Monday, 14 June 2010

If you want to achieve greatness stop asking for permission

dotben @'Flickr'

Love is a dog from hell

'What Barry Says' by Simon Robson & Barry McNamara


What Barry Says by Simon Robson & Barry McNamara. Short animation. USA, global domination, war, oil, Iraq, corporatism, new world order, conspiracy, project for the new American century.This controversial film won Best Animation at the Brooklyn International Film Festival in 2004 

David Carson: Design + Discovery

U.S. Discovers Vast Riches of Minerals in Afghanistan

The United States has discovered nearly $1 trillion in untapped mineral deposits in Afghanistan, far beyond any previously known reserves and enough to fundamentally alter the Afghan economy and perhaps the Afghan war itself, according to senior American government officials.
The previously unknown deposits — including huge veins of iron, copper, cobalt, gold and critical industrial metals like lithium — are so big and include so many minerals that are essential to modern industry that Afghanistan could eventually be transformed into one of the most important mining centers in the world, the United States officials believe.
An internal Pentagon memo, for example, states that Afghanistan could become the “Saudi Arabia of lithium,” a key raw material in the manufacture of batteries for laptops and Blackberries.
The vast scale of Afghanistan’s mineral wealth was discovered by a small team of Pentagon officials and American geologists. The Afghan government and President Hamid Karzai were recently briefed, American officials said.
While it could take many years to develop a mining industry, the potential is so great that officials and executives in the industry believe it could attract heavy investment even before mines are profitable, providing the possibility of jobs that could distract from generations of war.
“There is stunning potential here,” Gen. David H. Petraeus, commander of the United States Central Command, said in an interview on Saturday. “There are a lot of ifs, of course, but I think potentially it is hugely significant...” 
Continue reading
James Risen @'NY Times'

So no hope to the end of the war soon then...

'It's better to reign in hell than serve in heaven' - Milton

Update:

Riot police disperse hundreds of protesters outside World Cup stadium after match

Colin Udoh ColinUdoh BIG TROUBLE at Durban Stadium!! Something just exploded. outside. Media being forced to stay inside the Media Centre 

Breaking news...

Riots, reports of explosion after Germany VS Australia game...

Let's kick against the Eighties revival

In a lot of respects, I had a great time under Thatcher. Under her rule, I became a music journalist; DJed at the Wag; met James Brown (the soul Godfather, not the Loaded founder); most of all I shook off the apparently dying rhythm of rock'n'roll and made a part-time passion for black music into a full-blown obsession.
But having also endured a period of homelessness back then and watched yuppies taking over areas of London I loved, the last thing I would like to see under the Tory-led coalition is an Eighties revival, musical or otherwise.
For left-leaning musicians, Thatcher should have been a gift, a ready-made enemy arriving hot on the heels of punk. At first, there were musical protests: The Pop Group's "We Are All Prostitutes", The Beat's "Stand Down Margaret" ("Stand Down Margaret, stand down pleeeease" – as if) and any number of gigs in support of the striking miners; I played some on a bill that included the punk poet Attila the Stockbroker. But the musical dissent didn't last and somehow Thatcher managed to cling on to power despite the efforts of Red Wedge – a leading light of which was a reformed Paul Weller, who had supported the Tories in 1979. For many people, myself included, it a case of "dance before the police come" as Shut Up and Dance succinctly put it, at warehouse parties where you and your awful pleated trousers could forget the brave new Tory world.
There were few reminders of politics on the mid-1980s dance floor and soul music did not try to address society's ills in the mid-Eighties. Tony Blackburn was a top soul DJ, along with the now-forgotten Steve Walsh, who was big in every sense, and the pirate jocks were mostly about having it large like their fans. Chants of "woh-oh" to Maze classics, fine; chanting down the Falklands War, forget it. Amid all this, Paul Hardcastle's "19", released just 10 years too late for the Vietnam War, which was its subject matter, came across like the era's "We Shall Overcome" – for about two months. Meanwhile, reggae's protest era had been abandoned at the end of the 1970s, with occasional exceptions and rap's rebellion was more musical than verbal back then.
As for pop's protests at the new Tory era, it is hard to see where they might emanate from. The Beat were a major chart act when they implored "Stand Down Margaret". Would Keane or Florence and the Machine do the same? I can't see it happening: much of current pop is musical conservatism. For Madge, read Lady Gaga, for Rick Astley we have Justin Bieber. For The Specials, we have ... The Specials, which is perhaps the saddest indictment of all. But there are some loosely politicised potential stars on the horizon. The hip-hopper Akala, recognised with a Mobo in 2006, is realising his potential as a thoughtful observer of, uh, Broken Britain on his Double Think album. The Supernovas' "Slaughter in the Gaza" proves that an outfit of mixed heritage that is every bit as pretty as any contrived boy band can rock with intelligence. Their label mates Krakatoa are aiming to change their industry with "Rock'n'Roll Revolution", which moans "They're singing about nothing when there's so much you can say". Whether their 1960s-mod inflected sound can be described as revolutionary is a moot point, but if anyone is going to put the desert boot into the Coalition, it's them.
Paul Weller, too, hasn't forgotten social comment. A couple of songs on his latest album lament the growth of computer-mediated personal interaction. And there's "history" between him and David Cameron. When the PM declared "The Eton Rifles" one of his favourite songs, Weller sniped: "Which part of it didn't he get? It wasn't intended as a jolly drinking song for the cadet corps."
So from me, a cautious welcome for a new musical era; art changes when society changes. I'll be pressing my pleated pants anew – back in fashion just in time, I'm told. 
Ian McCann @'The Independent'
(Thanx SJX!)

I too was homeless in London for a while back then - grim times indeed!

How to build a Vuvuzela filter


Well...

...I have to say on that display (and without TimmyC in the next game) I really do fear that it is Germany and Ghana going thru to the next round from this group unfortunately.
Loved to be proved wrong but...

Cacauuuuu!!!!