Tuesday 4 May 2021
You promised me Hysteria
Above is the official video for Hysteria by Mark Stewart & The Maffia. Below is the album version followed by an unreleased dub and then a (very) unfinished track called 'Silly Boy' and finally Hysteria live in Bristol from 2005
And here are Mark Stewart & Gary Clail in the On The Wire studio back in 1986 talking and playing On-U tracks and some exclusive mixes
Saturday 1 May 2021
Luke Haines takes your questions
So we will have a crack at the online RT again. Meantime, if anyone has any questions i'll take some on here for the next half hour...over to you.
— Luke Haines Rock N Roll (@LukeHaines_News) April 30, 2021
Futura Laboratories: FL-006
William Burroughs' Dead Fingers Talk inscribed for Alex Trocchi
Reality Studio has now put downloadable PDF's of Burroughs's work for men's magazines such as the Mayfair Academy series HERE
You can bid on one of WSB's shotgun paintings HERE
Mory Kante
The first time I heard this song was in ZuZu's in Melbourne one (I think) Wednesday night. My sister-in-law (of the time) ran the nightclub and had also brought out Paul Oakenfold for a month residency (this was certainly the first time he played Melbourne and may have been first time down here.) I was chatting to a couple of friends fom London who were visiting and staying with us and then my feet just moved by themselves to the dancefloor. If this doesn't get you moving...you are DEAD
Geinoh Yamashirogumi - Ecophony Rinne (1986)
1. Primordial Germination
2. Falling As Flowers Do - Dying A Glorious Death
3. Dark Slumber
4. Reincarnation
From Lafawndah's Baker's Dozen at The Quietus
I found this on YouTube. I have a big love affair with things that don’t sit anywhere – I like not knowing the lineage. Of course it’s Japanese, but you can hear and feel they’re studying a lot of different musical lineages and digesting them. It was kind of like the starter of my first record, Ancestor Boy: I came across this and it kind of gave me a breath and direction to start the record. It’s not a literal influence necessarily, but it’s more the emotional rainbow that they opened for me that was inspiring. They did the soundtrack for Akira, which is what they’re most known for, but they’re a collective made up of hundreds of people, gathered precisely for not being musicians, which is something very interesting to me. I studied classical music, but always felt like I didn’t belong or wasn’t enough, so it was a good foundation for me to be so in love with the music of hundreds of non-musicians – teachers, journalists, lawyers, whatever. I also love all the group singing, there’s rarely a focus on an individual voice. My entry point into music was the collective, and I’ve always been more interested in the feeling of the group than the “I”.
Zebulon Simentov
Here's a background briefing and the arguement with Yitzhak Levi inspired this playFor decades, Zebulon Simentov refused to leave Afghanistan -- surviving a Soviet invasion, deadly civil war, brutal rule by the Taliban and the US-led occupation of his homeland.
— AFP News Agency (@AFP) April 29, 2021
But enough is enough for Afghanistan's last Jew ahead of Taliban returnhttps://t.co/r36WVwha2F pic.twitter.com/hlQhl9Ddnf
Dexys Midnight Runners - The Bridge
Filmed at the Shaftesbury Theatre London 10th Oct. 1982
Been on a BIG Dexy's kick here at Exile Towers recently
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