Terre. Atlantic
7. Unknown. Egyptian Wedding (Luxor). Philips.
8. Nightlife Unlimited. Peaches & Prunes (Ron Hardy Edit). Partehardy.
9. Bernard Bonnier. Vero-La-Toto. Amaryllis.
10. Martin Hall. Fishes. Piermario Ciani.
11. The Doves. I Shall Be Free.
12. Daphni. So Tired Of Crying. Unreleased.
13. Thomas Mapfumo. Shumba (Daphni Edit). Resista.
14. Daphni. For Arnold. Unreleased.
15. Aphrodite's Child. Break. Vertigo.
2. Brave New World. Halpas Corn Dance. Vertigo.
3. Group Inerane. Telilite. Sublime Frequencies.
4. Alog. Every Word Was Once an Animal (Daphni Mix). Unreleased.
5. Crash Course In Science. Flying Turns. Stones Throw.
6. Igor Wakhevitch. Rituel De Guerre Des Esprits De La Terre. Atlantic
7. Unknown. Egyptian Wedding (Luxor). Philips.
8. Nightlife Unlimited. Peaches & Prunes (Ron Hardy Edit). Partehardy.
9. Bernard Bonnier. Vero-La-Toto. Amaryllis.
10. Martin Hall. Fishes. Piermario Ciani.
11. The Doves. I Shall Be Free.
12. Daphni. So Tired Of Crying. Unreleased.
13. Thomas Mapfumo. Shumba (Daphni Edit). Resista.
14. Daphni. For Arnold. Unreleased.
15. Aphrodite's Child. Break. Vertigo.
Can: the ultimate film soundtrack band?
He hardly needs to give up his day job, but Radiohead's Jonny Greenwood seems to have a pretty good alternative career lined up as a film composer. After his dissonant, overpowering strings on There Will Be Blood, he does sterling work on this week's excellent Norwegian Wood, adding to the Japanese teen gloom with sheets of orchestral noise and tender acoustic guitar melodies. But what caught my attention on the soundtrack was the welcome reappearance of Can, whose music not only fits the late-60s setting, but also reminds us how much Radiohead are indebted to the trailblazing krautrockers. They've made no secret of it, even covering Can's The Thief, but listening to The King of Limbs' precision clattering, jazzy guitars, slightly slurred vocals and unorthodox song structures, the spirit of Can still courses through them.
Another reason Can complement Norwegian Wood is the band's Japanese frontman, Damo Suzuki, who sounds like he is singing in his native tongue even when performing in English. The band famously recruited Suzuki off a Munich street in 1970 to play a gig that same night – where his incendiary improvised performance turned away all but the most hardcore, including, bizarrely, actor David Niven, who stayed till the end.
Two of the Can songs in Norwegian Wood are already from existing soundtracks, hence their inclusion on the 1970 album, er, Can Soundtracks: Don't Turn the Light On, Leave Me Alone (bet Radiohead wish they'd thought of that title), Suzuki's first recording with the band, which sounds like a stoned art-students' jam (someone's done a homemade video here); and She Brings the Rain, a mellow, bassy, jazzy melody that doesn't really sound like Can at all (it was performed by their original singer, Malcolm Mooney, shortly before he had a breakdown and left the band). The version in Norwegian Wood, however, sounds like a cover.
Back in my student days – when I should have been listening to Radiohead or studying – Can Soundtracks was a favourite on the electric gramophone. But before imdb, Amazon, iTunes or, in fact, the internet, it was difficult tracking down the films the songs were originally made for. And it still is. They all seem to be obscure German B-movies from the late 60s. Don't Turn the Light On…, for example, is from a film called Cream – Schwabing-Report, on which the only light imdb can shed is the salacious tagline: "What a bored child bride did until she got caught!" That's probably enough information. She Brings the Rain, meanwhile, was from a film called Ein Großer Graublauer Vogel (A Big Grey-Blue Bird). Apparently it's about scientists who invent a computer that solves the mysteries of the universe, but then forget they've done so. Has anyone ever seen this film? Does it really exist?
Fortunately Can's music has been used in edgier but more accessible movies ever since. Keyboardist Irmin Schmidt went on to produce scores of scores, including Wim Wenders's Alice in the Cities. Wenders used She Brings the Rain in Lisbon Story, as did Oskar Roehler in his 2000 film No Place to Go. And the band reunited to do a track for Wenders's Until the End of the World. There's also a lot of Can in Lynne Ramsay's Morvern Callar (the book was dedicated to bassist Holger Czukay), and their funky Vitamin C cropped up in Pedro Almodovar's Broken Embraces. Apparently Can's biggest earner, though, was the track Spoon, which was adopted by hit German TV cop show Das Messer. I thought I heard them recently in another fine and gloomy Japanese youth movie, Confessions, but it turned out to be Boris. Coincidentally, Confessions' soundtrack also features Radiohead.
The good news is that the best of those "lost" movies featuring music from Can Soundtracks is to become available for the first time. This is Jerzy Skolimowski's Deep End, which the BFI is re-releasing in May. A teen drama set in a swimming baths at the end of Swinging London, it features the most legendary song on Can Soundtracks: Mother Sky, which plays as the hero trawls through sleazy Soho, steals a cardboard cut-out, makes the acquaintance of a prostitute with a broken leg and buys a hotdog from Burt Kwouk. Mother Sky is quintessential Can: a mighty 15-minute psychedelic wig-out with crazy screeching guitar, minimalist bassline, clockwork drumming and indecipherable Damo Suzuki chanting. It's garage punk with a longer attention span, math rock with a human soul, and prog without the self-indulgence. Nobody could get away with that now, not even Radiohead.
Steve Rose @'The Guardian'
Another reason Can complement Norwegian Wood is the band's Japanese frontman, Damo Suzuki, who sounds like he is singing in his native tongue even when performing in English. The band famously recruited Suzuki off a Munich street in 1970 to play a gig that same night – where his incendiary improvised performance turned away all but the most hardcore, including, bizarrely, actor David Niven, who stayed till the end.
Two of the Can songs in Norwegian Wood are already from existing soundtracks, hence their inclusion on the 1970 album, er, Can Soundtracks: Don't Turn the Light On, Leave Me Alone (bet Radiohead wish they'd thought of that title), Suzuki's first recording with the band, which sounds like a stoned art-students' jam (someone's done a homemade video here); and She Brings the Rain, a mellow, bassy, jazzy melody that doesn't really sound like Can at all (it was performed by their original singer, Malcolm Mooney, shortly before he had a breakdown and left the band). The version in Norwegian Wood, however, sounds like a cover.
Back in my student days – when I should have been listening to Radiohead or studying – Can Soundtracks was a favourite on the electric gramophone. But before imdb, Amazon, iTunes or, in fact, the internet, it was difficult tracking down the films the songs were originally made for. And it still is. They all seem to be obscure German B-movies from the late 60s. Don't Turn the Light On…, for example, is from a film called Cream – Schwabing-Report, on which the only light imdb can shed is the salacious tagline: "What a bored child bride did until she got caught!" That's probably enough information. She Brings the Rain, meanwhile, was from a film called Ein Großer Graublauer Vogel (A Big Grey-Blue Bird). Apparently it's about scientists who invent a computer that solves the mysteries of the universe, but then forget they've done so. Has anyone ever seen this film? Does it really exist?
Fortunately Can's music has been used in edgier but more accessible movies ever since. Keyboardist Irmin Schmidt went on to produce scores of scores, including Wim Wenders's Alice in the Cities. Wenders used She Brings the Rain in Lisbon Story, as did Oskar Roehler in his 2000 film No Place to Go. And the band reunited to do a track for Wenders's Until the End of the World. There's also a lot of Can in Lynne Ramsay's Morvern Callar (the book was dedicated to bassist Holger Czukay), and their funky Vitamin C cropped up in Pedro Almodovar's Broken Embraces. Apparently Can's biggest earner, though, was the track Spoon, which was adopted by hit German TV cop show Das Messer. I thought I heard them recently in another fine and gloomy Japanese youth movie, Confessions, but it turned out to be Boris. Coincidentally, Confessions' soundtrack also features Radiohead.
The good news is that the best of those "lost" movies featuring music from Can Soundtracks is to become available for the first time. This is Jerzy Skolimowski's Deep End, which the BFI is re-releasing in May. A teen drama set in a swimming baths at the end of Swinging London, it features the most legendary song on Can Soundtracks: Mother Sky, which plays as the hero trawls through sleazy Soho, steals a cardboard cut-out, makes the acquaintance of a prostitute with a broken leg and buys a hotdog from Burt Kwouk. Mother Sky is quintessential Can: a mighty 15-minute psychedelic wig-out with crazy screeching guitar, minimalist bassline, clockwork drumming and indecipherable Damo Suzuki chanting. It's garage punk with a longer attention span, math rock with a human soul, and prog without the self-indulgence. Nobody could get away with that now, not even Radiohead.
Steve Rose @'The Guardian'
Saturday, 12 March 2011
Wisconsin Firefighters Shut Down Bank That Funded Walker
Everybody knows the GOP's biggest weakness is money, so why not hit 'em in the sweet spot? That's what many amazing Wisconsin firefighters did yesterday when they collectively began withdrawing their funds from Madison's M&I Bank -- whose executives and board members were among the highest donors to Governor Scott Walker's campaign.
Heeding a call by Firefighters Local 311 President Joe Conway to 'Move your money,' union members withdrew over $100,000 from the bank, with some reports stating that number is as high as $192,000. Either way, it was a hefty enough chunk of change that M&I shut its doors and closed for the day at 3PM.
This is a very simple, very peaceful way to inflict some serious damage on the money-grubbers; super kudos to the Firefighters Union.
Anecdoctally -- 'M&I Bank received $1.7 billion in bailout money via President George W. Bush's Troubled Assets Relief Program. The bank was acquired by the Bank of Montreal in December of 2010 for $4.1 billion in stock,' reports Dane101.
UPDATE: Stranded Wind over at DailyKos has photos of the protest outside M&I, and says the ante has been upped to $600,000! 'What these pictures show are six hundred ordinary citizens descending on the M&I branch near the Wisconsin Capitol after learning of their purchase of the gubernatorial election last November. Two firefighters with old school ideas about saving had over $600,000 between the two of them and they demanded cashier's checks on the spot.'
Julianne Escobedo Shepherd @'AlterNet'
Michael Moore says 400 Americans have more wealth than half of all Americans combined
Documentary filmmaker Michael Moore so admired the daily demonstrations against Wisconsin Gov. Scott Walker that he traveled from New York to Madison for one on March 5, 2011.
The liberal firebrand opened his speech by heaping praise on those fighting the Republican governor’s efforts to take collective bargaining powers from state and local government employees.
But he put more firepower into bashing the nation’s rich.
"Right now, this afternoon, just 400 Americans -- 400 -- have more wealth than half of all Americans combined," Moore avowed to tens of thousands of protesters.
"Let me say that again. And please, someone in the mainstream media, just repeat this fact once; we’re not greedy, we’ll be happy to hear it just once.
"Four hundred obscenely wealthy individuals, 400 little Mubaraks -- most of whom benefited in some way from the multi-trillion-dollar taxpayer bailout of 2008 -- now have more cash, stock and property than the assets of 155 million Americans combined."
OK, we’ve repeated Moore’s declaration (including the reference to Hosni Mubarak, the former Egyptian president).
Now let’s see if what he asserts -- that 400 Americans "have more wealth than half of all Americans combined" -- is true.
Moore has made other staggering claims about the gap between the nation’s rich and poor. In Capitalism: A Love Story, his 2009 documentary, Moore said "the richest 1 percent have more financial wealth than the bottom 95 percent combined."
He was awarded a Mostly True by our colleagues at PolitiFact National for that claim.
For his Madison speech, Moore posted a version of the text on his website. It included a link to back up his statement about the 400 wealthiest Americans. The link was to a blog post by Dave Johnson, a fellow at the Commonweal Institute, a California organization that says it promotes a progressive agenda.
Johnson wrote that in 2007, the combined net worth of the 400 wealthiest Americans, as measured by Forbes magazine, was $1.5 trillion; and the combined net worth of the poorer 50 percent of American households was $1.6 trillion.
Aside from using slightly different terminology than Moore did, Johnson’s numbers present two problems:
They’re four years old. And they indicate that the poorer 50 percent of American households had a higher net worth than the 400 richest Americans.
That’s the opposite of what Moore said in Madison.
We were referred to another item on Moore’s website that was posted two days after the Madison speech. It cites more recent figures, for 2009.
So, let’s start again.
In that item, Moore correctly quoted Forbes, which said in a September 2009 article that the net worth of the nation’s 400 wealthiest Americans was $1.27 trillion.
Forbes generates its list annually, using interviews, financial documents and other methods to tally their figures. Microsoft co-founder Bill Gates, with an estimated net worth of $50 billion, topped the 2009 list for the 16th consecutive year
The second part of Moore’s claim -- that the net worth of half of all Americans is less than that of the Forbes 400 -- is more complicated.
Moore cited a December 2010 Federal Reserve Board report that said the net worth for all U.S. households was $53.1 trillion in September 2009. That was the same month Forbes released its top 400 list.
That’s a starting point -- $53.1 trillion is the net worth for everybody.
Moore also cited a March 2010 "working paper" by Edward Wolff, an economist at New York University and Bard College. Wolff was a key source in Moore’s claim that was rated Mostly True by PolitiFact National.
Wolff’s paper said that as of July 2009, the three lowest quintiles of U.S. households -- in other words, the poorest 60 percent of U.S. households -- possessed 2.3 percent of the nation’s total net worth.
Moore then multiplied that 2.3 percent by the nation’s total net worth of $53.1 trillion and got $1.22 trillion.
In other words, he was saying the poorest 60 percent of U.S. households had $1.22 trillion in net worth, which is less than the $1.27 trillion in net worth for the Forbes’ 400 wealthiest Americans.
Of course, if the net worth of 60 percent of households is less than that of Forbes’ 400 wealthiest, the net worth of 50 percent of the households -- which is what Moore claimed -- would also be less.
We contacted Wolff, who said he had reviewed Moore’s calculations.
"As far as I can tell, they’re fine," he said.
Three economists -- Thomas Piketty of the Paris School of Economics, Emmanuel Saez of the University of California, Berkeley, and Daniel Mitchell of the libertarian Cato Institute -- agreed.
We made one more check.
Since Moore’s statistics were for 2009, we sought figures for 2010.
The 2010 net worth of the Forbes 400 was $1.37 trillion, Forbes reported in September 2010. That same month, the total U.S. net worth was $54.9 trillion, according to the Federal Reserve Board report cited by Moore.
Wolff hasn’t updated his 2009 figures. So we used his 2.3 percent figure again, multiplied by the 2010 total net worth of $54.9 trillion, and found that the net worth of the poorest 60 percent of U.S. households was $1.26 trillion in 2010.
That’s less than the 2010 net worth for the Forbes 400.
How could it be that 400 people have more wealth than half of the more than 100 million U.S. households?
Think of it this way. Many Americans make a good income, have some savings and investments, and own a nice home; they also have debt, for a mortgage, credit cards and other bills. Some people would still have a pretty healthy bottom line. But many -- including those who lost a job and their home in the recession -- have a negative net worth. So that drags down the total net worth for the poorer half of U.S. households that Moore cited.
We also want to add one cautionary note, from Mitchell of the Cato Institute, about Moore’s methodology: The Federal Reserve uses hard numbers to calculate the net worth of all households, but Forbes uses assumptions and interviews along with hard numbers in estimating the net worth of the Forbes 400.
There’s no way to know how the differences between the two affect the net worth numbers, but Moore used the data that are available and there’s no indication he "cherry-picked" figures for a desired result, Mitchell said.
With that caveat, our assessment indicates that as of 2009, the net worth of the nation’s 400 wealthiest individuals exceeds the net worth of half of all American households.
We rate Moore’s statement True.
@'PolitiFact'
The liberal firebrand opened his speech by heaping praise on those fighting the Republican governor’s efforts to take collective bargaining powers from state and local government employees.
But he put more firepower into bashing the nation’s rich.
"Right now, this afternoon, just 400 Americans -- 400 -- have more wealth than half of all Americans combined," Moore avowed to tens of thousands of protesters.
"Let me say that again. And please, someone in the mainstream media, just repeat this fact once; we’re not greedy, we’ll be happy to hear it just once.
"Four hundred obscenely wealthy individuals, 400 little Mubaraks -- most of whom benefited in some way from the multi-trillion-dollar taxpayer bailout of 2008 -- now have more cash, stock and property than the assets of 155 million Americans combined."
OK, we’ve repeated Moore’s declaration (including the reference to Hosni Mubarak, the former Egyptian president).
Now let’s see if what he asserts -- that 400 Americans "have more wealth than half of all Americans combined" -- is true.
Moore has made other staggering claims about the gap between the nation’s rich and poor. In Capitalism: A Love Story, his 2009 documentary, Moore said "the richest 1 percent have more financial wealth than the bottom 95 percent combined."
He was awarded a Mostly True by our colleagues at PolitiFact National for that claim.
For his Madison speech, Moore posted a version of the text on his website. It included a link to back up his statement about the 400 wealthiest Americans. The link was to a blog post by Dave Johnson, a fellow at the Commonweal Institute, a California organization that says it promotes a progressive agenda.
Johnson wrote that in 2007, the combined net worth of the 400 wealthiest Americans, as measured by Forbes magazine, was $1.5 trillion; and the combined net worth of the poorer 50 percent of American households was $1.6 trillion.
Aside from using slightly different terminology than Moore did, Johnson’s numbers present two problems:
They’re four years old. And they indicate that the poorer 50 percent of American households had a higher net worth than the 400 richest Americans.
That’s the opposite of what Moore said in Madison.
We were referred to another item on Moore’s website that was posted two days after the Madison speech. It cites more recent figures, for 2009.
So, let’s start again.
In that item, Moore correctly quoted Forbes, which said in a September 2009 article that the net worth of the nation’s 400 wealthiest Americans was $1.27 trillion.
Forbes generates its list annually, using interviews, financial documents and other methods to tally their figures. Microsoft co-founder Bill Gates, with an estimated net worth of $50 billion, topped the 2009 list for the 16th consecutive year
The second part of Moore’s claim -- that the net worth of half of all Americans is less than that of the Forbes 400 -- is more complicated.
Moore cited a December 2010 Federal Reserve Board report that said the net worth for all U.S. households was $53.1 trillion in September 2009. That was the same month Forbes released its top 400 list.
That’s a starting point -- $53.1 trillion is the net worth for everybody.
Moore also cited a March 2010 "working paper" by Edward Wolff, an economist at New York University and Bard College. Wolff was a key source in Moore’s claim that was rated Mostly True by PolitiFact National.
Wolff’s paper said that as of July 2009, the three lowest quintiles of U.S. households -- in other words, the poorest 60 percent of U.S. households -- possessed 2.3 percent of the nation’s total net worth.
Moore then multiplied that 2.3 percent by the nation’s total net worth of $53.1 trillion and got $1.22 trillion.
In other words, he was saying the poorest 60 percent of U.S. households had $1.22 trillion in net worth, which is less than the $1.27 trillion in net worth for the Forbes’ 400 wealthiest Americans.
Of course, if the net worth of 60 percent of households is less than that of Forbes’ 400 wealthiest, the net worth of 50 percent of the households -- which is what Moore claimed -- would also be less.
We contacted Wolff, who said he had reviewed Moore’s calculations.
"As far as I can tell, they’re fine," he said.
Three economists -- Thomas Piketty of the Paris School of Economics, Emmanuel Saez of the University of California, Berkeley, and Daniel Mitchell of the libertarian Cato Institute -- agreed.
We made one more check.
Since Moore’s statistics were for 2009, we sought figures for 2010.
The 2010 net worth of the Forbes 400 was $1.37 trillion, Forbes reported in September 2010. That same month, the total U.S. net worth was $54.9 trillion, according to the Federal Reserve Board report cited by Moore.
Wolff hasn’t updated his 2009 figures. So we used his 2.3 percent figure again, multiplied by the 2010 total net worth of $54.9 trillion, and found that the net worth of the poorest 60 percent of U.S. households was $1.26 trillion in 2010.
That’s less than the 2010 net worth for the Forbes 400.
How could it be that 400 people have more wealth than half of the more than 100 million U.S. households?
Think of it this way. Many Americans make a good income, have some savings and investments, and own a nice home; they also have debt, for a mortgage, credit cards and other bills. Some people would still have a pretty healthy bottom line. But many -- including those who lost a job and their home in the recession -- have a negative net worth. So that drags down the total net worth for the poorer half of U.S. households that Moore cited.
We also want to add one cautionary note, from Mitchell of the Cato Institute, about Moore’s methodology: The Federal Reserve uses hard numbers to calculate the net worth of all households, but Forbes uses assumptions and interviews along with hard numbers in estimating the net worth of the Forbes 400.
There’s no way to know how the differences between the two affect the net worth numbers, but Moore used the data that are available and there’s no indication he "cherry-picked" figures for a desired result, Mitchell said.
With that caveat, our assessment indicates that as of 2009, the net worth of the nation’s 400 wealthiest individuals exceeds the net worth of half of all American households.
We rate Moore’s statement True.
@'PolitiFact'
Federal judge denies bid of three linked to Wikileaks to keep Twitter information secret
Judgement in US v. WikiLeaks et al (pdf) http://is.gd/8w3Chf
!!!
The Kyodo news agency is now citing a safety panel as saying that the radiation level inside one of the reactors at the Fukushima-Daiichi nuclear plant is 1,000 times higher than normal.
Subscribe to:
Posts (Atom)