Talk Talk - Eden (Rehearsal Cassette)

A late-stage rehearsal straight to cassette for reference. Recorded shortly before going into the studio, probably at John Henry rehearsal rooms. This is Mark on guitar, Lee on drums, and myself on piano and organ (the bass was always addressed in the studio once the basic track was down, which is why it doesn't feature here).
It's best to take the 8 minutes out and listen to the end, preferably in headphones, and in a quiet space
Thanks Stan

Joni Mitchell with LA Express - Old Grey Whistle Test (BBC 1974)

Joni Mitchell - Vocals/guitar/piano
Tom Scott - Saxophone
Robben Ford - Guitar
Max Bennett - Bass
John Guerin - Drums
Roger Kellaway - Keyboards

Lee 'Scratch' Perry - African Starship

Black Cab - Take It

Mark Hollis: reluctant pop star who redefined rock

19 Minutes of Mark Hollis Talking About Laughing Stock

Mark Hollis on Music

Nick Cave on Grief

Flight

Thor Harris: Worst Show Ever Podcast

Open House with Paul Simonon

Info

HA!

All issues of Neil Young Appreciation Society's BROKEN ARROW fanzine online

HERE

Penny Reel R.I.P.

Penny Reel Selection on Manasseh KISS FM Show (199X)

Side A
Side B
Via
Photo
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Pressure Drop 1 & 2 (the world's first reggae fanzine)

Published in 1975 and 1976
Edited by Nick Kimberley and Penny Reel with assistance from Chris Lane. I used to have these a l o n g time ago, the only two issues that were published, although Chris Lane says here: 

We were going to do a third one because we all agreed at the time that 1972 had been such a classic year for reggae. We were going to do a 1972 edition of Pressure Drop and write it as though it was actually 1972: “Look at this great record from Glen Brown, Merry Up. It’s like nothing you’ve ever heard before”. Of course we never got round to it but Nick knew someone at Pluto Press and we actually signed a contract and got paid a very small advance to write this book about reggae. It was going to be the history of reggae and I remember at the time that I even did a thing about dub and how dubs are mixed, the track layouts, why the Studio One dubs on the albums sound the way they do because they come from 2-track tape, how the Tubby’s dubs sound the way they do because they’re using 4-track tape, and the Channel One’s…

My BIG thanks to Nigel for passing them along
PDF
Reposts

Paul Kelly - With The One I Love