Maverick Minimalist: How Bill Laswell Takes Bass Into the Future—One Dub Ostinato at a Time (2002)

“I don’t want to know what music is. I’d rather be intuitive and take my time.”

If there is a border that bass will not cross, Bill laswell doesn’t know it. Since his breakout moment on Herbie Hancock’s 1983 mega-hit “Rockit,” the New York visionary has lent his production, remix, and conception skills to nearly 1,000 albums across a dizzying array of labels and categories. More than any other icon in the short history of the electric bass, Laswell has developed a subgenre all his own: bass-heavy musical cross-pollinations on the cutting edge of turntable, ambient, dub, world music, and drum-n-bass innovations.

HERE

RePost - Grateful Dead - Dark Star (Halloween 1991)

Here is the Grateful Dead with 'Dark Star>Jam>
Drums>Space>Dark Star' followed by a version of the Stone's 'The Last Time' from the 31st of October 1991 at the Oakland - Almeda Coliseum.
More 'Dark Stars' here, there and everywhere.

Strangers Family Band EP

Formed in Orlando, FL in the summer of 2007, Strangers Family Band--a five-piece consisting of members in their early twenties--gained recognition and a following from their intense live shows and unique take on psychedelia. The experience transports the listener from ominous vaudevillian progressions ('Beware The Autumn People') to ukulele strummed pop a'la Sgt. Pepper ('No One Sees Her') to North Indian raga-influenced drone ('Strange Transmission') like an uninterrupted stream of consciousness. A full sensory experience is characteristic of their live performances, which include cascading oil and water projections and the frequent accompaniment of a horn section. The influence of Ashbury-Haight's acid rock, NYC's Factory heyday, and the British psych explosion are evident in their sound. These comparisons do not hold the band down to the limitations of throw-back 'retrodelia' however; instead, the band expounds upon the influence of its predecessors, establishing themselves as new, modern innovators rather than mere revisionists. Comparisons to Syd Barrett, West Coast Pop Art Experimental Band, The Doors, and the Beatles have been made as reference points. They have also been compared to The Brian Jonestown Massacre, The Black Angels, and The Entrance Band.
1.
Girl I've Been Taken 04:23
2.
Wooden Hands 03:55
3.
No One Sees Her 04:28
4.
Strange Transmission 07:03
5.
Tangerine 01:58
6.
Beware The Autumn People 04:43
Get it
HERE

Cannabis row drugs adviser sacked

The UK's chief drugs adviser has been sacked by Home Secretary Alan Johnson, after criticising government policies.

Professor David Nutt, head of the Advisory Council on the Misuse of Drugs, criticised the decision to reclassify cannabis to Class B from C.

He accused ministers of devaluing and distorting evidence and said drugs classification was being politicised.

The home secretary said he had "lost confidence" in his advice and asked him to step down.

The Advisory Council on the Misuse of Drugs (ACMD) is the UK's official drugs advisory body.

Following his sacking, Prof Nutt told the BBC he stood by his claim that cannabis should not be a Class B drug, based on its effects.

He described his sacking as a "serious challenge to the value of science in relation to the government".
And he denied that he had been trying to undermine the government's policies on drugs.

"I am disappointed because, to be honest, all I was trying to do was help. I wasn't challenging the government," said the former adviser.

"We can help them. We can give them very good advice, and it would be much more simpler if they took that advice rather than getting tangled up in other sorts of messages which frankly really do confuse the public."

Prof Nutt said he was not prepared to "mislead" the public about the effects of drugs in order to convey a moral "message" on the government's behalf.

Earlier this week Prof Nutt used a lecture at King's College, London, to attack what he called the "artificial" separation of alcohol and tobacco from illegal drugs.

The professor said smoking cannabis created only a "relatively small risk" of psychotic illness.

Phil Willis MP, chairman of the science and technology select committee, said he would write to the home secretary to ask for clarification as to why Prof David Nutt had been sacked "at a time when independent scientific advice to government is essential".

"It is disturbing if an independent scientist should be removed for reporting sound scientific advice," he said.

Public concern over the links between high-strength cannabis, known as skunk, and mental illness led the government to reclassify cannabis to Class B last year.

In the past, Prof Nutt has also claimed that taking ecstasy is no more dangerous than riding a horse.

In a letter, the home secretary wrote: "I cannot have public confusion between scientific advice and policy and have therefore lost confidence in your ability to advise me as chair of the ACMD.

"I would therefore ask you to step down from the Council with immediate effect."

In his reply, Prof Nutt said he was "disappointed" by the sentiments expressed by Mr Johnson.

He added: "Whilst I accept that there is a distinction between scientific advice and government policy there is clearly a degree of overlap.

"If scientists are not allowed to engage in the debate at this interface then you devalue their contribution to policy making and undermine a major source of carefully considered and evidence-based advice."

'Disgraceful' decision

Shadow home secretary Chris Grayling said the sacking had been "an inevitable decision" after Prof Nutt's "latest ill-judged contribution to the debate".

But Liberal Democrat home affairs spokesman Chris Huhne said the decision to sack the adviser had been "disgraceful".

"What is the point of having independent scientific advice if as soon as you get some advice that you don't like, you sack the person who has given it to you?" he said.

Mr Huhne said if the government did not want to take expert scientific advice, it might as well have "a committee of tabloid newspaper editors to advise on drugs policy".

Similarly, Claudia Rubin from Release - a national centre of expertise on drugs and drugs law - said the expert should not have been penalised.

Cannabis reclassification

"It's a real shame and a real indictment of the government's refusal to take any proper advice on this subject," she said.

And Prof Colin Blakemore, professor of neuroscience at Oxford University and former chief executive of the Medical Research Council, said the government could not expect experts who serve on its independent committees not to voice their concern if the advice they give is rejected.

"I worry that the dismissal of Prof Nutt will discourage academic and clinical experts from offering their knowledge and time to help the government in the future," he said.

Possession of Class B drugs carries a maximum sentence of five years in jail while possession of Class C drugs carries a maximum sentence of two years imprisonment.

In 2004, then Home Secretary David Blunkett had approved the reclassification of cannabis from Class B - which it had been since 1971 - to Class C.

But in 2008, Jacqui Smith announced that she would reverse the 2004 decision and put cannabis back into category B.

The decision was taken despite official advisers recommending against the change.

Ministers said they wanted to make the move as a precautionary measure.

@'BBC'

The Cat With Hands

... Helloweenie!

Happy...

Internet addresses set for change

The internet regulator has approved plans to allow non-Latin-script web addresses, in a move that is set to transform the online world.

The board of Icann voted at its annual meeting in Seoul to allow domain names in Arabic, Chinese and other scripts.

More than half of the 1.6 billion people who use the internet speak languages with non-Latin scripts.

It is being described as the biggest change to the way the internet works since it was created 40 years ago.

@'BBC'

"Do I have the right to refuse a search?"

“Do I have the right to refuse this search?” This is a question I heard many times during my law enforcement career. Often my answer was no. But occasionally it would be “yes,” followed by an admonition to have a good day. For the last half of my career, I would have documented each interaction, whether or not it involved an arrest. I would have written down the nature and length of the interaction, the gender, race, and age of the person, and the outcome of the contact (arrest, citation, etc.). I carry the baggage of this history with me as I’ve traveled over the last eight years, mindlessly placing my luggage on the conveyer belt and removing my shoes for TSA inspection.

Recently, something changed.

@'Homeland Security Watch'

Excellent article written by Deirdre Walker. She retired recently as the Assistant Chief of the Montgomery County, Maryland, Department of Police. She spent 24 years as a police officer.

(Thanx Lochie!)

Percussive postcard

Postcard sent from Ralf & Florian from Kraftwerk asking Klaus Dinger to join them in the studio.

Harmonia - Walky Talky

Pixar intro parody

LSD less dangerous than alcohol, says UK government's drug adviser

The Government’s chief drug adviser has suggested that Ecstasy, LSD and cannabis are less dangerous than both alcohol and cigarettes.

David Nutt, chairman of the Advisory Council on the Misuse of Drugs, attacked the decision to make cannabis a Class B drug. He accused the former Home Secretary Jacqui Smith, who reclassified the drug, of “distorting and devaluing” scientific research.

Professor Nutt said smoking cannabis created only a “relatively small risk” of psychotic illness, adding that all drugs, including alcohol and tobacco, should be ranked by a “harm” index.

He said that alcohol came fifth behind cocaine, heroin, barbiturates and methadone, while tobacco should rank ninth, ahead of cannabis, LSD and Ecstasy. His views are published today as a briefing paper for the Centre for Crime and Justice Studies at King’s College London.

@"The Times'

"To base punishment on the weight of the carrier medium makes about as much sense as basing punishment on the weight of the defendant."

Something that amazed me earlier today was that if you are caught with 100 doses of LSD in liquid form in the US you would probably get a year sentence. However if the same 100 doses were in blotter form you would get a 2 to 3 year sentence, if they were on sugar cubes you would get 15 years because they include the "carrier medium" for LSD in calculating the drug's weight for sentencing purposes!

Meanwhile this editorial in The Washington Post talks about the disparity in sentencing between cocaine and crack in the US...

RePost - Grievous Angel presents Blogariddims 21: Fusion Dub. A mix of Miles Davis-inspired jazz, funk and soul, in dub (April 2007)

Now that Grevious Angel has been signed to The Black Dog's label 'Dust Science' hopefully more people will hear him. In the meantime here is one of my favourite mixes of his.

"This time last year I was waaaaay deep into a series of pilgrimages deep into dubstep, a process that is still ongoing, though not as spiritually all-encompassing as it was. And part of my response to the influx of dubstep vibrations that have been flowing into me since 2005 has been a re-connection with deep dub sounds of… Miles Davis. My connection with Miles has always crossed over with dub, electronics and industrial. I got heavily into Miles, especially the electric period but also the Gil Evans orchestral period, at the same time as I got into Cabaret Voltaire – when I was 13, almost 14. It was only a year or so later that I realised how much of an influence he was on Richard Kirk and Stephen Malinder; all I knew was that the sonics and spaces of 2 X 45 were identical to On the Corner. In the same way as the threads connecting from the Cabs to acid to ardkore and thence to dubstep are obvious, for me, the thematic connection from Miles to dubstep is also clear, but it’s more a matter of influence than direct connection.

So it was that when I was asked to do a solo outing in the brilliant Blogariddims series, I almost immediately decided to go on a voyage into Miles – in dub. I was going to include a lot of other fusion artists, but not much that I have in that genre really made the grade, so instead I threw in some of the soul and funk that influenced Miles in this period. And naturally, I used as my raw material much of Bill Laswell’s fabulous Panthalassa CD, which adds a layer of dub and re-edits to Miles’ originals. I simply re-edited and re-dubbed what Laswell did. All in all it’s an appropriate way for Blogariddims series to greet Beltane. I hope you enjoy it.

You can subscribe to Blogariddims, and download individual mixes, here: http://www.weareie.com/audio/blogariddims/Blogariddims.xml. This mix will be up for May 1st.

Tracklisting:

0:00 Miles Davis: Bitches Brew intro

0:59: Miles Davis: Agharta Prelude Dub

5:06: Miles Davis: Miles Runs the Voodoo Down (Edit)

12:19: Parliament: Dr Funkenstein (Live) (edit)

19:10: Miles Davis: What If

22:44: Curtis Mayfield: Stone Junkie (Live)

28:28: Miles Davis: Billy Preston

33:51: Headhunters: God Made Me Funky (Edit)

39:21: Miles Davis: Black Satin

43:14: Miles Davis: Bitches Brew (Edit)

46:59: Miles Davis: In A Silent Way / Shhh Peaceful (Bill Laswell dub)

54:49: Curtis Mayfield: I Plan To Stay a Believer (Live)

57:30: Miles Davis: It’s About That Time

Liner notes:

0:00 Miles Davis: Bitches Brew intro
This snippet is so recognisable – those sharp parps are the perfect signal to wake up for the mix.

0:59: Miles Davis: Agharta Prelude Dub
Sheer, unadulterated, slow motion funk bliss. A dub of one of the tracks on Panthalassa, the original is from the Agharta album, which was recorded live at the Osaka Festival Hall in Japan on February 1, 1975. A lot of critics think is one of Davis‘ two greatest electric live records alongside Pangaea (which were both recorded the same day – Agharta in the afternoon and Pangaea in the evening). The band has its roots in the seminal group assembled for On the Corner. Saxophonist is Sonny Fortune, guitarists Pete Cosey (lead’n’headfuck feedback) and Reggie Lucas (rhythm), bassist Michael Henderson, drummer Al Foster, and percussionist James Mtume. Bill Laswell edited “Prelude,” down from over a half-hour and I took it down to five minutes so all you have here is pure funk jazz fire.

5:06: Miles Davis: Miles Runs the Voodoo Down (Edit)
Probably my favourite cut off Bitches Brew, this, at least it is now it’s had a bit of vigorous pruning. The album was recorded over three August days in 1869, right after the Woodstock Festival. Miles famously would assemble musicians at short notice, forcing them to think on their feet with minimal guidance – which must have been a total head-fuck. You can tell how the band are right on the edge of mapped territory on this tune, but they’re locked tight. It starts off all gorgeously loping, before slowly lifting off into heavy, fat jazz that almost has dubstep’s “wobble” in the low end. I took out a lot of the free jazz bleating in the middle and made sure there was plenty of Miles’ red hot but laid back groove, and even so we fit atonal jazz funk gold at around 10:39.

12:19: Parliament: Dr Funkenstein (Live) (edit)
God, I love Parliament. This is probably the best track off 1977’s Parliament Earth Tour album. It’s just a fat, minimal, drum and bass funk locked groove. The recording isn’t that hot but the playing is unbelievable so I slashed it down from its original 15 minutes and dubbed the fuck out of it. The end of it is very Apocalypse Now, the scene at the bridge as shards of Miles’ horn float through the wreckage of Parliament.

19:10: Miles Davis: What If
From one deep funk track to another, but dear god is this heavy. Previously unreleased track from Panthalassa, I edited it out of Laswell’s mix of Black satin/What if/Agharta prelude dub. It was called What If by Laswell because we was wondering, “what if this is Pete Cosey (on lead guitar?)”, but actually it’s Maclauglin. The real star is Michael Hendeson’s bass line, an awesomely solid, endlessly repeating syncopated figure that’s just irresistible. This one just rocks.

22:44: Curtis Mayfield: Stone Junkie (Live)
The marvellous Curtis in cheeky mood from this seminal soul live album, recorded at the Greenwich Village’s Bitter End club on a freezing January ‘71 night and released on the brilliant Curtis/Live! Album. Stone Junkie calms it down a bit from What If, but the chill factor is back with the FX. This is the sort of soul Miles was listening to pretty relentlessly throughout the seventies.

28:28: Miles Davis: Billy Preston
Another fantastic heavy funk work out, this is from the 1974 sessions that yielded the Get Up With It album. Most critics don’t seem to like this one but I love it, so much so I did a remix of it. This is just a dub of the original.

33:51: Headhunters: God Made Me Funky (Edit)
This is thee archetypal fusion track, here ripped to fuck. Herbie Hancock famously went looking for a bit of earth in 1973 and put together a funk band, The Headhunters. Yes it’s from the largest-selling jazz album of all time, but here’s it’s had the wanky sax solo ripped out, which makes the lush, faded out funk heaviosity that much more effective.

39:21: Miles Davis: Black Satin
From On The Corner – Kode 9’s favourite album of all time – and it’s a corker! Black Satin is built around a spanking hot cyclical break from Jack DeJohnette, with a set of discordant counter point tones bouncing around it and shimmering fuzz guitar drifting from the shadows.

43:14: Miles Davis: Bitches Brew (Edit)
This track is just mental. Absolutely dead serious, utter funk badness and jazz freakiness. This is just total, wailing madness which stays utterly the right side of formlessness, the energy surges and crackles and frankly it’s terrifying. The original edit loses its focus (sacrilegious though it is to say it) so I sharpened it up quite a lot by keeping the spotlight firmly on Miles – which doesn’t fit into the commonplace revisionism of praising the sidemen, but this is really about going with Davis into the nightmare. Across the chasm.

46:59: Miles Davis: In A Silent Way / Shhh Peaceful (Bill Laswell dub)
You simply don’t get any higher – or darker – than Bitches Brew, so it was time to let some light in with some lovely, twisted, sardonic chillage from 1969’s fantastic In A Silent Way album. If you’re reading this before downloading the mix and wondering if it’s all going to be a bit too much like onanistic jazz freakery, then fast forward to this bit cos it’s just lovely. Literally everyone in the country should own a copy of this album and we’d all be happier for it. And – despite the virtuosity on display throughout the rest of this mix, this is the one tune that absolutely anyone can learn to play on the guitar in half an hour. It’s that simple. But what Miles and his band do with it here is just priceless.

54:49: Curtis Mayfield: I Plan To Stay a Believer (Live)
Another one from Curtis / Live, and what a fantastic song this is. I won’t drizzle it with clichés (for once) but this simple, direct soul is the ideal partner for In A Silent Way, a similar cleanser.

57:30: Miles Davis: It’s About That Time
But Miles, even after his astonishing displays of malevolence throughout this mix, can out-do Mayfield when it comes to conveying purity and innocence, as he does on the very brief It’ About That Time."

@'Grievous Angel' (April 2007)

A superb mix and believe me when I say that you NEED this.
Get it here.
(Blogariddims 21 - 'Fusion Dub')

Alice In Wonderland - Trailer