Sunday, 2 January 2011

The American Wikileaks Hacker

On July 29th, returning from a trip to Europe, Jacob Appelbaum, a lanky, unassuming 27-year-old wearing a black T-shirt with the slogan "Be the trouble you want to see in the world," was detained at customs by a posse of federal agents. In an interrogation room at Newark Liberty airport, he was grilled about his role in Wikileaks, the whistle-blower group that has exposed the government's most closely guarded intelligence reports about the war in Afghanistan. The agents photocopied his receipts, seized three of his cellphones — he owns more than a dozen — and confiscated his computer. They informed him that he was under government surveillance. They questioned him about the trove of 91,000 classified military documents that Wikileaks had released the week before, a leak that Vietnam-era activist Daniel Ellsberg called "the largest unauthorized disclosure since the Pentagon Papers." They demanded to know where Julian Assange, the founder of Wikileaks, was hiding. They pressed him on his opinions about the wars in Afghanistan and Iraq. Appelbaum refused to answer. Finally, after three hours, he was released. Appelbaum is the only known American member of Wikileaks and the leading evangelist for the software program that helped make the leak possible. In a sense, he's a bizarro version of Mark Zuckerberg: If Facebook's ambition is to "make the world more open and connected," Appelbaum has dedicated his life to fighting for anonymity and privacy. An anarchist street kid raised by a heroin- addict father, he dropped out of high school, taught himself the intricacies of code and developed a healthy paranoia along the way. "I don't want to live in a world where everyone is watched all the time," he says. "I want to be left alone as much as possible. I don't want a data trail to tell a story that isn't true." We have transferred our most intimate and personal information — our bank accounts, e-mails, photographs, phone conversations, medical records — to digital networks, trusting that it's all locked away in some secret crypt. But Appelbaum knows that this information is not safe. He knows, because he can find it...

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Nathaniel Rich @'Rolling Stone'

HA!

Er, can I have my money back please...

REpost: Natasha Veruschka - the 'Queen' of swords

Natasha Veruschka
Natasha currently holds seven world records in sword swallowing including the most swords swallowed by a female (13 twenty two inch long swords) and the longest sword swallowed by a female (twenty seven and a half inches long.)

Alison Van Pelt/WSB 1996

@'Alison Van Pelt Art'

Robert Hood - Live 1994 - 2010

Robert Hood - Lives by Electro-Mix-Memory

Jamaican Anti-Gay 'Murder Music' Heard by Millions in the US

Jamaican dancehall star Buju Banton was considered a musical prodigy in 1988 when, at age 15, he recorded what remains one of his best-known tracks, “Boom Bye Bye.” Even in the difficult-to-decipher Jamaican slang known as patois, its chorus evokes violence and dread: Boom bye bye / inna batty bwoy head / Rude bwoy no promote no nasty man / dem haffi dead. (“Boom [the sound of a gunshot], bye-bye, in a faggot’s head / the tough young guys don’t accept fags; they have to die.”)
For those whose familiarity with Jamaican music begins and ends with Bob Marley, “murder music” — and its stubborn worldwide popularity — will come as a serious shock.
Gay and lesbian activists in Jamaica and throughout the Western world have spent years trying to slow the spread of murder music. The going is tough: Banton, a four-time Grammy nominee who has collaborated with renowned Haitian singer Wyclef Jean and the punk band Rancid, is but first among equals in a genre deeply rooted in Jamaican culture, whose stars include celebrated musicians like Beenie Man, Capleton and Sizzla Kalonji. The top-rated of 86 YouTube videos of Banton performing “Boom Bye Bye” has been viewed an astounding 3,217,409 times since it was posted in 2007.
The Stop Murder Music campaign is an international movement with activists on nearly every continent who urge sponsors to pull funding from offending artists, pressure venues not to book them, and organize boycotts and protests when they perform. Supporters of the musicians “say we’re attacking these artists because they’re homophobic,” said British human rights activist Peter Tatchell, international coordinator of Stop Murder Music. “That’s not true. We’re attacking them because they’re inciting the criminal offenses of violence and murder.”
Something surely is. According to the Jamaica Forum of Lesbians, All-Sexuals and Gays (J-FLAG), Jamaica’s only organization promoting LGBT rights, mobs assaulted at least 98 gay men and lesbians between February and July 2007 alone. Last year, J-FLAG recorded six cases of “corrective rape,” in which men forced themselves on women thought to be lesbians. More recently, in just the month of September, two women were subjected to corrective rape, J-FLAG said. The first was gang-raped by a group of four men; the second was held at knifepoint and raped after being forced to perform oral sex on her attacker.
The source of another oft-repeated statistic, that at least 35 Jamaicans have been killed since 1997 solely for being gay, is unknown; it is commonly but wrongly attributed to Amnesty International. In any case, powerful taboos against gays in Jamaica make compiling accurate statistics on anti-gay hate crimes difficult because victims and their families are afraid to come forward...