While US courts have been awarding tens of thousands of dollars per song for the few people found guilty of unauthorized file sharing, many people have noted how utterly ridiculous those awards are, in comparison to any actual harm. It appears that a court over in Sweden appears to agree. A man who was charged with sharing 44 songs has been fined a much smaller amount, specifically, 2,000 kronor, or about $300. It actually comes out to just about $7 per song.
It will be interesting to see how the industry reacts to this one. After all, they've been going around praising the IPRED anti-piracy law in Sweden for the last two years now. Will we suddenly start hearing about how Sweden "doesn't take piracy seriously" and then there will be a new push for even stricter laws?
@'techdirt'
Tuesday, 22 February 2011
WTF???
iankatz1000 ian katz
RT @BenQuinn75: 150 bodies of army officers who disobeyed regime found inside Benghazi garrison according to local I spoke to #libya
truthout Truthout
Amazing! US Uncut FB page doubles from 2,000 to 4,000 in two hours! http://on.fb.me/envKld #USuncut#UKuncut #WIunion
The Beat Goes On
Jack Kerouac photographed by Allen Ginsberg in New York in September 1955. All images: © Allen Ginsberg/Corbis
Neal Cassady and Natalie Jackson on Market Street in San Francisco, c. 1955, text by Allen Ginsberg
Timothy Leary and Neal Cassady aboard Ken Kesey's Merry Pranksters bus, 1964, photograph by Allen Ginsberg
The romantic allure of the Beat Generation of writers and poets continues to hold sway over contemporary audiences, as proven by the release of two new movies based on key texts from the era, Howl and On The Road, and an exhibition of photos currently on show at the National Theatre in London...
Neal Cassady and Natalie Jackson on Market Street in San Francisco, c. 1955, text by Allen Ginsberg
Timothy Leary and Neal Cassady aboard Ken Kesey's Merry Pranksters bus, 1964, photograph by Allen Ginsberg
The romantic allure of the Beat Generation of writers and poets continues to hold sway over contemporary audiences, as proven by the release of two new movies based on key texts from the era, Howl and On The Road, and an exhibition of photos currently on show at the National Theatre in London...
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@'Creative Review'
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