According to Wilco guitarist Nels Cline, the band has left Nonesuch Records, its home for most of the past decade, and is starting its own label. Cline dropped this particular bombshell during an interview with Express Night Out. Thanks to James DuBray for the tip.
Talking to Express Night Out, Cline says, "I think our main task now is to work on new material and a new album. And now that we have our own record label, there's going to be funny things to come out." He adds, "I don't know the name of it. Jeff [Tweedy] was basically not wanting to be on a record label for a while-- he didn't renew his contract with Nonesuch-- so we're striking out on our own, our own label. There might be a 7" or something, a little souvenir when we do this Mass MoCA [the Wilco-curated Solid Sound Festival]. I'm not sure, really. Basically, Jeff and [Wilco's manager] Tony Margherita are the masterminds, so I'm just cruising with what they want to do."
A rep for the band confirms that Wilco's deal with Nonesuch has expired, but does not confirm that the band will definitely be releasing future albums on their own, though it is a possibility.
So if you're attending the Solid Sound Festival next month, keep an eye out. You could take home the very first product released on Wilco's mysterious new label. Wilco and Nonesuch have a storied history. The label signed Wilco after the band was dropped by Nonesuch's fellow Warner Music Group imprint Reprise during the making of the now-classic Yankee Hotel Foxtrot.
A few years back, when Denis Johnson refused to do press for his novel Tree of Smoke, which went on to win the National Book Award, it was considered newsworthy. (Note: He has since vowed “to learn how to interact with people.”) But in an age where widespread self-promotion (and in many cases, oversharing) is just 140 characters away, the idea of a reclusive author seems both counter-intuitive and strangely romantic. Inspired by Harper Lee’s recent chocolate-fueled assault by a British tabloid reporter, we decided to examine why a few authors of a certain age chose to shut themselves away from the media, and in some cases, from publication and society, as well.
Under Manhattan’s Upper West side, runs the “Freedom” Tunnel. Built in the 30’s by Robert Moses, the passage boasts legendary graffiti murals and piles of debris remaining of the past homeless city era. After using it for only a couple of years, Amtrak discontinued the line and left a massive cavern which later became a shelter for street people. Progressively, the tunnel turned into a veritable underground metropolis where thousands of homeless were living in organized communities underneath the city’s skin.
The tunnel also became a prime spot for graffiti artists. Chris Pape, aka Freedom, was one of the pioneers and his work inspired the name of the tunnel. “Freedom” painted immense murals utilizing the unique lighting provided by the ventilation ducts, turning the tunnel into an extraordinary underground art gallery. Some of his most notable paintings survived for decades and are still conspicuous today (“Venus de Milo”, the “Coca-Cola Mural”, Dali’s “Melting Clock”,a self-portrait featuring a male torso with a spray-can head, etc.).
In 1991, Amtrak decided to reopen the tunnel. The shanty towns were cleared out by the police and homeless were evicted. Although deserted, the tunnel is now an active train line and a stunning experience for urban explorers.
It is a bizarre blend of dark and light, silence and rumble, solitude and multitude. As you penetrate the tunnel and walk along the tracks, the sunbeams perforating the ceiling and highlighting the railway gives the place a post-nuclear feel. Voices from children playing above in Riverside Park sound like lost souls and trains whistling and roaring through the ruins of the shanty towns send chills down your spine.
This is one of the most uncommon and fascinating journeys I’ve ever taken.
For the first time, people under the influence of psilocybin, the psychoactive ingredient in magic mushrooms, laid down in what appeared to be an fMRI brain scanner.
However, unlike an fMRI machine, the device didn’t generate any magnetic fields. In fact the device didn’t even generate an image of the brain or measure brain activity at all. The device was made out of wood.
In a study on the safety of administering psilocybin intravenously and conducting an fMRI scan, nine subjects who had previous experience with hallucinogenic drugs were injected with 2 milligrams of psilocybin and were then asked to lie down in the wooden mock-fMRI setting. The researchers determined that this dose of psilocybin should be considered tolerable and safe for conducting a brain scan...