Friday, 30 October 2009
LSD less dangerous than alcohol, says UK government's drug adviser
David Nutt, chairman of the Advisory Council on the Misuse of Drugs, attacked the decision to make cannabis a Class B drug. He accused the former Home Secretary Jacqui Smith, who reclassified the drug, of “distorting and devaluing” scientific research.
Professor Nutt said smoking cannabis created only a “relatively small risk” of psychotic illness, adding that all drugs, including alcohol and tobacco, should be ranked by a “harm” index.
He said that alcohol came fifth behind cocaine, heroin, barbiturates and methadone, while tobacco should rank ninth, ahead of cannabis, LSD and Ecstasy. His views are published today as a briefing paper for the Centre for Crime and Justice Studies at King’s College London.
"To base punishment on the weight of the carrier medium makes about as much sense as basing punishment on the weight of the defendant."
Something that amazed me earlier today was that if you are caught with 100 doses of LSD in liquid form in the US you would probably get a year sentence. However if the same 100 doses were in blotter form you would get a 2 to 3 year sentence, if they were on sugar cubes you would get 15 years because they include the "carrier medium" for LSD in calculating the drug's weight for sentencing purposes!
Meanwhile this editorial in The Washington Post talks about the disparity in sentencing between cocaine and crack in the US...
RePost - Grievous Angel presents Blogariddims 21: Fusion Dub. A mix of Miles Davis-inspired jazz, funk and soul, in dub (April 2007)
"This time last year I was waaaaay deep into a series of pilgrimages deep into dubstep, a process that is still ongoing, though not as spiritually all-encompassing as it was. And part of my response to the influx of dubstep vibrations that have been flowing into me since 2005 has been a re-connection with deep dub sounds of… Miles Davis. My connection with Miles has always crossed over with dub, electronics and industrial. I got heavily into Miles, especially the electric period but also the Gil Evans orchestral period, at the same time as I got into Cabaret Voltaire – when I was 13, almost 14. It was only a year or so later that I realised how much of an influence he was on Richard Kirk and Stephen Malinder; all I knew was that the sonics and spaces of 2 X 45 were identical to On the Corner. In the same way as the threads connecting from the Cabs to acid to ardkore and thence to dubstep are obvious, for me, the thematic connection from Miles to dubstep is also clear, but it’s more a matter of influence than direct connection.
So it was that when I was asked to do a solo outing in the brilliant Blogariddims series, I almost immediately decided to go on a voyage into Miles – in dub. I was going to include a lot of other fusion artists, but not much that I have in that genre really made the grade, so instead I threw in some of the soul and funk that influenced Miles in this period. And naturally, I used as my raw material much of Bill Laswell’s fabulous Panthalassa CD, which adds a layer of dub and re-edits to Miles’ originals. I simply re-edited and re-dubbed what Laswell did. All in all it’s an appropriate way for Blogariddims series to greet Beltane. I hope you enjoy it.
You can subscribe to Blogariddims, and download individual mixes, here: http://www.weareie.com/audio/blogariddims/Blogariddims.xml. This mix will be up for May 1st.
Tracklisting:
Liner notes:
0:00 Miles Davis: Bitches Brew intro
This snippet is so recognisable – those sharp parps are the perfect signal to wake up for the mix.
0:59: Miles Davis: Agharta Prelude Dub
Sheer, unadulterated, slow motion funk bliss. A dub of one of the tracks on Panthalassa, the original is from the Agharta album, which was recorded live at the Osaka Festival Hall in Japan on February 1, 1975. A lot of critics think is one of Davis‘ two greatest electric live records alongside Pangaea (which were both recorded the same day – Agharta in the afternoon and Pangaea in the evening). The band has its roots in the seminal group assembled for On the Corner. Saxophonist is Sonny Fortune, guitarists Pete Cosey (lead’n’headfuck feedback) and Reggie Lucas (rhythm), bassist Michael Henderson, drummer Al Foster, and percussionist James Mtume. Bill Laswell edited “Prelude,” down from over a half-hour and I took it down to five minutes so all you have here is pure funk jazz fire.
5:06: Miles Davis: Miles Runs the Voodoo Down (Edit)
Probably my favourite cut off Bitches Brew, this, at least it is now it’s had a bit of vigorous pruning. The album was recorded over three August days in 1869, right after the Woodstock Festival. Miles famously would assemble musicians at short notice, forcing them to think on their feet with minimal guidance – which must have been a total head-fuck. You can tell how the band are right on the edge of mapped territory on this tune, but they’re locked tight. It starts off all gorgeously loping, before slowly lifting off into heavy, fat jazz that almost has dubstep’s “wobble” in the low end. I took out a lot of the free jazz bleating in the middle and made sure there was plenty of Miles’ red hot but laid back groove, and even so we fit atonal jazz funk gold at around 10:39.
12:19: Parliament: Dr Funkenstein (Live) (edit)
God, I love Parliament. This is probably the best track off 1977’s Parliament Earth Tour album. It’s just a fat, minimal, drum and bass funk locked groove. The recording isn’t that hot but the playing is unbelievable so I slashed it down from its original 15 minutes and dubbed the fuck out of it. The end of it is very Apocalypse Now, the scene at the bridge as shards of Miles’ horn float through the wreckage of Parliament.
19:10: Miles Davis: What If
From one deep funk track to another, but dear god is this heavy. Previously unreleased track from Panthalassa, I edited it out of Laswell’s mix of Black satin/What if/Agharta prelude dub. It was called What If by Laswell because we was wondering, “what if this is Pete Cosey (on lead guitar?)”, but actually it’s Maclauglin. The real star is Michael Hendeson’s bass line, an awesomely solid, endlessly repeating syncopated figure that’s just irresistible. This one just rocks.
22:44: Curtis Mayfield: Stone Junkie (Live)
The marvellous Curtis in cheeky mood from this seminal soul live album, recorded at the Greenwich Village’s Bitter End club on a freezing January ‘71 night and released on the brilliant Curtis/Live! Album. Stone Junkie calms it down a bit from What If, but the chill factor is back with the FX. This is the sort of soul Miles was listening to pretty relentlessly throughout the seventies.
28:28: Miles Davis: Billy Preston
Another fantastic heavy funk work out, this is from the 1974 sessions that yielded the Get Up With It album. Most critics don’t seem to like this one but I love it, so much so I did a remix of it. This is just a dub of the original.
33:51: Headhunters: God Made Me Funky (Edit)
This is thee archetypal fusion track, here ripped to fuck. Herbie Hancock famously went looking for a bit of earth in 1973 and put together a funk band, The Headhunters. Yes it’s from the largest-selling jazz album of all time, but here’s it’s had the wanky sax solo ripped out, which makes the lush, faded out funk heaviosity that much more effective.
39:21: Miles Davis: Black Satin
From On The Corner – Kode 9’s favourite album of all time – and it’s a corker! Black Satin is built around a spanking hot cyclical break from Jack DeJohnette, with a set of discordant counter point tones bouncing around it and shimmering fuzz guitar drifting from the shadows.
43:14: Miles Davis: Bitches Brew (Edit)
This track is just mental. Absolutely dead serious, utter funk badness and jazz freakiness. This is just total, wailing madness which stays utterly the right side of formlessness, the energy surges and crackles and frankly it’s terrifying. The original edit loses its focus (sacrilegious though it is to say it) so I sharpened it up quite a lot by keeping the spotlight firmly on Miles – which doesn’t fit into the commonplace revisionism of praising the sidemen, but this is really about going with Davis into the nightmare. Across the chasm.
46:59: Miles Davis: In A Silent Way / Shhh Peaceful (Bill Laswell dub)
You simply don’t get any higher – or darker – than Bitches Brew, so it was time to let some light in with some lovely, twisted, sardonic chillage from 1969’s fantastic In A Silent Way album. If you’re reading this before downloading the mix and wondering if it’s all going to be a bit too much like onanistic jazz freakery, then fast forward to this bit cos it’s just lovely. Literally everyone in the country should own a copy of this album and we’d all be happier for it. And – despite the virtuosity on display throughout the rest of this mix, this is the one tune that absolutely anyone can learn to play on the guitar in half an hour. It’s that simple. But what Miles and his band do with it here is just priceless.
54:49: Curtis Mayfield: I Plan To Stay a Believer (Live)
Another one from Curtis / Live, and what a fantastic song this is. I won’t drizzle it with clichés (for once) but this simple, direct soul is the ideal partner for In A Silent Way, a similar cleanser.
57:30: Miles Davis: It’s About That Time
But Miles, even after his astonishing displays of malevolence throughout this mix, can out-do Mayfield when it comes to conveying purity and innocence, as he does on the very brief It’ About That Time."
@'Grievous Angel' (April 2007)
Get it here.
(Blogariddims 21 - 'Fusion Dub')
Thursday, 29 October 2009
Travolta's Scientology Turning Point?
When John Travolta took the witness stand last week and testified that his late son, Jett, was autistic, it came as a grim relief to some former Scientologists.
“Wasn’t that amazing?” said a fallen-away church member after Travolta appeared in an extortion case that followed the death of his 16-year-old son last January. “I thought, ‘Good for him.’ He denied it for years. It’s really important that he says it.”
What with Paul Haggis's resignation and the recent court loss in France, it couldn't happen to a nicer 'church'!
Israel’s Growing Problem: Will Its Ministers Be Arrested?
Still, lawyers in Britain and other European countries such as the Netherlands, Spain, Belgium, and Norway have been collecting testimonies of Palestinians regarding the alleged war crimes committed by Israel Defense Forces during the Gaza War. If the alleged crime is proven in court, individuals charged will be arrested as soon as they enter these countries.
On Wednesday, the former IDF chief of staff and Vice Prime Minister Moshe Ya’alon, whose trial has been sought over the assassination of senior Hamas activist Salah Shehadeh in July 2002, said he is “willing to forgo visits to European capitals and to allow the Israel Defense Forces the freedom to act.” He added:
"Israel is transparent. The IDF has recently conducted five serious probes, the criminal investigation division opened an investigation into credit card theft. There is a team that will respond to the report without having to stop the army in order to do so."
RePost - Two songs by Lou Barlow
'Easy'
The Folk Implosion
Said I wouldn't do it, leave it alone
Tried to ditch it, followed me right back home
After a while I don't resist
I'm alive with a purpose
My way down looking for it
That's what I'm afraid of
When I finally hold it, arrive on the scene
The doors are open I can hardly breathe
And like every guilty feeling
I've forgotten before
Three hours later, I'm hungry for more
That's what I'm afraid of
I don't have the will to change
Not when it's so easy, to be easy
Resistance is low when I'm feeling bored
What I thought was fun isn't fun anymore
Gravity pulls neither wrong or right
The moon is full and we're out of our heads
Let's do it again and feel allright
The fight is over for now
The fight is over
Sebadoh
Is something missing in my touch, a tension tugging at my smile?
If there's a right thing to say, I'm sure I missed it by a mile
Swallowed in some detail, heavy in my blood
I wanna hold you close, but I can't lift my arms up
Is there a reason for this distance?
More than the drug that floats my days
A nervous bug in my system, it keeps me edgy and ashamed
I've got a saint, never ever will forgive
That never understood me but still tells me how to live
It fits when I stretch and I stretch because I can
I stretch until I'm sore and then I open up for more
I do it out of habit, not addiction
And if I give it up, clean out my blood
Will I still feel bored and disconnected?
If I do it all for love, will I ever give enough?
'cause you can never be too pure or too connected
You can never be too pure or too connected
You can never be too pure
Intrusion - RA Mix
Linkwood Family - Miles Away (Intrusion Sunrise Dub) - Firecracker
Tony Allen - Ole (A Remix By Moritz Von Oswald) - Honest Jon's
Rhythm & Sound - Mango Drive - Rhythm & Sound / Wackies
Loops & Samples from Deepchord - Electro Magnetic Dowsing - Step 2 - S Y N T H
Intrusion - Tswana Dub - Echospace
Rhythm & Sound - See Mi Yah (Basic Reshape) - Burial Mix
Rhythm & Sound w/Paul St. Hilaire - Free For All - Burial Mix
Echospace - Empyrean - Modern Love
Maurizio - M5 - Maurizio
Rhythm & Sound w/Cornell Campbell - King In My Empire - Burial Mix
Maurizio - M5 - Maurizio
Luke Hess - Reel Life (cv313's Dimensional Space Mix) - Echocord
cv313 - Space - Echospace
Deepchord - Vantage Isle (DC Mix I) - Echospace
Model 500 - Starlight (Echospace Unreleased Mix) - Echospace
cv313 - Starsailing (Intrusion Dub) - Echospace
Precession - Sandcastle (Mike Huckaby Remix) - Ferox
Atheus - Deploy - Styrax
Substance and Vainqueur - Libration - Scion Versions
XDB - Descap (Live Mix) - Metrolux / Wave Music
Son's Of The Dragon - The Journey Of Qui Niu (SQX Mix) Echospace
Convextion - Miranda - Matrix Detroit
Car bomb in crowded Pakistan market kills 105
The attack in the northwestern city of Peshawar was Pakistan's deadliest since 2007 and came as U.S. Secretary of State Hillary Rodham Clinton visited the country to offer support for its fight against a strengthening al-Qaida and Taliban-led insurgency based along the Afghan border.
Clinton was three hours' drive away in the capital meeting Pakistani government leaders when the bomb went off in Peshawar. Her trip was not announced in advance in Pakistan for security reasons.
The bomb was directed squarely at civilians, unlike many previous blasts that have targeted security forces or government or Western interests. While no one claimed responsibility, the bomb appeared aimed at undercutting public and political support for an ongoing army offensive against militants close to the frontier and showing that the government was unable to keep its people safe.
@'AP'
Why a tight market for drugs may be contributing to recent violence in Rio
@'The Economist'