Friday, 28 January 2011

Hove's "Mercy Seat" (revisited)


Nick Cave has been offered driving lessons in lieu of prosecution for crashing his Jaguar into a speed camera last month.
Singer Nick Cave has been offered driver training as an alternative to prosecution after crashing into a seafront speed camera in Brighton
The 53-year-old Australian musician was behind the wheel of a Jaguar saloon when it struck the camera in Queensway on 7 December last year.
The singer and his twin 10-year-old sons, who were also in the car, walked away unharmed from the crash.
Cave, who lives in the area, was not arrested.
A Sussex Police spokesman said: "The driver of a Jaguar saloon car which collided with a roadside speed camera on Hove seafront in December has been offered driver training."
Following the incident, somebody scrawled 'Nick Cave waz ere Xmas 2010' on the speed camera, which belonged to the Sussex Safer Roads Partnership.
The singer is best-known as the frontman of rock band Nick Cave and the Bad Seeds and his 1995 Where the Wild Roses Grow duet with Kylie Minogue.
A spokeswoman for Cave refused to comment.
The Grinderman frontman should be done with driver’s ed. in time to promote John Hillcoat’s The Wettest Country in the World, a once-shelved film starring Shia LaBeouf and Tom Hardy that features a Cave-penned script.

General view of the speed camera which Nick Cave drove into

Thursday, 27 January 2011

HA!

A research study identifies who uploads the majority of the content to the P2P piracy networks

Google Starts Censoring BitTorrent, RapidShare and More

Wednesday, 26 January 2011

Sidi Touré & Friends - Sahel Folk (Albumstream)


1. Bon Koum
2. Adema
3. Djarii Ber
4. Bera Nay Wassa
5. Sïnji
6. Taray Kongo
7. Haallah
8. Wayey Zarrabo
9. Artiatanat

Singer-songwriter Sidi Toure’s smooth, resonant voice and insistent, steady-rolling guitar offer a warm and intimate version of acoustic Malian music. Sahel Folk captures Toure in the Niger River city of Gao, playing and singing in relaxed, elegant colloquy with an ensemble of fellow travelers. Like Malian blues progenitor Ali Farka Toure, Sidi Toure has fashioned a very personal style and expression that gathers elements from life experience and traditional song and story.
On these particular sessions, the voices and stringed instruments -- acoustic guitars; kurbu, kuntigui -- of his friends are at the heart of a graceful and subtly-changing weave and flow, creating a musical experience that moves through satisfyingly variegated terrain.
The clarity and precision of the guitar lines is often breathtaking. It’s Malian string heaven as the string players ebb and flow, entrain, or change mood and tempo on a dime. Ringing, stinging, bent-bluesy, and hard-pulled guitar notes push to the fore at times, as do the rippling, fast-plucked patterns and pulses of the traditional instruments.
The singers cover varied terrain as well, with voices smooth, soaring, rough and hard, passing words and melodies back and forth. What might be most appealing about this clear and intimate recording is the way it captures not only a wide variety of textures, moods and voices, but also the musicians’ comfortable -- and nonetheless passionate -- virtuosity and elegance of expression.

(Kevin Macneil Brown - Dusted)

ALBUMSTREAM

Johnny Cash - I Walk The Line Live


1. Folsom Prison Blues 2. Big River 3. Five Feet High & Risin' 4. Cry, Cry, Cry 5. I Walk The Line 6. The Orange Blossom Special 7. Ring Of Fire 8. Jackson 9. The Man In Black 10. A Boy Named Sue 11. Sunday Morning Coming Down 12. If I Were A Carpenter 13. Daddy Sang Bass 14. A Bird On A Wire

Sir Les Patterson celebrates Australia Day

FELLOW Australians! Diplomats and politicians come and go - but I'm still here. I am very proud of the fact that when most people in the Overseas Community think of Australia they always think of me.
I have grown to be a bit of an icon, a symbol and a role model, but that's what you have made me, so I've got a huge responsibility. And in case you haven't noticed, I have resisted all efforts to put me on a pedestal, even though I'm sitting on one now as I write this thoughtful composition.
I've also resisted an enormous amount of pressure to put me on the stamps and the money because grandiosity has never been my thing and I have seen many a fellow politician, man of the people or captain of industry come to grief from being, quite frankly, up himself.
There's an old Asian saying which, roughly translated, says: "The higher the monkey climbs, the more you can see of its arse."
What a sensitive analysis that is of the politicians' downfall or hubris (to employ another Asian epithet).
I yield to none in my abhorrence of fancy phrases, and we of the Left have never been too proud to flaunt our ignorance.
The very spelling of the words "Labor Party" is a tribute, if you like, to an anonymous bloke of yesteryear who was not afraid to depart from the traditional spelling of the word "Labour", rebranding our beloved party in homage to our dyslexic American cousins.
When we helped the Seppos (Septic Tanks) to victory in World War II we never thought that one day we'd be saying "Enjoy!" to our wives and kids at the breakfast table, or "Hi you guys!" to the sheilas at the reception desk at my office.
That's something I love about Australia - our adaptability to overseas trends in human intercourse.
I've always been at the sharp end of intercourse, in any form, and though I yield to none in my abhorrence of sexual harassment in the workplace, there is a way of doing it which most of my research assistants over the years have found totally acceptable.
I guess Australia has got a healthy self-esteem and we recently paid Oprah Winfrey a bundle to come Down Under and give it a bit of a boost. I personally persuaded her to say "Australia is the greatest country in the world" on the steps of the Opera House and it didn't cost the Australian taxpayer much more than one day's unemployment benefit and child support for the entire Aboriginal population of Australia.
I was jetting in to Sydney last year, having represented my homeland at an international cheese-sniffing convention at Gorgonzola in Italy, when the Pom next to me asked me if I could hear a distant thumping.
"What's that rhythmic pounding?" he inquired, and since I wasn't doing a Ralph Fiennes in the nearest restroom with a horny little flight attendant, I was as mystified as he was.
"Could it be kangaroo is down there?" said the stupid bastard. "No, mate," I said. "It's 22 million Australians patting themselves on the back!"
I love Australia because like America in the olden days anyone can rise to the top. We recently had a Prime Minister called Kevin - where else in the world could that happen?
Now we've got a red-headed woman. She's got a nose like a woodpecker and a cushion up the back of her dress but she's very nice until she opens her mouth. The Lord be good to her.
My services have been called upon to groom her for international exposure and I've been as busy as a Brisbane mop-shop trying to teach her the rudiments of elocution - doing a Geoffrey Rush on the poor old PM.
I got to know Oprah quite well while she was out here on the Australian taxpayers' payroll and I started to see this wonderful country through her eyes.
She was particularly impressed by our burgeoning pillow-biting community.
"We've got them in the States too, Les," she said, "but this is ridiculous."
I tried to point out to her that we Australians only discovered sex about 53 years ago and since then we've been trying to make up for lost time.
We knew the rudiments, and even some of the rude rudiments, but only in the past few decades have my countrymen studied and put into practice the small print on the toilet wall.
She wanted to see the Outback even after I told her that most Australians give it the big miss, particularly since it's cheaper to get drunk in Bali.
When she left our shores she took me to one side and dumped an assortment of plastic boomerangs, Ken Done tea towels, wallaby scrotum duffle bags and goanna jaw money clips as well as Tim Winton and Bryce Courtenay paperbacks and an indigenous digital didgeridoo in my lap. They'd all been given to her at official functions.
"For God's sake get rid of all this crap please, Les!" I managed to drop most of it over the side of the Manly ferry one night but I hung on to a pair of cane toad cufflinks for ceremonial occasions.
I have never stuffed a swag, boiled a billy or humped a jumbuck. I've never chucked a boomerang, climbed Uluru Rock and the Sydney Harbour Bridge or gone down to Penguin Island to take photos of the Jap tourists.
I like a beer, but I'm really a single-malt man, or even a quadruple-malt man, and pies and sauce for breakfast are not compatible with the powder blue polyester and cashmere-blend suit with hand-stitched lapels.
The last time I tried a pie I yodelled so violently I lost my Order of Australia down the white telephone.
But I love Australian women and I let them know it too when Lady Patterson isn't on the prowl or having one of her episodes.
If I ever politely suggest anything a bit Continental and off the beaten track to a lovely young research assistant, our Aussie sheilas have got a lovely way of smiling and articulating that universal Australian phrase, "Not a problem".
I love Australia and I'm glad they sent my great-great-great-great grandfather Ebenezer Patterson out here in the olden days on a trumped-up charge of surprise sex.
I am as proud as buggery to represent this magnificent land of ours overseas.
God Bless Australia - I only wish we owned it.
@'Herald-Sun'
(Thanx Stan!)

Tuesday, 25 January 2011

Radioaktiv – Kraftwerk 1973-2000 mixed by djmq


Tracklist:
Tongebirge
Nachrichten
Radioaktivität
Metropolis
Die Roboter
Schaufensterpuppen
Endlos Endlos
Trans Europa Express
Musique Non Stop
Boing Boom Tschak
Die Stimme Der Energie
Sex Objekt
It’S More Fun To Compute
Heimcomputer
Computerwelt
Nummern
Taschenrechner
Expo 2000 (Kling Klang Mix 2002)
Tour De France (Kling Klang Analog Mix)
Das Model

via

Marko Fürstenberg live @ Panorama Bar, Berlin, 22.01.2011

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(Right click/save as)
@'Das Kraftfuttermischwerk'

WikiLeaks, hackers and conspiracy  theories

Obama Nominates RIAA Lawyer for Solicitor General

♪♫ Gorillaz - Empire Ants (Miami Horror Remix)

DOWNLOAD

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Iron & Wine - Kiss Each Other Clean (Albumstream)


1. Walking Far from Home
2. Me and Lazarus
3. Tree by the River
4. Monkeys Uptown
5. Half Moon
6. Rabbit Will Run
7. Godless Brother in Love
8. Big Burned Hand
9. Glad Man Singing
10. Your Fake Name Is Good Enough For Me

ALBUMSTREAM

David Moreu - Down To Earth (2008)


On April 4 1968, Dr. Martin Luther King was assassinated in Memphis, Tennessee, on the eve of a peaceful march. On the 40th anniversary of this tragic event, we present “Down To Earth”, a short-film documentary about the magical relationship that flourished between the civil rights movement and soul music in the 60s, when the black community fought for equal rights in a country that still lived under racial segregation.
A fascinating story told in first person by some famous musicians and local celebrities in Memphis, like the Rev. Samuel Billy Kyles (civil rights activist), Deanie Parker (Stax Records), David Porter (Stax composer and musician), Willie Mitchell (Hi Records president and Grammy Trustee Award 2008) and Zelma Redding (Otis Redding wife).
“Down To Earth” also talks about the legacy of that convulsive era due to the participation of anonymous characters and young musicians who have been interviewed in some of the most famous barber shops in Memphis. It is the sincere vision of a generation that did not live directly those days of struggle, but it has inherited his ideals and continues to enjoy its music.
A unique glimpse at a key period in the history of the United States that is impossible to understand without its soundtrack.

Country: Spain
Year of production: 2008
Running time: 27 minutes
Language: English

Written & directed by David Moreu
Photography: David Moreu & Nuria Andrés
Edition: Carlos Padilla
Sound: Nuria Andrés
Audio mixer: Marcos Casademunt
Producer: David Moreu
Archive images: Prelinger Archives & The Stax Museum of American Soul Music

"Down To Earth" was first screened at the Stax Museum of American Soul Music (Memphis), it has been awarded with the best documentary prize at the Baumann Festival 2009 and it has been screened at MECAL 2009, CINESTRAT 2009, Islantilla Cineforum 2009 and Black Music & Films 2009.