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Monday, 3 January 2011
Detroit Lives
Once the fourth-largest metropolis in America—some have called it the Death of the American Dream. Today, the young people of the Motor City are making it their own DIY paradise where rules are second to passion and creativity. They are creating the new Detroit on their own terms, against real adversity. We put our boots on and went exploring.
@'Palladium Boots'
Dustin O'Halloran - Vorleben
Dustin O'Halloran - Vorleben by sonic pieces
Considering the number of people in the world who know how to play the piano, it is amazing that a solo piano work can still come across as so striking and original. This is because it is not only the notes that matter, but also the performance. O'Halloran's live set on the night in which he suffered a personal loss is amazing, not just in the very fact of its execution, but in the tenderness with which it is delivered as well. The spaces between the notes are just as important as the notes themselves. O'Halloran has a strong sense of spacing, knowing exactly when to hold back when other pianists might have plowed forward, afraid that the tones might drift too long in the empty air. As a document of place and time, Vorleben is a remarkable achievement, one that will long echo in the hearts of its listeners like the notes drenching the stained glass of the church in which it was recorded. (Nayt Keane)
Considering the number of people in the world who know how to play the piano, it is amazing that a solo piano work can still come across as so striking and original. This is because it is not only the notes that matter, but also the performance. O'Halloran's live set on the night in which he suffered a personal loss is amazing, not just in the very fact of its execution, but in the tenderness with which it is delivered as well. The spaces between the notes are just as important as the notes themselves. O'Halloran has a strong sense of spacing, knowing exactly when to hold back when other pianists might have plowed forward, afraid that the tones might drift too long in the empty air. As a document of place and time, Vorleben is a remarkable achievement, one that will long echo in the hearts of its listeners like the notes drenching the stained glass of the church in which it was recorded. (Nayt Keane)
Pantha Du Prince - Black Noise
Pantha Du Prince - Black Noise by GvsB
Minimal techno is almost something of an oxymoron. Since why would anyone in the ravey, entrancing, maximalist pill-popping world of techno music ever want any of that indulgence minimized? I pose that question rhetorically, but if one were to force an answer, then the closest thing lies with Hendrik Weber, a.k.a. Pantha du Prince. Album three on his CV, Black Noise is the culmination of Weber’s adherence to a simple artistic ethic that single-handedly restores relevance to the "minimal techno" label: to treat all excess in dance music as precisely that—excess, superfluity, luxuriance, waste. Instead, the German native opts for economy, trading in thumping beats for a rhythmic sea of pulsation, abrasive thumping variety for loop utilization to its fullest effect, and big catchy hooks for the subtlety of a woven palette of melodic coloring. Black Noise is as intoxicating as it is intellectual, and most remarkably, as pure dance music, the euphoric yield remains utterly undiminished. (Mac Nguyen)
Minimal techno is almost something of an oxymoron. Since why would anyone in the ravey, entrancing, maximalist pill-popping world of techno music ever want any of that indulgence minimized? I pose that question rhetorically, but if one were to force an answer, then the closest thing lies with Hendrik Weber, a.k.a. Pantha du Prince. Album three on his CV, Black Noise is the culmination of Weber’s adherence to a simple artistic ethic that single-handedly restores relevance to the "minimal techno" label: to treat all excess in dance music as precisely that—excess, superfluity, luxuriance, waste. Instead, the German native opts for economy, trading in thumping beats for a rhythmic sea of pulsation, abrasive thumping variety for loop utilization to its fullest effect, and big catchy hooks for the subtlety of a woven palette of melodic coloring. Black Noise is as intoxicating as it is intellectual, and most remarkably, as pure dance music, the euphoric yield remains utterly undiminished. (Mac Nguyen)
Robyn - Promotional Mix 2011/01
Robyn - Promotional mix 2011/01 by djrobyn
Scuba - Glance [Hotflush]
Pariah - Crossed Out [R&S]
Joy Orbison - So Derobe [Aus Music]
Pariah - The Slump [R&S]
Ramadanman - Work Them [Swamp 81]
Girl Unit - IRL [Night Slugs]
Girl Unit - Shade On [Night Slugs]
Pearson Sound - Blanked [Hessle Audio]
Delphic - Halcyon (Deadboy Remix) [Tres Cool]
Ramadanman - Glut [Hemlock]
Jam City - 2 Hot [Night Slugs]
Girl Unit - Wut [Night Slugs]
Pearson Sound - Blue Eyes [Hessle Audio]
Boddika - Syn Chron [Nakedlunch]
Addison Groove - Footcrab VIP [Swamp 81]
Bloodman - Remote Viewing [Deca Rhythm]
XI - The Ghost [Orca]
DOWNLOAD
via
Scuba - Glance [Hotflush]
Pariah - Crossed Out [R&S]
Joy Orbison - So Derobe [Aus Music]
Pariah - The Slump [R&S]
Ramadanman - Work Them [Swamp 81]
Girl Unit - IRL [Night Slugs]
Girl Unit - Shade On [Night Slugs]
Pearson Sound - Blanked [Hessle Audio]
Delphic - Halcyon (Deadboy Remix) [Tres Cool]
Ramadanman - Glut [Hemlock]
Jam City - 2 Hot [Night Slugs]
Girl Unit - Wut [Night Slugs]
Pearson Sound - Blue Eyes [Hessle Audio]
Boddika - Syn Chron [Nakedlunch]
Addison Groove - Footcrab VIP [Swamp 81]
Bloodman - Remote Viewing [Deca Rhythm]
XI - The Ghost [Orca]
DOWNLOAD
via
Rop Gonggrijp – My Keynote at 27c3
the opening speech of Dutch net activist Rop Gonggrijp held @ the 27th Chaos Communication Congress
HERE
Edit:
I found a video of the speech:
Top Tours 2010
Worldwide:
1. Bon Jovi $201 million
2. AC/DC $177 million
3. U2 ($160.9 million)
4. Lady Gaga ($133.6 million)
5. Metallica ($110.1 million)
6. Michael Bublé ($104.2 million)
7. “Walking With Dinosaurs” ($104.1 million)
8. Paul McCartney ($93 million)
9. Eagles ($93.3 million)
10. Roger Waters $89.5 million
source
North America:
1. Bon Jovi $108 million
2. Roger Waters $89.5 million
3. Dave Matthews Band ($72.9 million)
4. Paul McCartney ($61.8 million)
5. Michael Bublé ($65.7 million)
6. Eagles ($64.5 million)
7. Lady Gaga ($51 million)
8. James Taylor / Carole King ($50.7 million)
9. The Black Eyed Peas ($50.5 million)
10. John Mayer ($49.9 million)
source
btw, who the fuck is Dave Matthews?
1. Bon Jovi $201 million
2. AC/DC $177 million
3. U2 ($160.9 million)
4. Lady Gaga ($133.6 million)
5. Metallica ($110.1 million)
6. Michael Bublé ($104.2 million)
7. “Walking With Dinosaurs” ($104.1 million)
8. Paul McCartney ($93 million)
9. Eagles ($93.3 million)
10. Roger Waters $89.5 million
source
North America:
1. Bon Jovi $108 million
2. Roger Waters $89.5 million
3. Dave Matthews Band ($72.9 million)
4. Paul McCartney ($61.8 million)
5. Michael Bublé ($65.7 million)
6. Eagles ($64.5 million)
7. Lady Gaga ($51 million)
8. James Taylor / Carole King ($50.7 million)
9. The Black Eyed Peas ($50.5 million)
10. John Mayer ($49.9 million)
source
btw, who the fuck is Dave Matthews?
Sunday, 2 January 2011
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