WHEN I was first elected to the Knesset, I was appalled at what I found. I discovered that, with rare exceptions, the intellectual level of the debates was close to zero. They consisted mainly of strings of clichés of the most commonplace variety. During most of the debates, the plenum was almost empty. Most participants spoke vulgar Hebrew. When voting, many members had no idea what they were voting for or against, they just followed the party whip.
That was 1967, when the Knesset included members like Levy Eshkol and Pinchas Sapir, David Ben-Gurion and Moshe Dayan, Menachem Begin and Yohanan Bader, Meir Yaari and Yaakov Chazan, for whom today's streets, highroads and neighborhoods are named.
In comparison to the present Knesset, that Knesset now looks like Plato’s Academy.
* * *
WHAT FRIGHTENED me more than anything else was the readiness of members to enact irresponsible laws for the sake of fleeting popularity, especially at times of mass hysteria. One of my first Knesset initiatives was to submit a bill which would have created a second chamber, a kind of Senate, composed of outstanding personalities, with the power to hold up the enactment of new laws and compel the Knesset to reconsider them after an interval. This, I hoped, would prevent laws being hastily adopted in an atmosphere of excitement.
The bill was not considered seriously, neither by the Knesset nor by the general public. The Knesset almost unanimously voted it down. (After some years, several of the members told me that they regretted their vote.) The newspapers nicknamed the proposed chamber “the House of Lords” and ridiculed it. Haaretz devoted a whole page of cartoons to the proposal, depicting me in the garb of a British peer.
So there is no brake. The production of irresponsible laws, most of them racist and anti-democratic, is booming. The more the government itself is turning into an assembly of political hacks, the more the likelihood of its preventing such legislation is diminishing. The present government, the largest, basest and most despised in Israel’s history, is cooperating with the Knesset members who submit such bills, and even initiating them itself.
The only remaining obstacle to this recklessness is the Supreme Court. In the absence of a written constitution, it has taken upon itself the power to annul scandalous laws that violate democracy and human rights. But the Supreme Court itself is beleaguered by rightists who want to destroy it, and is moving with great caution. It intervenes only in the most extreme cases.
Thus a paradoxical situation has arisen: parliament, the highest expression of democracy, is itself now posing a dire threat to Israeli democracy.
* * *
THE MAN who personifies this phenomenon more than anyone else is MK Michael Ben-Ari of the “National Union” faction, the heir of Meir Kahane, whose organization “Kach” (“Thus”) was outlawed many years ago because of its openly fascist character.
Kahane himself was elected to the Knesset only once. The reaction of the other members was unequivocal: whenever he rose to speak, almost all the other members left the hall. The rabbi had to make his speeches before a handful of ultra-right colleagues.
A few weeks ago I visited the present Knesset for the first time since its election. I went there to listen to a debate about a subject that concerns me too: the decision of the Palestinian Authority to boycott the products of the settlements, a dozen years after Gush Shalom started this boycott. I spent some hours in the building, and from hour to hour my revulsion deepened.
The main cause was a circumstance I had not been aware of: MK Ben-Ari, the disciple and admirer of Kahane, holds sway there. Not only is he not an isolated outsider on the fringe of parliamentary life, as his mentor had been, but on the contrary, he is at the center. I saw the members of almost all other factions crowding around him in the members’ cafeteria and listening to his perorations with rapt attention in the plenum. No doubt can remain that Kahanism – the Israeli version of fascism – has moved from the margin to center stage...
Continue Reading
Uri Avnery @'Counterpunch'
No comments:
Post a Comment