Wednesday, 2 June 2010

Twitter says:

That Michael Dawson, Tom Huddlestone and Scott Parker will join Leighton Baines, Adam Johnson, Theo Walcott and Darren Bent as the seven players dropped for the England World Cup squad. Official confirmation will be in half an hour.
UPDATE:
ENGLAND'S 2010 WORLD CUP SQUAD:
Goalkeepers: 
 Joe Hart, David James, Robert Green.
Defenders: 
Jamie Carragher, Ashley Cole, Rio Ferdinand, Glen Johnson, Ledley King, John Terry, Matthew Upson, Stephen Warnock
Midfielders:
  Gareth Barry, Michael Carrick, Joe Cole, Steven Gerrard, Frank Lampard, Aaron Lennon, James Milner, Shaun Wright-Phillips.
Forwards: 
 Peter Crouch, Jermain Defoe, Emile Heskey, Wayne Rooney

WTF??? LibConDems announce that they....

Tuesday, 1 June 2010

Death toll from Gaza aid attack hits 20

The death toll from the Israeli navy's takeover of a Gaza aid convoy has risen to 20 while Israel carefully censors reports on the casualties from the attack.
Gaza Freedom Flotilla came under fire early on Monday by Israeli navy forces in international waters more than 150km (90 miles) off the coast of Gaza.
The six-ship aid fleet was soon stormed by commandos descending from helicopters.
At least 20 people were killed in the takeover of the Gaza aid convoy, al-Aqsa TV channel reported, saying that more than 50 people, including leader of the Palestinian Islamic Movement Sheikh Raed Salah, were wounded in the attack.
The news trickled through the Israeli military censorship which has sought to block the reporting of any information about the casualties.
A report on the Israeli radio said the censorship was aimed at covering up the number of casualties brought to Israeli hospitals for treatment.
Meanwhile, Israeli Trade and Industry Minister Binyamin Ben-Eliezer expressed regret for the deaths aboard the Gaza aid ships.
"The images are certainly not pleasant. I can only voice regret at all the fatalities," he told Israel's Army Radio.
The comments come as the first official acknowledgement by Tel Aviv that the attack had turned fatal.
Israel had initially declined to comment on the reports of casualties from the takeover of the aid ships.

WTF???

 From today's Murdoch owned Sun newspaper in the UK!

HA!

Speaking as someone who has NEVER driven a car in my life...I really like this one!

 Competition @'Greenpeace'
Ends June 28th
More
"If this is what modern womanhood means, then just fucking veil me and sew up all my holes. Good night."
- Lindy West of Stranger.com on 'Sex & The City 2'

Review: Arab Strap - Scenes of a Sexual Nature (Boxset)

Arab Strap: "Daughters of Darkness"
From Scenes of a Sexual Nature (Chemikal Underground; 2010)
Box sets may be the fallback preserve of the over-investor, but every now and then a band put one out you’d gladly sell off both kidneys for. I’m not talking about the likes of the never-before-heard Courtney Love archive of “You Know You’re Right” masters—I’m talking about Arab Strap, Falkirk’s premier confessors of sleaze, and the time capsule they’ve just dropped to fans. After calling it quits in 2006 to the dismay of feral romantics everywhere, Aidan Moffat and Malcolm Middleton forged respectable solo careers for themselves—Malcolm’s “We’re All Going To Die” was championed by Radio 1 for Christmas No. 1 2007, and Aidan…well, Aidan’s plain amazing. Their 1000-only Scenes of a Sexual Nature box sees them re-teaming to unearth old treasures, and while sixty sheets may seem a little steep, just look at what it gets you in the mail: repressed debut LP, repressed sequel to debut LP, newly-pressed LP of late nineties Peel Sessions, CD compilation of late nineties EPs, double-sided poster of reviews from newspapers, individually replicated “green frog demo” cassette that first got the label’s attention, handwritten liner notes from the band’s own Sharpie, a fat CD of MP3 backups, photos of the girls Aidan bedded between albums, and both singer’s Facebook passwords.
OK, so those last two items were a hoax, but seriously: that’s a pretty big kill for a day’s wages. The salivator though is new track “Daughters of Darkness”, which the band polished off in their original studio to show how seriously they’re taking this arrivederci. Seriousness was something the Strap always liked to get sticky with: festooned in bedroom paranoia, Moffat lays down his signature mutter over crashing guitar and piano, recounting the kind of Saturday night that keeps married people safely indoors. “Someone cracks a joke I’m not supposed to get so I pretend it’s over my head and try not to look too hurt / But the joke’s on them: they don’t know I’ve been reading their diaries,” he grumbles. Like John Wayne in The Shootist, this is the cowboys’ last night in town, though with no young Ron Howard to watch their backs menace bubbles from the outset. “Ecstasy killed the casuals,” muses Moffat at one point; “They used to wait for us outside and chase us home, but now they chat to us like old chums and try to sell us drugs.” One pick-up later, Aidan and pals hit the club, receptors opened up in their brains. “It’s amazing what a mirrorball and the right frame of mind can do,” he ponders from the safety of the girls’ toilet while bouncing his thoughts off the drum machine.
Unfortunately he’s not the only one bouncing, and Middleton’s trusty three-chord explosion signifies the lights-up, ejection, and fight. Some of those casuals weren’t quite so casual after all, and are now back from a night of bombing jellies to get a bit merry with weapons. As the band’s mate gets filled in and sliced on the pavement, you can’t help but recall their Peel Session mainstay “The First Big Weekend”—“Daughters” is essentially that track recycled; tweaked to take on the butterfly knife generation and cresting not with The Simpsons but casualty, where agency nurses piece the stabee back together. Moffat gets saved from a crisis of conscience by the twinkle in a wise girl’s eye, and as he vows to stick around for the end of the night you’re grateful this isn’t the end. Except, of course, that it is. Bon voyage, motherfuckers. You were good.


:: Buy Scenes of a Sexual Nature
George Bass @'cokemachineglow'

Death to “Piracy”: Should All Music Sharing Be Free?


Israel flotilla raid - fallout live @ The Guardian

The Palestinian-led International Solidarity Movement is reporting that a US activist injured in protests in the West Bank yesterday has lost her eye.
An American solidarity activist was shot in the face with a tear gas canister during a demonstration in Qalandiya, today. Emily Henochowicz is currently in Hadassah Hospital in Jerusalem undergoing surgery to remove her left eye, following the demonstration that was held in protest to Israel's murder of at least 10 civilians aboard the Gaza Freedom Flotilla in international waters this morning.
21-year old Emily Henochowicz was hit in the face with a tear gas projectile fired directly at her by an Israeli soldier during the demonstration at Qalandiya checkpoint today. Israeli occupation forces fired volleys of tear gas at unarmed Palestinian and international protesters, causing mass panic amongst the demonstrators and those queuing at the largest checkpoint separating the West Bank and Israel.
This YouTube video, posted by RussiaToday, appears to show Emily being carried to safety following a protest in Qalandiya.



Hunter S. Thompson: Self Portrait, After Beating by Hell's Angels circa 1960s

 M + B Gallery, West Hollywood

Dennis Hopper: Photographs

Tuesday Weld, 1965 © Dennis Hopper

Why the Digital Economy Act simply won't work

With the passage into law of the dread Digital Economy Act comes Ofcom's guidelines for when and how rightsholders will be able to disconnect entire families from the internet because someone on or near their premises is accused of copyright infringement.
Consumer rights groups and privacy groups – such as the Open Rights Group, the Citizens Advice Bureau, Which, and Consumer Focus – participated in the process, making the Ofcom rules as good as possible (an exercise that, unfortunately, is a little like making the guillotine as comfortable as possible).
But this isn't the last word in the copyfight – not even close. Because disconnection for downloaders will only serve to alienate entertainment industry customers (remember that the most avid downloaders are also the most avid buyers – "most avid" being the operative word here – the 20% of customers who account for 80% of sales, downloading, concert tickets, box-office revenue, DVDs, T-shirts, action figures, etc). And because those who download most avidly will simply change tactics.
The entertainment industry's capacity to gather evidence and make accusations against downloaders relies on the fact that, at present, most downloading systems don't bother to encrypt the traffic or disguise the user's identity. Neither of these things are very hard to do, though both are computationally more expensive than the alternative. But, in case you haven't noticed, computation is getting cheaper all the time.
Once non-anonymous, non-encrypted downloading bears a significant risk, downloaders will simple switch to anonymised, encrypted alternatives.
For example, SSL-based proxies like Sweden's IPREDator (use of which is also a tonic against identity thieves and other creeps who may be monitoring your network connection) provide a nigh-impenetrable layer of misdirection that confounds anyone hoping to trace a download session back to a user. And services like Easynews.com provide encrypted access to enormous libraries of material including infringing copies of popular shows, music and movies.
So why worry? If users won't be deterred from downloading – and may even be driven to start taking care to protect their connections from snoops and creeps – then how bad will the Digital Economy Act be?
Bad.
Because the naive user who only downloads occasionally will still be in harm's way, as will his family or housemates if his connection is disconnected by an entertainment bully.
And because once the state decides that it has a duty to police the internet to maximise the profits of a few entertainment companies (no matter what the public expense), it sets itself on a path of ever-more-restrictive measures. Once disconnection drives downloaders to make use of SSL-based proxies, watch for Big Content to inveigle their friends in parliament to enact laws prohibiting the use of virtual private networks – never mind that these are the best practice of anyone trying to safeguard a corporate or organisational network.
Once the Act drives downloaders to use SSL-encrypted services that are harder to monitor, watch for the entertainment lobby to ask for great swaths of the internet to be blocked by the Great Firewall of Britain that the Act also provides for.
Once you swallow a spider to catch a fly, you're on a course to swallow a bird to catch the spider, a cat to catch the bird, and so on until you swallow a horse – and every toddler knows that happens next.
Cory Doctorow @'The Guardian'

"I just don't know where to turn if I'm too bad even for a porn recovery group. Makes me want to cry.”

 

Why I don't watch TV