Wednesday, 2 February 2011

Protesters reject Mubarak speech

Rock Steady Chris – Old Fi Di New mix

live mix, all vinyl with lots of echo
first half: digital reggae
second half: 60s and 70s, rocksteady and reggae

creation stepper – twilights of wisdom
mungo’s hi fi feat. top cat – herbalist
cane juice – joker bad boy
the hax – duppy
hopeton lindo – rude boy
dub version
sluggy ranks – sodom & gomorrah
sugar minott – satan
carl meeks – tuff scout
king kong – he was a friend
dub version
jo jo bennett – cantaloupe rock
the hamlins – everyone got to be there
lloyd clarke – summertime
star – natty plant it
the crystallites – psychedelic train
scotty – clean race
the rebels – rhodesia
prince far i – black man land
the light of saba – lamb’s bread collie
pauline – bush weed

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via dublab

James Blake – Wilhelm Scream

The World of Detroit Techno 1991-2005, A Photojournal by Todd Sines

"I had first gotten my taste of “real” dance music in 1988 after hearing Kraftwerk’s Musik Non Stop. After getting sidetracked with industrial, goth, hip-hop, shoegaze and post-punk, in 1990, MTV‘s 120 Minutes showed a clip of 808 State performing “Cubik” at a Manchester rave; I immediately set my sights on techno. In 1991, I was sent an early Mute comp, Paroxysm, to review for my zine, featuring Underground Resistance; Mad Mike Banks called me afterwards, sent some records, and left a deep, lasting impression. Shortly after, I found “From Beyond,” Carl Craig’s project as Psyche—almost a fusion of Kraftwerk and This Mortal Coil. Within weeks, our band, Body Release, formed with key Ohio players Titonton Duvanté, Charles Noel [Archetyp] and Mike Szewczyk, dabbling in techno, IDM, jungle and house before we embarked on our own paths. In 1993, via Brian Gillespie, I was introduced to Detroit’s Carl Craig and Daniel Bell, which resulted in releases with Peacefrog, Planet E and 7th City within the year. We started throwing our own events, in collaboration with Ed Luna, as ele_mental in May of 1993, and brought Detroit artists to Ohio and vice versa. My world hasn’t been the same since—and these photos document our cherished memories across the midwestern rust belt in pursuit of house and techno."

@ The Daily Swarm

Tuesday, 1 February 2011

SBTRKT Mix for Annie Nightingale BBC Radio 1

♪♫ Wanda Jackson and Jack White - Thunder On The Mountain

REpost: The psychology of homelessness

When you see a blanket-covered body shifting uncomfortably ina doorway, hole-ridden boots protruding at one end, matted hair at the other, what do you think? That we don’t have enough houses? That the person in question should get a job? Do you feel compassion or disgust?

The reality is that the filthy, dirt-poor person you’re looking at may well have been abused or neglected as a child. They’ve no doubt been rejected time and again. They’re almost certainly in bad health, physical and mental, and could be addicted to alcohol, drugs or both. If they’re female, it’s likely they’ve suffered domestic violence.

Until recently, research on homelessness was focused on economic issues and social policy. But gradually psychology and society are waking up to the psychological processes that lead many people to become homeless in the first place. Researchers are trying to pin down how people end up with nothing and how to get them back on their feet. Therapists are listening to homeless people’s stories, equipping them with the skills to cope and move on.

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Goldie: The alchemist

Has Goldie ever had an unexpressed thought? I'm not entirely sure. He's just such a talker. He can talk and talk and talk, and two weeks after interviewing him, he rings me up when I'm in the supermarket, and for reasons that escape me, I agree to accompany him to a darkened basement off Oxford Street where, for the best part of 90 minutes, I feel like I'm about to die. Bikram, the extreme version of yoga, performed in a room heated to more than 100F, is Goldie's latest enthusiasm, and although I do at one point wonder whether I'm having a cardiac episode, I come to understand why he does it: afterwards he's strangely quiet and calm, like he's been stunned by a tranquilliser dart. (I'm catatonic, but that's another story.)
It's a relief, actually, to see that he can sit still, because interviewing him is not unlike spending several hours in the company of a toddler who's been overdoing the orange squash. When I arrive at his house he tells me he'd been up until 2am the night before, painting, before starting again at 8am; he's already done the photo shoot and is now showing the awed photographer his trainers collection while simultaneously consulting with Chris, the engineer who works for his record label, Metalheadz, who is waiting patiently to get to work on their latest project, an orchestral arrangement of "Timeless", the title track from his 1995 debut album. Mika, his wife of a year, is in the kitchen baking scones and within 30 seconds of walking through the door, he thrusts one towards me: "Taste that! Isn't that scontastic!" before whisking me off up the stairs to show me the love letters he wrote to her, a great big box of them, all hand-written and intricately designed.
Then it's back downstairs and into the kitchen, talking all the time, bouncing off the walls practically. "Did you feel comfortable when you arrived here today?" he asks me later. And I did. He can still look pretty menacing with the gold teeth and the tattoos and the bling, but he's also the perfect host, warm, friendly, generous with the scones (and the trainers – the photographer leaves with a pair and looks like he might burst with joy) and prone to spontaneous outbursts of hugging.
"I can't believe you ever needed to do drugs," I say, because he's 45 now, but in his younger days, hanging out with the likes of Noel Gallagher, he used to "toot for England". In his case, he says, the drugs literally didn't work. "They had a polarising effect. Cocaine would make me go very quiet and into myself." These days, Goldie says, he has just "one vice left" – he smokes – and for the most part lives quietly in a small village in the Hertfordshire commuter belt (just past the golf course, before the church), as unlikely a spot as you could ever think of to find the man who pioneered graffiti art in the UK and was one of the founding fathers of drum 'n' bass. His daughter Chance ("12 going on 26") lives with him during the week, and although he still flies around the world DJing, he's also, since the BBC2 series Maestro, in which he learned to conduct an orchestra, reinvented himself as a mainstream television performer, the latest incarnation of which can be seen in a new BBC2 series, Goldie's Band: By Royal Appointment...