AN HOUR OF…..THE GO-BETWEENS
2 hours ago
Wednesday, 31 March 2010
Wine cask inventor dead at 92
The inventor of the wine cask, South Australian Riverland grape grower Thomas Angove, has died in Renmark, aged 92.
Mr Angove revolutionised wine packaging in the 1960s when he created the resealable plastic bag in a cardboard box.
His son, managing director of Angove Wines John Angove, says his father was a great contributor to the wine industry.
"I remember dad coming home with this sort of prototype of a plastic bag inside a cardboard box and I remember thinking to myself and I probably said it to dad 'That's crazy, nobody will buy wine in a plastic bag stuck inside a cardboard box', but in his usual manner he persisted," he said.
"He thought he was onto a good thing and history certainly indicates that he was.
"His commitment and involvement in industry matters and industry bodies and the welfare of the industry overall, as opposed to just Angove family winemakers, was very significant and I think reflects his very broad vision of what the world and life was all about."
Thomas Angrove - I raise a glass of fruity lexia in your honour...(hic!)
Whatever you do, make sure not to hurt the dog.
Worst case of being at the wrong spot at the wrong time. And you know, I live in a rowdy street, so I know about being in the wrong place at the wrong time. But at least, if something happened to me here, it's very unlikely I'd be the victim of our local police since they deserted my area some years back. It was a sad story when I read about it last year, and it's sadder still today.
This Thursday a year will have passed since Ian Tomlinson died after being assaulted by a policeman at the G20 protests. No charges have been brought; no one has been punished. Despite 300 official complaints about the policing of the protests on April 1st, and plenty of video and photographic evidence, no officer has faced serious disciplinary proceedings(1,2). Those who removed their identification numbers, beat up peaceful protesters and bystanders, then repeatedly lied about what had happened remain untroubled, either by the law or their superior officers. There has been no apology to Tomlinson’s family.
Contrast this with another case, in which a Nottinghamshire police officer caused two deaths in June. As soon as it happened, the police reported themselves to the Independent Police Complaints Commission and launched their own investigation. A chief superintendent told the press that “we will certainly take any lessons we can get from this process and make sure we put them in place so this sort of thing never happens again. It has caused immense sadness and immense shock.”(3) The papers carried pictures of officers paying tribute, saluting the flowers left outside police headquarters(4). There was no cover up, no botched post-mortem, no lies about the victims or their families. The officer responsible was quickly charged and, though his victims died as a result of neglect not assault, last month he was convicted over the deaths(5).
There’s a significant difference between the two cases: the Nottinghamshire victims were dogs. The officer had left two police dogs in his car and forgot about them while he completed some paperwork. Judging by their response to these two tragedies, both police and prosecutors appear to care more about dogs than human beings.
George Monbiot @'Monbiot.com'
Russia to open massive WWII archive
Russia plans to open the world's largest WWII archive, the size of which will "comply with the contribution of our country to the Victory." (The Russians have always insisted that they won World War II, not us. The real answer is that we all won it.) This archive project will apparently entail building new buildings to house the holding which will be brought in from numerous archives around the country. The project will also include a major digitization effort and will apparently include some sort of commercial database dealing with Soviet casualties. The article hints that similar efforts may be undertaken to assess German and Hungarian losses on the Eastern Front.
There are significant practicality issues associated with this project. Furthermore, the desirability of taking war records out of existing archives and putting them into a purpose-built archive designed around an event as opposed to something that organically grew as out of an agency or other organization, is eminently debatable. (For an excellent discussion of these issues, see the fine post at The Russian Front.) On the other hand, many archives in Russia are in lamentable condition, so if the price of survival for these records is some disorganization, perhaps that is a price worth paying. In addition, the digitization component of the project is certainly a good thing, though one does wonder what if any political criteria will be applied to select the documents and files that will be digitized.
Interestingly, Andrei Artizov, the head of the Russian Federal Archive Agency (Federal'naia arkhivnaia sluzhba Rossii aka Rosarkhiv) says that the new archive should include substantial German records "like those of Hitler's chancellery, the Reich's Security Services and others. In compliance with the existing legislation, they are part of Russia's property." Meanwhile, a so-far very modest U.S. Government effort to do something similar with copies of analogous Iraqi records captured in 2003 generates accusation of malfeasance.
In any case, this will be an interesting story to follow.
New blog
Started by a very good friend of mine and dedicated only to the music and productions of the man above...
First Listen: Jonsi - 'Go'
Jonsi is the nickname of Jon Thor Birgisson, the enigmatic Sigur Ros singer. In Sigur Ros, his music is ethereal, sprawling and mysterious — it's even sung in a language of his own devising. But Jonsi also writes songs that can be upbeat, even celebratory, and often sung in English. His new solo album, Go, is where he's found a home for that music, and it's a brilliant and creative assortment of songs.
Recorded in Jonsi's studio in Iceland and in Connecticut, Go features wonderful arrangements of strings, brass and woodwinds, recorded with the help of Nico Muhly. Muhly has worked with Bjork, Philip Glass and even Bonnie "Prince" Billy; listen to "Tornado" and you'll get a good idea of the exhilaration Muhly helps bring to these songs. You can hear Go in its entirety here until its release on April 6.
Birgisson grew up in Iceland, raised by parents who weren't particularly musical; his early memories include playing The Beatles at double speed on his turntable and listening to and playing along with Iron Maiden records. You can hear him speak at length about his musical past and loves in an upcoming episode of All Songs Considered, in which Birgisson plays guest DJ. His history as Sigur Ros' singer and guitarist spans 16 years, during which time the band has released five studio albums and created a sound that's dramatic, euphoric, thoughtful, spacious and unforgettable.
Mummy - what's a CD?
Universal Music Group, one of the "Big Four" major labels, is the first to react to the years-long decline in CD sales. CD sales are down 15.4% this year, a slightly slower decline than the two years prior but still a huge drop, and though digital sales are nearing the volume of physical sales, revenues are still plummeting. Retailers and consumers alike have clamored for lower prices on CDs, and the labels have responded far too slowly, dropping from $18 to $13 in 2003.
Now, UMG is radically changing the price of the dying format, to between $6 and $10 for single-disc releases. The announcement is making the other labels quite nervous--they'll probably have to follow UMG's lead, whether the program is successful or not, and really, it doesn't matter if it's successful or not, given CDs have precious few years left anyway. But sources from the other labels say that they may simply drop the standard price to $10, which while not as drastic as UMG's strategy may still encourage more CD purchases.
After all, CDs are objectively superior to music purchased from digital retailers like iTunes, Zune, and Amazon. They come with album art and a booklet, they never have DRM, and they're encoded in high-quality lossless WAV files that can then be ripped in any format of any quality the user wants, including several other lossless formats. But on the other hand, buying a CD is certainly a bigger pain than downloading; a user has to get to a store, get home, rip the album, and then move it to a portable device, rather than simply clicking a few times in iTunes. And, of course, environmentally speaking, CDs are far more harmful. Still, if the choice is between a $6 CD or a $9.99 iTunes album, the CD is unquestionably the superior choice.
While this is an encouraging show of flexibility from the notoriously rigid major labels, it's not going to change the basic fact that the move is merely delaying the death of a format. The cut isn't going to "revitalize," "save," or "make viable" CDs: it'll just make them slightly more desirable for a couple of years until digital firmly buries physical.
Shows you how long the bastards have been overpricing though...
'Nyet' to $1 million?
Perelman has been without work for four years and has declined all job offers. He previously worked at the Steklov Mathematics Institute.
HERE
Will my Toyota reach escape velocity?
The federal probe into runaway Toyotas has resulted in enough scientific mystery that investigators have asked NASA scientists for help.
The nation's auto-safety regulators have tapped nine experts from the space agency to answer questions involving software, hardware and other electronics issues, the Department of Transportation is expected to announce Tuesday, according to sources briefed on the plan who asked not to be identified because it is not yet public.
A separate panel from the National Academy of Sciences will be convened to work on a broad 15-month review of vehicle electronics and incidents of unintended acceleration across the industry. That probe will cover the potential for problems in electronic controls, human error and mechanical failure.
Peter Whoriskey @'TheWashingtonPost'
Meteorologists vs. Climatologists: the final confrontation...
Basically, we're back to the same old opposition: people with more education being regarded as having a private agenda by people with less education. We're doomed by our own petty behaviour.
The split between climate scientists and meteorologists is gaining attention in political and academic circles because polls show that public skepticism about global warming is increasing, and weather forecasters — especially those on television — dominate communications channels to the public. A study released this year by researchers at Yale and George Mason found that 56 percent of Americans trusted weathercasters to tell them about global warming far more than they trusted other news media or public figures like former Vice President Al Gore or Sarah Palin, the former vice-presidential candidate.
...
Yet, climate scientists use very different scientific methods from the meteorologists. Heidi Cullen, a climatologist who straddled the two worlds when she worked at the Weather Channel, noted that meteorologists used models that were intensely sensitive to small changes in the atmosphere but had little accuracy more than seven days out. Dr. Cullen said meteorologists are often dubious about the work of climate scientists, who use complex models to estimate the effects of climate trends decades in the future.
But the cynicism, said Dr. Cullen, who now works for Climate Central, a nonprofit group that works to bring the science of climate change to the public, is in her opinion unwarranted.
“They are not trying to predict the weather for 2050, just generally say that it will be hotter,” Dr. Cullen said of climatologists. “And just like I can predict August will be warmer than January, I can predict that.”
Three years ago, Dr. Cullen found herself in a dispute with meteorologists after she posted a note on the Weather Channel’s Web site suggesting that meteorologists should perhaps not receive certification from the meteorological society if they “can’t speak to the fundamental science of climate change.”
Resentment may also play a role in the divide. Climatologists are almost always affiliated with universities or research institutions where a doctoral degree is required. Most meteorologists, however, can get jobs as weather forecasters with a college degree.
“There is a little bit of elitist-versus-populist tensions,” Mr. Henson said. “There are meteorologists who feel, ‘Just because I have a bachelor’s degree doesn’t mean I don’t know what’s going on.’ ”
Whatever the reasons, meteorologists are far more likely to question the underlying science of climate change. A study published in the January 2009 newsletter of the American Geophysical Union, the professional association of earth scientists, found that while nearly 90 percent of some 3,000 climatologists who responded agreed that there was evidence of human-driven climate change, 80 percent of all earth scientists and 64 percent of meteorologists agreed with the statement. Only economic geologists who specialized in industrial uses of materials like oil and coal were more skeptical.
Leslie Kaufman @'NYTimes'
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