Punk Britannia: Part Three: Post Punk - 1978-81

Three-part series about the history of punk. Punk had shown what it was against- now what was it for? In the wake of the Pistols' demise a new generation of musicians would re-imagine the world. Freed up by punk's DIY ethos, a kaleidoscope of musical influences broke three chord conformity. Public Image Limited allowed Johnny Rotten to become John Lydon the artist, Magazine would be first to record in the wake of the Pistols' split, Mark E Smith made street poetry while Ian Curtis turned punk's rage into an existential drama. In a time beset by dread and tension perhaps the biggest paranoia was Mutually Assured Destruction essayed perfectly by Young Marble Giants' Final Day. Released in the height of Thatcherism, Ghost Town by The Specials marked a parting of the post-punk waves. Some would remain avowedly uncommercial whilst others would explore pop as a new avenue in the new decade. The song that perhaps summed up post-punk's journey was Orange Juice's Rip It Up and Start Again.