Friday, 23 April 2010

Banning music in Somalia

After two decades of internal warfare, Somalia has demonstrated a consistent ability to create disheartening news. Long acknowledged as the world’s ultimate failed state, Somalia has more recently—justifiably—become known as the headquarters of maritime piracy. Now its homegrown Islamist insurgents, the Shabbab (the Youth), who have espoused an allegiance to Al Qaeda’s global jihad, are doing their utmost to outdo their counterparts in other countries in applying an unflinchingly severe version of Islam.
Last week, the group, which controls most of southern Somalia and large sections of the capital, Mogadishu, announced a ban on music—and even, reportedly, on school bells—in its territory, as “un-Islamic.” The BBC and other Western broadcasters are also forbidden. The Shabbab had previously prohibited international aid organizations from distributing food or providing medical treatment to the hundreds of thousands of needy, war-displaced Somali civilians living under its armed custody.
Yesterday, Human Rights Watch issued its latest report on Somalia. It paints a devastating, bleak, and upsetting portrait of life for Somali civilians under the Shabbab. Entitled “Harsh War, Harsh Peace,” the report details human-rights violations by all of Somalia’s armed parties: the Shabbab; the weak central government headed by the Western-backed, Islamist-firebrand-turned-moderate President, Sheikh Ahmed Sheikh Sharif; and even the several thousand Ugandan and Burundian troops of AMISOM, the U.N.-backed African Union peacekeeping force. AMISOM provides security to Sharif’s government and is all that keeps it from falling to the Shabbab.
For now, a ceaseless war of positions goes on in Somalia, punctuated by the odd Shabbab suicide bombing or renewed bout of fighting. In Mogadishu, the Shabbab’s front lines are just a few miles from Villa Somalia, the presidential compound; you can see them from there with the naked eye. Last August, I travelled to Mogadishu to report a story on Sheikh Sharif (subscription required) and stayed at Villa Somalia. One day during my stay, a heated round of back-and-forth shelling took place. Neither side gained any ground, but a dozen or so civilians were killed in the shelling.
It is because of the carelessness of such barrages that the government and AMISOM come in for criticism from Human Rights Watch. Nevertheless, the report makes it clear that the Shabbab are by far the worst human-rights transgressors in Somalia. In the south of the country, as the Human Rights Watch report details, Somalis live in greater peace from rival warlords or the depredations of marauding militias, but in fear of the Shabbab. As one resident of a southern town explained: “We just stay quiet. If they tell us to follow a certain path, we follow it.”
Human Rights Watch conducted over seventy interviews with civilians living under the Shabbab. They describe the insurgents as having imposed a cruel tyranny in their territory, behaving especially harshly toward women. The litany of cruelties is depressingly familiar: amputations and floggings are said to be routine; women are beaten for leaving their homes without wearing their abaya robes in the properly decreed manner. There are stonings and beheadings and firing squads and assassinations, to which not just women but men and boys are subjected for various infractions.
I recall a similar pattern of steadily growing obsessiveness about upholding and safeguarding “Islamic purity” during the Taliban rule in Afghanistan, before the American invasion in 2001. The Taliban had banned music early, but later on, perhaps because they had free rein, and perhaps because they could, they began adding more and more items to their “banned” list. As Amy Waldman reported in the Times in 2001, this came to encompass
pork, pig, pig oil, anything made from human hair, satellite dishes, cinematography, any equipment that produces the joy of music, pool tables, chess, masks, alcohol, tapes, computer, VCR’s, televisions, anything that propagates sex and is full of music, wine, lobster, nail polish, firecrackers, statues, sewing catalogs, pictures, Christmas cards.
Eventually, even kite-flying was banned on the grounds that it was not Islamic, and because in the Islamic Emirate of Afghanistan, as the Taliban came to call their country, it was considered right that children should be praying, not playing. The Taliban’s destruction of the Buddhas of Bamiyan, along with other “idolatrous” ancient treasures in the national museum of Kabul, didn’t come about until March, 2001, late in their tenure. That act, in the face of appeals from cultural institutions and governments around the world, seemed as much one of defiance as anything else. Perhaps the Shabbab, now on their own banning frenzy, are feeling threatened, too.
Last month, I went to see Sharif in Birmingham, England, during a week-long visit to Great Britain. He had come to meet the members of the Somali emigre community in a convention centre in a beat-up part of town. As hundreds of Somalis filed in, I was shown through a tight police security cordon and into an upstairs waiting room. Sharif was sitting in a small meeting room with an aide, eating lunch. During the previous few days there had been an upsurge in fighting in Mogadishu; the Shabbab had been attacking government positions in an effort to probe them, seemingly, and to advance; there had been dozens of deaths. I suggested that the Shabbab looked prepared to put up a fight. Sharif shrugged, and said, “It is their counteroffensive before our offensive.” The offensive, he assured me, was coming soon.

Before I forget...

For all you English bast'rds out there...
Hmmmm!

Waayaha Cusub Dumar Qima Badana


For centuries, Somalis used poetry and songs to pass protest messages to powerful rulers they were too afraid to confront directly. Now, some young Somalis are using rap to speak out against Islamists who they say are using religion to wage war in their country. The 11-member Waayaha Cusub band, currently in exile in neighbouring Kenya, wants its rap lyrics to encourage fellow Somalis to stand up to Islamist rebels known as al Shabaab.
They have handed out at least 7,000 free copies of their newly-released album titled "No To Al Shabaab" to residents in Nairobi's Eastleigh neighbourhood, home to many Somali migrants. "We will wipe out the fear of our people that no one can speak out against al Shabaab. We will show our people that we can challenge them," said Shine Abdullahi, the group's founder... "They are unkind, teach terrorism, and worthless lessons, they blindfold, and cause pain, inject drugs, that lead to actions, force them to kill their fathers and relatives," one of the group's raps goes.
The group's only female member, Falis Abdi Mohamud, is a rebel in her own right. In one video, the 23-year-old is not covering her head as most Somali women do, and is wearing tight jeans. "They criticise me and say 'she is not Muslim because of wearing a trouser'. I am Muslim," she said. "I want to reach my people. I will not stop my mission because of fear or other people's desires. History will tell who is right and wrong."
Mohamud was born in the southern town of Kismayu that is now an al Shabaab stronghold. The insurgents have banned music in areas that they control and allow only Arabic Koranic chanting. Waayaha Cusub toured the semi-autonomous northern region of Puntland in July but Mohamud hopes to perform in her hometown one day. "The trip to Somalia was great. That is when I realised people like our music, and it really gave us confidence not to stop our campaign because a few people who dislike us." The group's youngest member is 15-year-old Suleqa Mohamed, who is a student at an Eastleigh school.
Most of them want to return to Somalia and live off their music when peace returns but currently survive on sponsorships by businessmen and Somalis in the diaspora. Their songs have angered some people. Even in the relative stability and security of Kenya they have been attacked. Gunmen shot and wounded Abdullahi in 2007. He believes the attack was because the group released a series of songs criticising Ethiopia's incursion into Somalia and suicide bombings by the insurgents. Even mobile phone text message threats from al Shabaab sympathisers in Kenya and Somalia have failed to intimidate Abdullahi.
He says he will never be cowered by what he calls "religious warlords" who present an awful image of Islam to the world. "The attack was aimed at silencing the group, but that did not work," he said, showing scars on his stomach from a bullet and the surgery that followed. "We will not allow anyone to silence us. They misread our religion and kill people. They are cursed," he said...

Pee Wee Cameron

Boredom is a killer

Boredom is a Killer


Please, readers! If you experience disinterest, apathy, ennui, malaise, dysthymia, lassitude, or neurasthenia as you peruse this essay... click away to safety! If you sense your cognition tumbling towards a fetid swamp of brain-paralyzing boredom — abandon me! I don’t want your death on my conscience.

A blank to have fun with...












One less Nazi to worry about

Modern Day Politics


HA!

(Click to enlarge)
(Thanx Cal!)

PS: Even the director of Downfall, Oliver Hirschbiegel, thinks the parodies are funny

...Even the director of Downfall, Oliver Hirschbiegel, thinks the parodies are funny. He told New York Magazine in January 2010: "Someone sends me the links every time there's a new one. I think I've seen about 145 of them! Of course, I have to put the sound down when I watch. Many times the lines are so funny, I laugh out loud, and I’m laughing about the scene that I staged myself! You couldn't get a better compliment as a director."
Some of Hirschbiegel's favorite parodies include the one where Hitler hears of Michael Jackson's death, and the one in which Hitler can't get Billy Elliot tickets--both of which have been blocked by Constantin's copyright claims. Hirschbiegel thinks the parodies are a good thing, too--"The point of the film was to kick these terrible people off the throne that made them demons, making them real and their actions into reality," he told New York Mag, "I think it's only fair if now it's taken as part of our history, and used for whatever purposes people like."...
 Sarah Jacobsson @'PC World'

Murdoch's mob-handed Indy visit

From Hugh Muir's Guardian diary: "Rupert Murdoch won't decide this election. You will," says the bright new poster for the bright new Independent and as a rallying point for new readers and a morale boost for staff, that seemed fine. But these things have a momentum of their own and Rupert is known to be a spiky type and so picture the scene at Indy HQ yesterday afternoon as both James Murdoch and Rebekah Brooks, the heaviest News Corps guns save for Rupert himself, went striding into the office of Simon Kelner, the editor-in-chief. There was no eavesdropping, say observers, but brows seemed furrowed. "It looked for all the world like a mafia capos visit," one told us. Puzzling. Scary.

The forces that have been blocking British democracy are becoming visible in this election