Paparazzi – Cold in A Warm Climate (CDr)
4 hours ago
MOⒶNARCHISM
"...It’s a heavy tune with no definable emotional tang beyond an odd ‘fleeting rapture’; in this respect, it fits nicely with the Basic Channel aesthetic, where the productions of Von Oswald and collaborator Mark Ernestus are glorious and overwhelming, but distant – not cold, but somehow removed. Their impact relies on submission; you willingly lose yourself in the luster of their gun-metal, greyscale noises – grainy reverb and tape hiss, rolling waves of texture, endless plateaus of rhythm."
As the future of the Newport Jazz and Folk Festivals continues to unfold, its recorded past has suddenly been thrown open.Recently the festivals themselves almost disappeared, amid the financial collapse of their producing company, the Festival Network LLC. They returned last summer in a new guise, at their usual site, once George Wein, the founder of both festivals, regained the right to hold music events there.
It’s a complicated story. But if you want to know why the Newport Jazz Festival has been so important to American music, it’s easy: you just have to hear the recorded evidence. Bits and pieces have emerged over the years, in live recordings by Ellington, Coltrane and others. Now Wolfgang’s Vault, the online concert-recording archive, intends to fill in the gaps...
The proponents of the "war on drugs" are well-intentioned people who believe they are saving people from the nightmare of drug addiction and making the world safer. But this self-image has turned into a faith – and like all faiths, it can only be maintained by cultivating a deliberate blindness to the evidence.

