OK I'm outta here for a couple of days as I'm flying down to see Television in Tasmania tomorrow night and staying there for a few extra days.
See you on the other side...
Oh! Sweet Nuthin'
23 minutes ago
Ever since the Voidoids, chord playing has been the priority; with Lloyd Cole, I’m trying to leave the high and low E’s ringing as much as possible, and then sliding chords around inside of that. My confidence has grown over the years, but I’ve never been entirely comfortable with solos. The way Richard Hell got them out of me was to make me do it over and over again until I got so angry and frustrated, I’d just smash away at the strings. Lou Reed generally left me alone. Some people think that the solo on Waves of Fear from “Blue Mask” was the best thing I ever did, and that’s all they want to hear, but I’d like to think I can play lyrical stuff and still put as much emotion in as that. Not the same kind of emotion, thank God… I really put myself in a state to play that part - it wasn’t fun at all. My biggest break, a Lou Reed album for RCA, and I thought I was going to have a nervous breakdown and that they’d have to call a taxi and send me home!
...The moments of brilliance were usually those most likely to lose him his following, such as a song-cycle of epic morbidity titled Berlin (1973), and Metal Machine Music (1975), a double album of guitar noise which could have been explicitly devised to ensure the termination of his recording contract
...Salman Rushdie opted to commemorate the singer in a message heavy with references to his songs: "My friend Lou Reed came to the end of his song. So very sad. But hey, Lou, you'll always take a walk on the wild side. Always a perfect day."