Water arriving in waves outside State Library - not stopping the curious from enjoying themselves #qldfloods
posted by @custaro from Twitter for iPhone 46 mins 30 secs ago
Wednesday, 12 January 2011
Tuesday, 11 January 2011
Supreme Court declines to review Appeal Court's Starr VS Sony decision
America's Supreme Court has knocked back an application by the four major record companies - EMI, Sony, Universal and Warner - to stop a lower court from reconsidering price-fixing allegations that have been made against the US record industry.
A group of American consumers led by Kevin Starr (well, his name comes first on the court papers) launched a class action lawsuit against the four majors a few years back, alleging that the big players of the US record industry - controlling, as they do, about 80% of the market - had colluded to keep the wholesale price for digital downloads at 70 cents and, in doing so, had broken the country's competition, or anti-trust, laws.
In 2008, a federal judge dismissed the lawsuit, ruling the plaintiffs had not presented enough evidence for an anti-trust case to be fully heard in court. But Starr et al appealed, and last year the US Appeals Court in New York ruled in their favour, declaring there were enough facts on the table to at least allege there had indeed been an antitrust price fixing conspiracy. The appeals court ordered the original judge to reconsider the case.
Legal reps for the majors quickly scurried to the US Supreme Court, arguing the appeals court had got it wrong, and that the plaintiffs simply lacked sufficient evidence for their case to be considered anew. But the Supreme Court yesterday declined, without explanation, to review the lower appeal court's ruling, meaning the anti-trust case will presumably now return to the original judge for new consideration. Funtimes.
@'CMU'
A group of American consumers led by Kevin Starr (well, his name comes first on the court papers) launched a class action lawsuit against the four majors a few years back, alleging that the big players of the US record industry - controlling, as they do, about 80% of the market - had colluded to keep the wholesale price for digital downloads at 70 cents and, in doing so, had broken the country's competition, or anti-trust, laws.
In 2008, a federal judge dismissed the lawsuit, ruling the plaintiffs had not presented enough evidence for an anti-trust case to be fully heard in court. But Starr et al appealed, and last year the US Appeals Court in New York ruled in their favour, declaring there were enough facts on the table to at least allege there had indeed been an antitrust price fixing conspiracy. The appeals court ordered the original judge to reconsider the case.
Legal reps for the majors quickly scurried to the US Supreme Court, arguing the appeals court had got it wrong, and that the plaintiffs simply lacked sufficient evidence for their case to be considered anew. But the Supreme Court yesterday declined, without explanation, to review the lower appeal court's ruling, meaning the anti-trust case will presumably now return to the original judge for new consideration. Funtimes.
@'CMU'
Scientist Launches Dubstep Into Outer Space (Albumstream)
Hopeton Brown (aka Scientist) is one of the greatest and last remaining of Jamaica's first generation of dub producers. He apprenticed under the late King Tubby, the undisputed master of all dub masters, and has been at the forefront of developments in the art form since emerging on his own in the early '80s. This two-disc set is something of a departure for him; he was invited to remix a program of 12 previously unreleased dubstep tracks from the likes of Kode9, Shackleton, Pinch, Mala, and Jack Sparrow. Despite its moniker, dubstep actually has little rhythmically in common with reggae; it tends to be built on a lurching, off-kilter beat that sounds like it was meant to be danced to by someone with one leg shorter than the other, and although its basslines are teeth-shakingly loud and deep, they tend not to be as melodic as those of reggae. Many of the tracks collected here are actually somewhat lighter than dubstep fans might expect: Guido's "Korg Back" is calm and nearly pretty, while Shackleton's "Hackney Marshes" dances lightly and Distance's "Ill Content" brings a darker flavor to the proceedings without departing substantially from the decorous tone set by the other artists. Not until the very end, when Kode9 and Spaceape collaborate on the brilliant "Abeng," do the proceedings start getting that nervously bustling quality that characterizes so much contemporary dubstep. The second disc features Scientist's remixes, and it is to his credit that none of them tries to wrestle the original track into a prefabricated reggae template. "The Long Way" by Armour (Roly Vex'd) gets a bigger and more echoey acoustic, and Jack Sparrow's excellent "Red Sand" is given a dense and nearly jungly mix, but for the most part Scientist shows both taste and restraint in his mixes. Unsurprisingly, the most exciting remix is his deconstruction of RSD's "After All," the most reggae-flavored entry in the original program. On this track Scientist does really let loose with some reggae-style dub technique, and the result is spectacular. But there are no weak tracks on this excellent collection. The only complaint one might have is that it would have been nice to hear Scientist's mixes directly after each track rather than segregated on a separate disc. (Rick Anderson - allmusic; 4/5)1. Pinch feat. Emika - 2012 Dub
2. Armour (Roly Vex'd) - The Long Way Dub
3. Guido - Korg Back Dub
4. Shackleton - Hackney Marshes Dub
5. King Midas Sound - U Dub
6. Loefah & SGT Pokes - Dog Money Dub
7. Distance - Ill Kontent Dub
8. RSD - After All Dub
9. Jack Sparrow - Red Sand Dub
10. Mala (Digital Mystikz) - City Cycle Dub
11. Cyrus (Random Trio) - Footsteps Dub
12. Kode 9 & Spaceape - Abeng Dub
ALBUMSTREAM
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