Friday, 2 September 2011

The Murdoch Media Empire Has Cost Humanity Decades in the Battle Against Climate Change

Reality becomes so distorted that The Australian was able to state earlier this month, “it is in keeping with this newspaper’s rationalist pedigree that we have long accepted the peer-reviewed science on anthropogenic climate change,” while at the same time engaging in a campaign to misrepresent and distort climate science.
Other editorials have made it clear that The Australian believes it is treating its readers as mature adults who should be able to make up their own minds based on arguments from “both sides” of the debate.
The problem is that on one side of the debate you have 97% of the world’s published climate scientists and the world’s major scientific organisations, and on the other side you have fools.
Excuse my bluntness, but it is past time to acknowledge that the science underpinning anthropogenic climate change is rock solid. The sceptics have had the time and opportunity to come with up a convincing case, but their best efforts read like arguments that NASA faked the moon landing.
My colleagues working in the climate sciences have largely given up trying to correct the constant stream of misinformation from The Australian, in frustration.
The Australian’s anti-science campaign takes many forms.
One is the inflation of the credentials of their fake experts. For example, OpEd writer and member of the Outdoor Recreation Party Jon Jenkins was referred to as an “Adjunct Professor”. Bond University wrote to The Australian informing them that this was not true...
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Michael Ashley @'truthout'

The money shot!

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But is WikiLeaks now a spent force..?

Clinton Fearon - 2011 06 18 @ Saint Gratien Centre culturel du forum



Former Gladiators lead singer Clinton Fearon playing The Gladiators "On the other side" and 2 solo tracks "Who cares" & "Vision"

All Leaked U.S. Cables Were Made Available Online as WikiLeaks Splintered

A Dispatch Disaster in Six Acts

Some 250,000 diplomatic dispatches from the US State Department have accidentally been made completely public. The files include the names of informants who now must fear for their lives. It is the result of a series of blunders by WikiLeaks and its supporters.
In the end, all the efforts at confidentiality came to naught. Everyone who knows a bit about computers can now have a look into the 250,000 US diplomatic dispatches that WikiLeaks made available to select news outlets late last year. All of them. What's more, they are the unedited, unredacted versions complete with the names of US diplomats' informants -- sensitive names from Iran, China, Afghanistan, the Arab world and elsewhere.
SPIEGEL reported on the secrecy slip-up last weekend, but declined to go into detail. Now, however, the story has blown up. And is one that comes as a result of a series of mistakes made by several different people. Together, they add up to a catastrophe. And the series of events reads like the script for a B movie. Act One: The Whistleblower and the JournalistThe story began with a secret deal. When David Leigh of the Guardian finally found himself sitting across from WikiLeaks founder Julian Assange, as the British journalist recounts in his book "Inside Julian Assange's War on Secrecy", the two agreed that Assange would provide Leigh with a file including all of the diplomatic dispatches received by WikiLeaks.
Assange placed the file on a server and wrote down the password on a slip of paper -- but not the entire password. To make it work, one had to complete the list of characters with a certain word. Can you remember it? Assange asked. Of course, responded Leigh.
It was the first step in a disclosure that became a worldwide sensation. As a result of Leigh's meeting with Assange, not only the Guardian, but also the New York Times, SPIEGEL and other media outlets published carefully chosen -- and redacted -- dispatches. Editors were at pains to black out the names of informants who could be endangered by the publication of the documents.
Act Two: The German Spokesman Takes the Dispatch File when Leaving WikiLeaks
At the time, Daniel Domscheit-Berg, who later founded the site OpenLeaks, was the German spokesman for WikiLeaks. When he and others undertook repairs on the WikiLeaks server, he took a dataset off the server which contained all manner of files and information that had been provided to WikiLeaks. What he apparently didn't know at the time, however, was that the dataset included the complete collection of diplomatic dispatches hidden in a difficult-to-find sub-folder.
After making the data in this hidden sub-folder available to Leigh, Assange apparently simply left it there. After all, it seemed unlikely that anyone would ever find it.
But now, the dataset was in the hands of Domscheit-Berg. And the password was easy to find if one knew where to look. In his book Leigh didn't just describe his meeting with Assange, but he also printed the password Assange wrote down on the slip of paper complete with the portion he had to remember.
Act Three: Well-Meaning Helpers Accidentally Put the Cables into Circulation
Immediately after the first diplomatic dispatches were made public, WikiLeaks became the target of several denial-of-service attacks and several US companies, including Mastercard, PayPal and Amazon, withdrew their support. Quickly, several mirror servers were set up to prevent WikiLeaks from disappearing completely from the Internet. Well-meaning WikiLeaks supporters also put online a compressed version of all data that had been published by WikiLeaks until that time via the filesharing protocol BitTorrent.
BitTorrent is decentralized. Data which ends up on several other computers via the site can essentially no longer be recalled. As a result, WikiLeaks supporters had in their possession the entire dataset that Domscheit-Berg took off the WikiLeaks server, including the hidden data file. Presumably thousands of WikiLeaks sympathizers -- and, one supposes, numerous secret service agents -- now had copies of all previous WikiLeaks publications on their hard drives.
And, what they didn't know, a password-protected copy of all the diplomatic dispatches from the US State Department...
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Christian Stöcker @'Der Spiegel'
WikiLeaks

False Take-Down Notice Hits Justin Bieber, Lady Gaga and Others

Unredacted State Department Cables Are Unleashed Online

An encrypted WikiLeaks file containing some 251,000 unredacted U.S. State Department cables is now widely available online, along with the passphrase to open it. The release of the documents in raw form, with the names of U.S. informants around the globe exposed in them, has raised concerns that dozens of people could now be in danger.
The release of the file comes amidst a heated blamefest between WikiLeaks and the Guardian newspaper in London, who let slip the encrypted version of the database and the decryption key respectively. As details about how the leak occurred surface, it appears that both organizations share the blame.
The 1.73-GB file and passphrase were published Thursday on Cryptome, a competing secret-spilling site, after news broke over the last week that they had been circulating on the internet unnoticed for several months. A keyword search through the file by Wired.com shows that the uncensored cables contain over 2,000 occurrences of the phrase “strictly protect”, which is used in cables to denote sources of information whose identities diplomats consider confidential.
It’s unclear how the release will affect imprisoned 23-year-old Pfc. Bradley Manning, who’s facing court martial for allegedly leaking the database to WikiLeaks last year.
WikiLeaks had given the Guardian access to the file, along with the passphrase, last summer when WikiLeaks founder Julian Assange met with Guardian editor David Leigh.
WikiLeaks, the Guardian and other media outlets have been publishing the cables in dribs and drabs since last November, after carefully removing the names of most informants. The full database of cables was to have been released piecemeal through November 29 of this year. But on Friday, as news of the leaked file and passphrase were made public, WikiLeaks suddenly began publishing a torrent of cables from the database. It has so far published about 144,000 cables, most of them unclassified. The Associated Press found the names of 90 confidential U.S. sources, including human rights workers laboring under totalitarian regimes, named in that subset of cables.
WikiLeaks said in a statement that it “advanced its regular publication schedule, to get as much of the material as possible into the hands of journalists and human rights lawyers who need it,” before information about the file and passphrase was widely published and repressive regimes sifted through the cables. WikiLeaks has been soliciting votes from the public on whether people agree or disagree that all 250,000 of the cables should be released in raw, unredacted form. The popular vote favors release, and WikiLeaks has telegraphed on Twitter its intention to publish. But this time third parties have overtaken the secret-spilling site, and the file is already easily found elsewhere.
WikiLeaks blames the Guardian for disclosing the password, which it did so in a book it published earlier this year about its collaboration with WikiLeaks. WikiLeaks called the Guardian’s action “gross negligence or malice.” “The Guardian disclosure is a violation of the confidentiality agreement between WikiLeaks and Alan Rusbridger, editor-in-chief of the Guardian, signed July 30, 2010,” the group said in a lengthy statement.
The Guardian has downplayed its role in the debacle, while simultaneously revealing a lack of security savviness at the dawn of its relationship with WikiLeaks. The paper notes that although the Guardian’s book did reveal the passphrase, it did not reveal the location of the file, and that Assange had told the paper that “it was a temporary password which would expire and be deleted in a matter of hours. It was a meaningless piece of information to anyone except the person(s) who created the database.”
“No concerns were expressed when the book was published and if anyone at WikiLeaks had thought this compromised security they have had seven months to remove the files,” the paper went on to say. “That they didn’t do so clearly shows the problem was not caused by the Guardian’s book.”
Crypto keys, however, last forever, and even if WikiLeaks hadn’t blundered in its handling of the encrypted file, the Guardian clearly should have treated the key as highly-sensitive for the foreseeable future.
The fracas heated up last Friday when an editor for the German news weekly Der Freitag revealed that his publication had found the uncensored cables in a 1.73-GB password-protected file named “cables.csv” that was available on the internet, and that the password had inadvertently been published online.
WikiLeaks revealed on Wednesday that the passphrase was indeed been published in a book written by Leigh. In the book, Leigh wrote that during the paper’s meeting with Assange in Belgium last year, Assange had given him the passphrase, in part in writing, and in part orally.
Assange had told the paper that the file, which was placed in a subdirectory on a WikiLeaks server, would remain online only a short time, after which it would be removed. Assange, however, apparently never removed the file, and it later found its way into the hands of the organization’s former spokesman, Daniel Domscheit-Berg, and then back to WikiLeaks, after which it wound up on BitTorrent as part of a large archive of WikiLeaks files, which could be downloaded by anyone.
Kim Zetter @'Wired'

Bob Marley & The Wailers Live @ Lyceum Ballroom, London - 18-07-1975


 
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Keeping It Peel 
Listen to John Peel's 50th birthday w/live perf from House Of Love/Wedding Present/The Fall: 1) 2)
WikiLeaks 
WIKILEAKS RELEASE: Australia: All US cables from Australia released, including SECRET, CONFIDENTIAL

Thursday, 1 September 2011

EFF to Court: Don't Let Government Hide Illegal Surveillance

9/11 children's colouring book angers US Muslims

A colouring book about the events of 9/11, complete with pictures of the burning twin towers and the execution of a cowering Osama bin Laden for children to fill in, has provoked outrage among American Muslims.
We Shall Never Forget 9/11: The Kids' Book of Freedom has just been released by the Missouri-based publisher Really Big Coloring Books, which says it is "designed to be a tool that parents can use to help teach children about the facts surrounding 9/11". Showing scenes from 9/11 for children to colour in and telling the story of the attacks and the subsequent hunt for Osama bin Laden, "the book was created with honesty, integrity, reverence, respect and does not shy away from the truth", according to its publisher, which says that it has sold out of its first print run of 10,000 copies.
One page of the $6.99 book, which has been given a PG rating, shows Bin Laden hiding behind a hijab-wearing woman as he is shot by a Navy SEAL. "Being the elusive character that he was, and after hiding out with his terrorist buddies in Pakistan and Afghanistan, American soldiers finally locate the terrorist leader Osama bin Laden," runs the text accompanying the picture. "Children, the truth is, these terrorist acts were done by freedom-hating radical Islamic Muslim extremists. These crazy people hate the American way of life because we are FREE and our society is FREE."
The Council on American-Islamic Relations has condemned the book as "disgusting", saying that it characterises all Muslims as linked to extremism, terrorism and radicalism, which could lead children reading the book to believe that all Muslims are responsible for 9/11, and that followers of the Islamic faith are their enemies.
Ibrahim Hooper, communications director for the organisation, told the Toronto Star that "America is full of these individuals and groups seeking to demonise Islam and marginalise Muslims and it's just a fact of life in the post-9/11 era". Nonetheless, he expressed his hope that "parents would recognise the agenda behind this book and not expose their children to intolerance or religious hatred".
Publisher Wayne Bell told American television that the book does not portray Muslims "in a negative light at all. That is incorrect. This is about 19 terrorist hijackers that came over here under the leadership of a devil worshipper, Osama bin Laden, to murder our people," Bell said. "He [Dawud Walid, executive director of CAIR] calls the book disgusting ... but he should call the people in the book, the 19 terrorists, Osama bin Laden, he should call him disgusting. This is history. It is absolutely factual."
But Walid said that "given the fact that this is a very emotional and sensitive topic and that there were Muslims who were victims in 9/11 [and] who were first responders, we think it would have been more responsible if the language would not have been such that every time Muslim was used it's radical, extremist, terrorist ... All these characters are painted to the mind of a young person that perhaps all Muslims may be somewhat responsible for 9/11 or that Muslims are an enemy."
Really Big Coloring Books, which also published a colouring book teaching children about the Tea Party last year, has said that it will donate a portion of its proceeds from sales of the book to Bridges for Peace, "a Jerusalem-based, Bible-believing Christian organisation supporting Israel and building relationships between Christians and Jews worldwide through education and practical deeds expressing God's love and mercy".
Alison Flood @'The Guardian'

Glenn Greenwald: Celebrating the fall of a dictator

Billy Bragg: Music Needs to Get Political Again

How ironic that The Clash should be on the cover of the NME in the week that London was burning, that their faces should be staring out from the shelves as newsagents were ransacked and robbed by looters intent on anarchy in the UK. Touching too, that the picture should be from very early in their career – Joe with curly blond hair – for The Clash were formed in the wake of a London riot: the disturbances that broke out at the end of the Notting Hill Carnival of 1976.
At the time, the press reported it as the mindless violence of black youth intent on causing trouble; now we look back and recognise that it was the stirrings of what became our multicultural society – the moment when the first generation of black Britons declared that these streets belonged to them too.
The Notting Hill Riots of 35 years ago created a genuine ‘What The Fuck?’ moment – the first in Britain since the violent clashes between mods and rockers in the early 60s. While west London burned, the rest of society recoiled in terror at the anger they saw manifested on the streets of England. In the aftermath, severe jail sentences were handed down and police patrols stepped up in areas where there was a large immigrant population. Sound familiar?
But something else happened too – in the months that followed, bands appeared that sought to make sense of what went down on that hot August night. Aswad, Steel Pulse and Misty in Roots were among the reggae bands that stepped forward to speak for the black community.
Punk was galvanised into action by The Clash, whose debut album featured a picture of police charging towards black youth under the Westway on the back cover. Their first single, ‘White Riot’, was an explicit attempt to make a connection between the frustration faced by unemployed white youth and their black counterparts whose employment prospects were blighted by racism.
In the Clash interview from 1976 that was reprinted in the NME ‘riot issue’, Joe Strummer boldly said “We’re hoping to educate any kid who comes to listen us, just to keep them from joining the National Front”. That certainly worked in my case. When Notting Hill went up in smoke, I didn’t get it, yet, a year or so later, the first political activism that I ever took part in was the first Rock Against Racism Carnival in London. I’d been drawn by the fact that the Clash were top of the bill.
That event brought me into contact with some of the aforementioned British reggae bands, acts that had previously struggled to find white audiences. This coming together led directly to Two-Tone and to Artists Against Apartheid. These bands, black and white, didn’t end racism in Britain, but they helped me to understand why it had to be confronted...
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