Brian O'Dwyer: Drums
Gelareh Pour: Kamancheh & vocals
Recorded on Tascam DR40
Monday, 31 July 2017
ZÖJ - Live Wesley Anne Northcote Melbourne (30/7/17)
Brian O'Dwyer: Drums
Gelareh Pour: Kamancheh & vocals
Recorded on Tascam DR40
David Asher: On-U Sound Sunday Roast (July 2017)
Tracklist:
Swirl - Doug Wimbish
Kajra Mohabbat Walla Dub - Coldcut x On U Sound
Know Yourself - Creation Rebel
All Day Long - Little Roy
Love I Can Feel - Creation Rebel
Hey Geoff - Dub Syndicate
Finger On The Trigger - Little Axe
Bewildered - Bim Sherman
Yellow Tongue - Lee Scratch Perry
When The Water Runs - Dave Dobbyn
Push On - Salmonella Dub
Galdino - Indigenous Resistance
Abortive - Ministry
Enemy Of the Enemy - Asian Dub Foundation
Rootsman - Deeder Zaman
Time Conquer - Lee Perry and Dub Syndicate
Different Eyes - Sherwood and Pinch
Ghetto Life - Ghetto Priest
Scorpio - Mark Stewart
Sundown On the Empires - Reverend and the Makers
Give Love - Prince Far I and The Arabs
The Lion Of Judah Hath Prevailed (Adrian Sherwood Dub) - The Process Meets Ghetto Priest
Friday, 28 July 2017
BBC Prom 15: The Songs of Scott Walker (1967-70)
From BBC Radio 3, July 2017 - http://www.bbc.co.uk/programmes/b08yrwgm
Live at BBC Proms: A celebration of the extraordinary career of Scott Walker, whose music has influenced artists from David Bowie to Leonard Cohen. Jules Buckley and the Heritage Orchestra pay tribute, with star guests including Jarvis Cocker and John Grant.
Presented by Stuart Maconie
Live from the Royal Albert Hall
Jarvis Cocker
John Grant
Richard Hawley
Susanne Sundfør
Heritage Orchestra
Jules Buckley, conductor
Live at BBC Proms: A celebration of the extraordinary career of Scott Walker, whose music has influenced artists from David Bowie to Leonard Cohen. Jules Buckley and the Heritage Orchestra pay tribute, with star guests including Jarvis Cocker and John Grant.
Presented by Stuart Maconie
Live from the Royal Albert Hall
Jarvis Cocker
John Grant
Richard Hawley
Susanne Sundfør
Heritage Orchestra
Jules Buckley, conductor
Friday, 21 July 2017
Radiohead ZX Spectrum program from OK Computer OKNOTOK 1997-2017
At the end of tape from Radiohead's OK Computer OKNOTOK 1997-2017 bonus material there is a ZX Spectrum program. Also, inside the code there's a hidden, black text on a black background: "congratulations...you've found the secret message syd lives hmmmm. We should get out more"
Wednesday, 19 July 2017
What? Who?
- daddy says having a girl 'dr who' will be rubbish.— forest fr1ends (@forest_fr1ends) July 17, 2017
- well tell your daddy i'm gonna rip his dick off and feed it to the f**king daleks... pic.twitter.com/haYoKsT7tC
Monday, 17 July 2017
Ayler
Albert Ayler, at home, aero infrared film, Brooklyn,1969— Liliane Breuning (@LilianeBreuning) July 15, 2017
Elliott Landy
@ magnumphotos pic.twitter.com/z2hPjmmdZV
Sunday, 16 July 2017
Monday, 10 July 2017
Wednesday, 5 July 2017
forest fr1ends
listen carefully, tell the paramedics i have 24 condoms of heroin in my arse and i think one of them has split... pic.twitter.com/HO79D38ytX— forest fr1ends (@forest_fr1ends) July 4, 2017
Keith Haring's NYE 1984 party filmed by Nelson Sullivan
Tuesday, 4 July 2017
The Original Peter (Mike Westbrook Review BBC 1970)
During the March to April 1970 sessions for Mike Westbrook's Love Songs, The Mike Westbrook Concert Band, The Welfare State, Original Peter and a whole host of other long-forgotten performers and speciality acts including the esoterically named likes of The Amazing Mas-Kar, The Edmund Campion Gymnasts and, erm, 'Cherokee Indian Joe The Great Leaping Bison' (we can probably safely assume that he wasn't) took part in an ambitious small screen extravaganza somewhere between a progressive rock concert and a down-at-heel carnival, which was captured by the Review cameras in all of its chaotic glory. The film was first broadcast on Saturday 25th April 1970
Via
Monday, 3 July 2017
Mike Westbrook Mix
Tracklist:
Overture : Citadel-Room 315
Let It Shine : Solid Gold Cadillac
Kyrie : The Cortège
Other World : Marching Song Vol 1
Conflict : Marching Song Vol 2
Part VIII : Metropolis
Windy City : Mama Chicago
Let The Slave : Bright As Fire
Finale : Citadel-Room 315
+
Let The Slave : Live Paris 1981
A selection of pieces from the first part of Mike Westbrook's career. Vocals by Phil Minton. A live audience recording of 'Let The Slave' from Paris in 1981 as a bonus at the end. Seeing the 1979 premiere of 'The Cortège' at Bracknell Jazz Festival remains a live gig highlight
+
The Cortège 1982 UK tour.
Film directed by Tony Staveacre and shown on the BBC
Part 1
Part 2
'Embraced'
Faith restored in Melbourne - another bollard for you @han_francisco (corner Bourke/Swanston) pic.twitter.com/qyLnTpN9n0— Eric Gardiner (@eric_gardiner) July 2, 2017
Pohjoinen Äänet Mix (Sounds from Sasu Ripatti)
Tracklist:
1 Summer (Later In The Dark) (Delay Configuration 2) by Pub
2 Truly (Vladislav Delay Remix) by Rhythm & Sound
3 Restructure 2 (Digital Mystikz Rebuild) by Moritz Von Oswald Trio
4 Almodrama by Drama Society with Vladislav Delay
5 All Lies On Us by AGF+Delay
6 Tessio by Luomo
7 Serti by Uusitalo
8 Viite by Vladislav Delay
9 Killing The Water Bed by Vladislav Delay Quartet
10 Kukkuu by The Dolls
11 Hac (Alva Noto Remix) by Sistol
1 Summer (Later In The Dark) (Delay Configuration 2) by Pub
2 Truly (Vladislav Delay Remix) by Rhythm & Sound
3 Restructure 2 (Digital Mystikz Rebuild) by Moritz Von Oswald Trio
4 Almodrama by Drama Society with Vladislav Delay
5 All Lies On Us by AGF+Delay
6 Tessio by Luomo
7 Serti by Uusitalo
8 Viite by Vladislav Delay
9 Killing The Water Bed by Vladislav Delay Quartet
10 Kukkuu by The Dolls
11 Hac (Alva Noto Remix) by Sistol
Share & Share Again
Ok Twitter- let's see if this wrestling meme can get MORE RETWEETS that the president's wrestling meme. pic.twitter.com/bTWJhttCAo— Jesse McLaren (@McJesse) July 2, 2017
Sunday, 2 July 2017
Public Enemy - Nothing Is Quick In The Desert (FREE DOWNLOAD)
- Chuck D
The way it can be
This is the best thing I've seen today pic.twitter.com/ajyRZ2KXpa— m ♡ (@wangjckson) June 29, 2017
Amplified Gesture
Directed and edited by Phil Hopkins, with interviews conducted by Nick Luscombe, Amplified Gesture (2009) takes us to the studios and workspaces of eleven leading improvisers across Europe and Japan – from legends like saxophonist Evan Parker to rising stars including Christian Fennesz. Their conversations teach us about improvisation as a practice and as a culture. “The aim was to pique the interest of the audience in the hope that they would wish to find out more,” says Hopkins. “I do think there are insights in this film which apply to anyone concerned or connected with other kinds of artistic endeavour. By focussing principally on the ideas and philosophies, I think we arrived at something quite ‘pure’.”
“There’s isn’t, to my knowledge, a comprehensive film on this subject, these musicians, the history of free improvisation as seen through the eyes and ears of its European practitioners,” says David Sylvian whose label made this film. “It’s a unique branch of the evolution of free jazz through to free improv, a story that’s not adequately been told on film. We attempt to touch upon the opening of the East to these influences and the significant impact artists such as Otomo Yoshihide and Toshimaru Nakamura have had upon the scene, and how that exchange broadens the conversation, contributing to an ongoing evolution of ideas.”
Keith Rowe and Eddie Prévost recall the birth of England’s groundbreaking ensemble AMM, while in Japan’s younger onkyo scene, practitioners such as Yoshihide, Nakamura, and Sachiko M describe their relationship with machines that defy mastery, like Nakamura’s no-input mixing board. Their discussions range from how they first began this practice – leaving behind old idioms and popular music in pursuit of the unknown – to the unending process of learning from their collaborators, their instruments, and the ever-changing circumstances in which they find themselves. As saxophonist John Butcher explains in the film, “It wasn’t an idiomatic choice you were making. It was a life choice, about how you wanted to approach life, and how you wanted to approach creativity, and how you wanted to approach music.”
Instrumental outtakes from Manafon provide the score, but the documentary eschews that project to focus on the musicians, and the almost fifty years of history and discovery that they represent.
Free improvisation is a field that is rarely documented and often misunderstood. This gorgeously-filmed and quietly intriguing documentary will lure in new listeners, while rewarding fans with new insights and rare glimpses into the hearts and minds of these musicians – the pioneers who commit to improv as a form, a challenge, and a lifelong journey
“There’s isn’t, to my knowledge, a comprehensive film on this subject, these musicians, the history of free improvisation as seen through the eyes and ears of its European practitioners,” says David Sylvian whose label made this film. “It’s a unique branch of the evolution of free jazz through to free improv, a story that’s not adequately been told on film. We attempt to touch upon the opening of the East to these influences and the significant impact artists such as Otomo Yoshihide and Toshimaru Nakamura have had upon the scene, and how that exchange broadens the conversation, contributing to an ongoing evolution of ideas.”
Keith Rowe and Eddie Prévost recall the birth of England’s groundbreaking ensemble AMM, while in Japan’s younger onkyo scene, practitioners such as Yoshihide, Nakamura, and Sachiko M describe their relationship with machines that defy mastery, like Nakamura’s no-input mixing board. Their discussions range from how they first began this practice – leaving behind old idioms and popular music in pursuit of the unknown – to the unending process of learning from their collaborators, their instruments, and the ever-changing circumstances in which they find themselves. As saxophonist John Butcher explains in the film, “It wasn’t an idiomatic choice you were making. It was a life choice, about how you wanted to approach life, and how you wanted to approach creativity, and how you wanted to approach music.”
Instrumental outtakes from Manafon provide the score, but the documentary eschews that project to focus on the musicians, and the almost fifty years of history and discovery that they represent.
Free improvisation is a field that is rarely documented and often misunderstood. This gorgeously-filmed and quietly intriguing documentary will lure in new listeners, while rewarding fans with new insights and rare glimpses into the hearts and minds of these musicians – the pioneers who commit to improv as a form, a challenge, and a lifelong journey
Saturday, 1 July 2017
Tick Tock Tick Tock...
If anyone you know doubts that it's ILLEGAL for Trump to collude with a foreign power as it attacks our infrastructure, RETWEET THIS THREAD. pic.twitter.com/mIr0OEpnm9— Seth Abramson (@SethAbramson) June 28, 2017
HERE
EX EYE - Xenolith; The Anvil
Debut album from EX EYE, the instrumental, post-everything quartet led by renowned saxophonist Colin Stetson and featuring the otherworldly drumming of Greg Fox. EX EYE seamlessly weave between precise, clockwork intricacy and aggressive, ecstatic abandon while taking the listener on a cathartic, thrilling journey to total transcendence. Recorded live at EX EYE member Shahzad Ismaily's Figure 8 Studios in Brooklyn, NY (Blonde Redhead, Damien Rice, Okkervil River, Son Lux, Pussy Riot), the self-titled debut showcases a band that is without question the sum of its parts, as each player contributes not only their own particular technical prowess and expertise but also their signature compositional character. EX EYE make incredibly complex yet beautifully dramatic and emotive music which eclipses usual expectation of style or genre and is sure to be talked about for many years to come
In my book Colin Stetson can do no wrong
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